Void

Void

A composition dominated by empty space, often black or white, evoking isolation, minimalism, or introspection.

Movie still from “Burberry & Pop Trading Company - Capsule Collection” (2022) – Medium shot, Overhead angle
Movie still from “Apple Music - Stay” (2023) – Extreme Close Up shot, Low angle
Movie still from “Wimbledon - It’s A Wimbledon Thing” (2021) – Wide shot, Overhead angle
Movie still from “Travis Scott - FE!N” (2024), directed by Gabriel Moses – Wide shot, Overhead angle
Movie still from “Apple Music - Stay” (2023) – Close Up shot, Low angle
Movie still from “emmy Curl - Come Closer” (2014), directed by Nuno Barbosa – Extreme Close Up shot, Overhead angle
Movie still from “KitKat - Break Épico” (2023) – Close Up shot, Low angle
Movie still from “Instagram - Yours to Make” (2021) – Extreme Wide shot, Overhead angle
Movie still from “emmy Curl - Come Closer” (2014), directed by Nuno Barbosa – Close Up shot, Low angle
Movie still from “Elderbrook - Why Do We Shake In The Cold?” (2020), directed by Jara Moravec – Wide shot, Overhead angle
Movie still from “Instagram - Yours to Make” (2021) – Medium shot, Low angle
Movie still from “AJR - Maybe Man” (2024), directed by Edoardo Ranaboldo – Wide shot, High angle
Movie still from “AJR - Maybe Man” (2024), directed by Edoardo Ranaboldo – Medium shot, Low angle
Movie still from “AJR - Maybe Man” (2024), directed by Edoardo Ranaboldo – Wide shot, Low angle
Movie still from “João Borsch - Apaz” (2023), directed by Inês Aires – Extreme Close Up shot, Low angle
Movie still from “emmy Curl - Come Closer” (2014), directed by Nuno Barbosa – Extreme Close Up shot, Low angle
Movie still from “emmy Curl - Come Closer” (2014), directed by Nuno Barbosa – Extreme Close Up shot, Low angle
Movie still from “Nomis - Damn Boots” (2009) – Close Up shot, Low angle
Movie still from “Nike - Skepta SkAir Air Max Tailwind V” (2021) – Wide shot, Low angle
Movie still from “Canon - Live for The Story” (2017) – Extreme Wide shot, High angle
Movie still from “KitKat - Break Épico” (2023) – Extreme Close Up shot, Overhead angle
Movie still from “adidas Originals - Original Is Never Finished (Chapter 3)” (2017) – Wide shot, High angle
Movie still from “emmy Curl - Come Closer” (2014), directed by Nuno Barbosa – Extreme Close Up shot, Overhead angle
Movie still from “Bree Runway - Just Like That” (2024), directed by Pietro Biz Biasia – Medium shot, Low angle
Movie still from “Skims - Lab” (2024) – Extreme Close Up shot, Overhead angle
Movie still from “KitKat - Break Épico” (2023) – Medium shot, Overhead angle
Movie still from “Killdummies - Keine War Großartig//Fukk U” (2023), directed by Tom Klimek – Extreme Wide shot, Low angle
Movie still from “Flume - Say Nothing” (2022), directed by Michael Hili – Extreme Close Up shot, Overhead angle
Movie still from “Flume - Say Nothing” (2022), directed by Michael Hili – Medium shot, High angle
Movie still from “Max Cooper - Repetition” (2019), directed by Kevin McGloughlin – Extreme Wide shot, Overhead angle
Movie still from “Killdummies - Keine War Großartig//Fukk U” (2023), directed by Tom Klimek – Wide shot, Low angle
Movie still from “Jessica Helfand - FACE” (2021) – Medium shot, Over the shoulder angle
Movie still from “Latto - Sunday Service” (2024), directed by Hidji World – Medium shot, Low angle
Movie still from “Dell - Get Into Your Youniverse” (2021) – Wide shot, High angle
Movie still from “emmy Curl - Come Closer” (2014), directed by Nuno Barbosa – Extreme Close Up shot, Overhead angle
Movie still from “Apple Music - Stay” (2023) – Close Up shot, Low angle
Movie still from “KitKat - Break Épico” (2023) – Extreme Close Up shot, Overhead angle
Movie still from “Cadillac ft. RZA - Path of Arrival” (2021) – Extreme Close Up shot, Low angle
Movie still from “Nomis - Damn Boots” (2009) – Wide shot, Low angle
Movie still from “Burberry & Pop Trading Company - Capsule Collection” (2022) – Wide shot, Low angle
Movie still from “Canon - Live for The Story” (2017) – Close Up shot, High angle
Movie still from “Dell - Get Into Your Youniverse” (2021) – Wide shot, High angle
Movie still from “AJR - Maybe Man” (2024), directed by Edoardo Ranaboldo – Medium shot, Low angle
Movie still from “Apple Music - Stay” (2023) – Extreme Close Up shot, High angle
Movie still from “AJR - Maybe Man” (2024), directed by Edoardo Ranaboldo – Medium shot, Low angle
Movie still from “KitKat - Break Épico” (2023) – Wide shot, Low angle
Movie still from “Travis Scott - FE!N” (2024), directed by Gabriel Moses – Medium shot, Low angle
Movie still from “Apple Music - Stay” (2023) – Close Up shot, Low angle
Movie still from “AJR - Maybe Man” (2024), directed by Edoardo Ranaboldo – Close Up shot, Low angle
Movie still from “Wimbledon - It’s A Wimbledon Thing” (2021) – Wide shot, High angle
Movie still from “Nike - Skepta SkAir Air Max Tailwind V” (2021) – Medium shot, High angle
Movie still from “Dell - Get Into Your Youniverse” (2021) – Wide shot, High angle
Movie still from “AJR - Maybe Man” (2024), directed by Edoardo Ranaboldo – Extreme Wide shot, Low angle
Movie still from “KitKat - Break Épico” (2023) – Extreme Wide shot, Overhead angle
Movie still from “Wimbledon - It’s A Wimbledon Thing” (2021) – Wide shot, Overhead angle
Movie still from “Apple Music - Stay” (2023) – Extreme Close Up shot, Low angle
Movie still from “Bree Runway - Just Like That” (2024), directed by Pietro Biz Biasia – Medium shot, Overhead angle
Movie still from “Travis Scott - FE!N” (2024), directed by Gabriel Moses – Medium shot, Low angle
Movie still from “Canon - Live for The Story” (2017) – Wide shot, High angle
Movie still from “emmy Curl - Come Closer” (2014), directed by Nuno Barbosa – Extreme Close Up shot, Overhead angle
Movie still from “AJR - Maybe Man” (2024), directed by Edoardo Ranaboldo – Extreme Close Up shot, Low angle
Movie still from “Rema - Trouble Maker” (2023), directed by Meji Alabi – Extreme Wide shot, High angle
Movie still from “João Borsch - Apaz” (2023), directed by Inês Aires – Close Up shot, Low angle
Movie still from “Bree Runway - Just Like That” (2024), directed by Pietro Biz Biasia – Extreme Close Up shot, Low angle
Movie still from “Exeed Rx - Aruzhan Jazilbekova” (2024) – Wide shot, Over the shoulder angle
Movie still from “Latto - Sunday Service” (2024), directed by Hidji World – Medium shot, Over the shoulder angle