Dolly

Dolly

The camera moves smoothly on a track toward or away from the subject, creating depth and a cinematic feel.

Movie still from “IKEA - Show Off Your Savvy” (2023) – Wide shot, Low angle
Movie still from “KitKat - Break Épico” (2023) – Extreme Wide shot, Overhead angle
Movie still from “Kendrick Lamar - HUMBLE.” (2017), directed by Dave Meyers – Medium shot, High angle
Movie still from “AJ Tracey - Bubble Bath” (2024), directed by Late Milk – Wide shot, Low angle
Movie still from “Aiza - Majimbo” (2023), directed by Will Niava – Close Up shot, Low angle
Movie still from “Aiza - Majimbo” (2023), directed by Will Niava – Close Up shot, High angle
Movie still from “Duda Beat feat. Trevo - Nem Um Pouquinho” (2021), directed by Alaska – Extreme Wide shot, Low angle
Movie still from “Saint Levant - Nails” (2023), directed by Mattias Russo-Larsson – Medium shot, Low angle
Movie still from “Aiza - Majimbo” (2023), directed by Will Niava – Medium shot, High angle
Movie still from “Lil Dicky - HAHAHA” (2024), directed by Phillip R Lopez – Wide shot, Low angle
Movie still from “Valentino Khan - Deep Down Low” (2016), directed by Ian Pons Jewell – Close Up shot, High angle
Movie still from “Saint Levant - Nails” (2023), directed by Mattias Russo-Larsson – Wide shot, High angle
Movie still from “ONHA - KODAK” (2024), directed by Nitram – Wide shot, Low angle
Movie still from “Delta - Runways” (2018) – Extreme Wide shot, High angle
Movie still from “Aiza - Majimbo” (2023), directed by Will Niava – Medium shot, Low angle
Movie still from “Squarespace - The Singularity” (2023) – Close Up shot, High angle
Movie still from “KitKat - Break Épico” (2023) – Wide shot, Low angle
Movie still from “Squarespace - The Singularity” (2023) – Medium shot, Low angle
Movie still from “Aiza - Majimbo” (2023), directed by Will Niava – Wide shot, Low angle
Movie still from “IKEA - Show Off Your Savvy” (2023) – Extreme Close Up shot, Overhead angle
Movie still from “Sabrina Carpenter - Espresso” (2024), directed by Dave Meyers – Medium shot, Low angle
Movie still from “Aiza - Majimbo” (2023), directed by Will Niava – Close Up shot, Low angle
Movie still from “Apple Arcade - A New World To Play In” (2020) – Medium shot, Low angle
Movie still from “Elderbrook - Why Do We Shake In The Cold?” (2020), directed by Jara Moravec – Extreme Wide shot, High angle
Movie still from “Duda Beat feat. Trevo - Nem Um Pouquinho” (2021), directed by Alaska – Medium shot, Over the shoulder angle
Movie still from “Aiza - Majimbo” (2023), directed by Will Niava – Medium shot, Low angle
Movie still from “Lil Dicky - HAHAHA” (2024), directed by Phillip R Lopez – Wide shot, High angle
Movie still from “Sabrina Carpenter - Espresso” (2024), directed by Dave Meyers – Close Up shot, Low angle
Movie still from “Saint Levant - Nails” (2023), directed by Mattias Russo-Larsson – Close Up shot, High angle
Movie still from “Latto - Sunday Service” (2024), directed by Hidji World – Wide shot, High angle
Movie still from “Aiza - Majimbo” (2023), directed by Will Niava – Close Up shot, High angle
Movie still from “AJ Tracey - Bubble Bath” (2024), directed by Late Milk – Close Up shot, High angle
Movie still from “Delta - Runways” (2018) – Wide shot, High angle
Movie still from “KitKat - Break Épico” (2023) – Medium shot, Overhead angle
Movie still from “Rema - Trouble Maker” (2023), directed by Meji Alabi – Wide shot, High angle
Movie still from “AJ Tracey - Bubble Bath” (2024), directed by Late Milk – Close Up shot, Low angle
Movie still from “Aiza - Majimbo” (2023), directed by Will Niava – Medium shot, Low angle
Movie still from “KitKat - Break Épico” (2023) – Extreme Close Up shot, Overhead angle
Movie still from “Trophy Room - Air Jordan "Rookie Card"” (2024) – Wide shot, Low angle
Movie still from “Elderbrook - Why Do We Shake In The Cold?” (2020), directed by Jara Moravec – Medium shot, Low angle
Movie still from “Trophy Room - Air Jordan "Rookie Card"” (2024) – Wide shot, Low angle
Movie still from “AJ Tracey - Bubble Bath” (2024), directed by Late Milk – Extreme Close Up shot, Low angle
Movie still from “Rema - Trouble Maker” (2023), directed by Meji Alabi – Medium shot, Overhead angle
Movie still from “Sabrina Carpenter - Espresso” (2024), directed by Dave Meyers – Wide shot, Low angle
Movie still from “Delta - Runways” (2018) – Wide shot, High angle
Movie still from “Dillon Francis, Good Times Ahead - LA On Acid” (2023), directed by Parker Seaman – Wide shot, Over the shoulder angle
Movie still from “Aiza - Majimbo” (2023), directed by Will Niava – Medium shot, Low angle
Movie still from “Aiza - Majimbo” (2023), directed by Will Niava – Medium shot, Over the shoulder angle
Movie still from “Lil Yachty - TESLA” (2023), directed by Cole Bennett – Medium shot, Overhead angle
Movie still from “Rema - Trouble Maker” (2023), directed by Meji Alabi – Wide shot, Low angle
Movie still from “Apple Arcade - A New World To Play In” (2020) – Wide shot, High angle
Movie still from “Lil Dicky - HAHAHA” (2024), directed by Phillip R Lopez – Wide shot, High angle
Movie still from “Delta - Runways” (2018) – Wide shot, Low angle
Movie still from “ASD - Legendär / Populär” (2015), directed by David Aufdembrinke – Extreme Close Up shot, Overhead angle
Movie still from “DJ Pone (ft. Blasé) - All I Want” (2023), directed by Benoît Marzouvanlian – Extreme Wide shot, Low angle
Movie still from “KitKat - Break Épico” (2023) – Wide shot, High angle
Movie still from “ONHA - KODAK” (2024), directed by Nitram – Medium shot, Low angle
Movie still from “Salomon - Tomorrow is yours” (2023) – Wide shot, Low angle
Movie still from “ASD - Legendär / Populär” (2015), directed by David Aufdembrinke – Extreme Close Up shot, Low angle
Movie still from “Oblé Reed - WESTON” (2023), directed by Nash Pearson – Medium shot, Low angle
Movie still from “ROSALÍA - DIABLO” (2022) – Medium shot, Low angle
Movie still from “Oblé Reed - WESTON” (2023), directed by Nash Pearson – Medium shot, Over the shoulder angle
Movie still from “ASD - Legendär / Populär” (2015), directed by David Aufdembrinke – Extreme Close Up shot, Low angle
Movie still from “Delta - Runways” (2018) – Wide shot, Overhead angle
Movie still from “Delta - Runways” (2018) – Extreme Close Up shot, Low angle
Movie still from “Delta - Runways” (2018) – Medium shot, Overhead angle
Movie still from “Lil Dicky - HAHAHA” (2024), directed by Phillip R Lopez – Close Up shot, High angle
Movie still from “Delta - Runways” (2018) – Wide shot, High angle
Movie still from “Dillon Francis, Good Times Ahead - LA On Acid” (2023), directed by Parker Seaman – Wide shot, High angle
Movie still from “ASD - Legendär / Populär” (2015), directed by David Aufdembrinke – Extreme Close Up shot, Overhead angle
Movie still from “Apple Arcade - A New World To Play In” (2020) – Medium shot, High angle
Movie still from “Squarespace - The Singularity” (2023) – Medium shot, Low angle
Movie still from “Oblé Reed - WESTON” (2023), directed by Nash Pearson – Medium shot, Low angle
Movie still from “DJ Pone (ft. Blasé) - All I Want” (2023), directed by Benoît Marzouvanlian – Wide shot, Low angle
Movie still from “Dillon Francis, Good Times Ahead - LA On Acid” (2023), directed by Parker Seaman – Close Up shot, Over the shoulder angle
Movie still from “Sabrina Carpenter - Espresso” (2024), directed by Dave Meyers – Wide shot, High angle
Movie still from “ASD - Legendär / Populär” (2015), directed by David Aufdembrinke – Extreme Close Up shot, Low angle
Movie still from “ROSALÍA - DIABLO” (2022) – Medium shot, Low angle
Movie still from “ASD - Legendär / Populär” (2015), directed by David Aufdembrinke – Extreme Close Up shot, Low angle
Movie still from “Delta - Runways” (2018) – Extreme Wide shot, High angle
Movie still from “Elderbrook - Why Do We Shake In The Cold?” (2020), directed by Jara Moravec – Extreme Close Up shot, Low angle
Movie still from “Lil Dicky - HAHAHA” (2024), directed by Phillip R Lopez – Medium shot, Low angle
Movie still from “ROSALÍA - DIABLO” (2022) – Medium shot, Low angle
Movie still from “ROSALÍA - DIABLO” (2022) – Close Up shot, Low angle
Movie still from “DJ Pone (ft. Blasé) - All I Want” (2023), directed by Benoît Marzouvanlian – Wide shot, Overhead angle
Movie still from “Aiza - Majimbo” (2023), directed by Will Niava – Medium shot, Low angle
Movie still from “Apple Arcade - A New World To Play In” (2020) – Extreme Close Up shot, Low angle
Movie still from “ASD - Legendär / Populär” (2015), directed by David Aufdembrinke – Extreme Close Up shot, Low angle
Movie still from “ROSALÍA - DIABLO” (2022) – Wide shot, Low angle
Movie still from “ROSALÍA - DIABLO” (2022) – Wide shot, High angle
Movie still from “DJ Pone (ft. Blasé) - All I Want” (2023), directed by Benoît Marzouvanlian – Wide shot, Low angle
Movie still from “Vince Staples - Norf Norf” (2015), directed by Vince Staples – Medium shot, Over the shoulder angle
Movie still from “Rema - Trouble Maker” (2023), directed by Meji Alabi – Close Up shot, Low angle
Movie still from “Oppo - Make Every Shot Stand Out” (2024) – Extreme Close Up shot, High angle
Movie still from “Latto - Sunday Service” (2024), directed by Hidji World – Extreme Close Up shot, Overhead angle
Movie still from “Latto - Sunday Service” (2024), directed by Hidji World – Wide shot, Overhead angle
Movie still from “ONHA - KODAK” (2024), directed by Nitram – Wide shot, Overhead angle
Movie still from “DJ Pone (ft. Blasé) - All I Want” (2023), directed by Benoît Marzouvanlian – Extreme Wide shot, Low angle
Movie still from “DJ Pone (ft. Blasé) - All I Want” (2023), directed by Benoît Marzouvanlian – Extreme Wide shot, Low angle
Movie still from “ASD - Legendär / Populär” (2015), directed by David Aufdembrinke – Wide shot, Low angle