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Echo Print

Echo Print

Repeated ghost-like trails of motion to suggest memory, deja vu, or hallucination. Often used in dream sequences.

Movie still from “AJR - The DJ Is Crying For Help” (2022), directed by Austin Roa – Wide shot, Low angle

Movie still from “USHER, H.E.R. - Risk It All” (2024), directed by Dave Meyers – Wide shot, Low angle

Movie still from “USHER, H.E.R. - Risk It All” (2024), directed by Dave Meyers – Medium shot, Over the shoulder angle

Movie still from “USHER, H.E.R. - Risk It All” (2024), directed by Dave Meyers – Medium shot, Over the shoulder angle

Movie still from “Omega - Road to the Olympics” (2024) – Medium shot, Over the shoulder angle

Movie still from “Bree Runway - Just Like That” (2024), directed by Pietro Biz Biasia – Medium shot, High angle

Movie still from “Travis Scott - FE!N” (2024), directed by Gabriel Moses – Medium shot, Low angle

Movie still from “USHER, H.E.R. - Risk It All” (2024), directed by Dave Meyers – Wide shot, Low angle

Movie still from “AJR - The DJ Is Crying For Help” (2022), directed by Austin Roa – Extreme Wide shot, Low angle

Movie still from “USHER, H.E.R. - Risk It All” (2024), directed by Dave Meyers – Medium shot, Over the shoulder angle

Movie still from “USHER, H.E.R. - Risk It All” (2024), directed by Dave Meyers – Medium shot, Low angle

Movie still from “Dua Lipa - Training Season” (2024), directed by Vincent Haycock – Wide shot, High angle

Movie still from “Oppo - Make Every Shot Stand Out” (2024) – Close Up shot, High angle

Movie still from “Dua Lipa - Training Season” (2024), directed by Vincent Haycock – Wide shot, High angle

Movie still from “Victoria Monét - Alright” (2024), directed by Dave Meyers – Medium shot, Low angle

Movie still from “AJR - The DJ Is Crying For Help” (2022), directed by Austin Roa – Wide shot, Low angle

Movie still from “Bree Runway - Just Like That” (2024), directed by Pietro Biz Biasia – Close Up shot, Low angle

Movie still from “USHER, H.E.R. - Risk It All” (2024), directed by Dave Meyers – Wide shot, Low angle

Movie still from “Dua Lipa - Training Season” (2024), directed by Vincent Haycock – Medium shot, Over the shoulder angle

Movie still from “AJR - The DJ Is Crying For Help” (2022), directed by Austin Roa – Wide shot, Low angle

Movie still from “AJR - The DJ Is Crying For Help” (2022), directed by Austin Roa – Medium shot, High angle

Movie still from “Travis Scott - FE!N” (2024), directed by Gabriel Moses – Wide shot, Overhead angle

Movie still from “Travis Scott - FE!N” (2024), directed by Gabriel Moses – Medium shot, Low angle

Movie still from “AJR - The DJ Is Crying For Help” (2022), directed by Austin Roa – Medium shot, High angle

Movie still from “Dua Lipa - Training Season” (2024), directed by Vincent Haycock – Close Up shot, Low angle

Movie still from “Bree Runway - Just Like That” (2024), directed by Pietro Biz Biasia – Medium shot, High angle

Movie still from “Empimic - Bittere Welt” (2021), directed by Angelo Kovatchev – Close Up shot, Low angle

Movie still from “AJR - The DJ Is Crying For Help” (2022), directed by Austin Roa – Wide shot, Low angle

Movie still from “Dua Lipa - Training Season” (2024), directed by Vincent Haycock – Extreme Wide shot, High angle

Movie still from “AJR - The DJ Is Crying For Help” (2022), directed by Austin Roa – Medium shot, High angle

Movie still from “AJR - The DJ Is Crying For Help” (2022), directed by Austin Roa – Wide shot, High angle

Movie still from “Lil Nas X, Youngboy Never Broke Again - Late To Da Party” (2022), directed by Gibson Hazard – Medium shot, Over the shoulder angle

Movie still from “João Borsch - Apaz” (2023), directed by Inês Aires – Extreme Close Up shot, Low angle

Movie still from “Shit Robot - Take Em Up” (2010), directed by Eoghan Kidney – Wide shot, Low angle

Movie still from “Empimic - Bittere Welt” (2021), directed by Angelo Kovatchev – Wide shot, Low angle

Movie still from “Dua Lipa - Training Season” (2024), directed by Vincent Haycock – Medium shot, High angle

Movie still from “João Borsch - Apaz” (2023), directed by Inês Aires – Medium shot, High angle

Movie still from “João Borsch - Apaz” (2023), directed by Inês Aires – Extreme Close Up shot, Low angle

Movie still from “Shit Robot - Take Em Up” (2010), directed by Eoghan Kidney – Medium shot, Low angle

Movie still from “Empimic - Bittere Welt” (2021), directed by Angelo Kovatchev – Medium shot, Over the shoulder angle

Movie still from “João Borsch - Apaz” (2023), directed by Inês Aires – Extreme Close Up shot, Low angle

Movie still from “Botis Seva - Santo” (2022), directed by Freddie Leyden – Wide shot, High angle

Movie still from “Shit Robot - Take Em Up” (2010), directed by Eoghan Kidney – Wide shot, Low angle

Movie still from “Ken Carson - Fighting My Demons” (2023), directed by Cole Bennett – Extreme Close Up shot, Low angle

Movie still from “AJR - The DJ Is Crying For Help” (2022), directed by Austin Roa – Wide shot, High angle

Movie still from “O'Neill - Waveform” (2015) – Extreme Wide shot, Low angle

Movie still from “Snipes x Nike - The Cypher” (2023) – Extreme Wide shot, Overhead angle

Movie still from “Empimic - Bittere Welt” (2021), directed by Angelo Kovatchev – Extreme Close Up shot, Over the shoulder angle

Movie still from “Burberry & Pop Trading Company - Capsule Collection” (2022) – Wide shot, Low angle

Movie still from “Empimic - Bittere Welt” (2021), directed by Angelo Kovatchev – Medium shot, Low angle

Movie still from “Yeat - Riot & Set it off” (2024), directed by Trey Lyons – Extreme Close Up shot, Low angle

Movie still from “João Borsch - Apaz” (2023), directed by Inês Aires – Medium shot, Low angle

Movie still from “Yeat - Riot & Set it off” (2024), directed by Trey Lyons – Medium shot, Low angle

Movie still from “Shit Robot - Take Em Up” (2010), directed by Eoghan Kidney – Medium shot, Low angle

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Movie still from “Bree Runway - Just Like That” (2024), directed by Pietro Biz Biasia – Extreme Close Up shot, Low angle

Movie still from “Empimic - Bittere Welt” (2021), directed by Angelo Kovatchev – Extreme Wide shot, Low angle

Movie still from “Bree Runway - Just Like That” (2024), directed by Pietro Biz Biasia – Extreme Close Up shot, Overhead angle

Movie still from “Ken Carson - Fighting My Demons” (2023), directed by Cole Bennett – Medium shot, Overhead angle

Movie still from “Oddworld x Souly - wzf / maybach” (2024), directed by Florian Christopher – Extreme Close Up shot, Overhead angle

Movie still from “Ken Carson - Fighting My Demons” (2023), directed by Cole Bennett – Extreme Close Up shot, Overhead angle

Movie still from “Shit Robot - Take Em Up” (2010), directed by Eoghan Kidney – Medium shot, Low angle

Movie still from “Shit Robot - Take Em Up” (2010), directed by Eoghan Kidney – Medium shot, Low angle

Movie still from “Oddworld x Souly - wzf / maybach” (2024), directed by Florian Christopher – Extreme Close Up shot, High angle

Movie still from “Omega - Road to the Olympics” (2024) – Extreme Close Up shot, Low angle

Movie still from “Oddworld x Souly - wzf / maybach” (2024), directed by Florian Christopher – Extreme Close Up shot, High angle

Movie still from “Shit Robot - Take Em Up” (2010), directed by Eoghan Kidney – Medium shot, Low angle

Movie still from “Omega - Road to the Olympics” (2024) – Extreme Close Up shot, Overhead angle