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Snorricam

Snorricam

A camera rigged to the actor’s body, keeping them centered in frame while the background moves chaotically. Creates a visceral, immersive effect.

Movie still from “AJR - The DJ Is Crying For Help” (2022), directed by Austin Roa – Wide shot, Low angle

Movie still from “Sam Akpro - Death By Entertainment” (2023), directed by Pedro Takahashi – Extreme Close Up shot, Low angle

Movie still from “Paul Trillo - The Irrational Fear of Nothing” (2016) – Medium shot, High angle

Movie still from “Sam Akpro - Death By Entertainment” (2023), directed by Pedro Takahashi – Close Up shot, Low angle

Movie still from “AJR - The DJ Is Crying For Help” (2022), directed by Austin Roa – Extreme Close Up shot, High angle

Movie still from “Paul Trillo - The Irrational Fear of Nothing” (2016) – Medium shot, Over the shoulder angle

Movie still from “Paul Trillo - The Irrational Fear of Nothing” (2016) – Medium shot, Overhead angle

Movie still from “Paul Trillo - The Irrational Fear of Nothing” (2016) – Medium shot, Over the shoulder angle

Movie still from “Paul Trillo - The Irrational Fear of Nothing” (2016) – Medium shot, Over the shoulder angle

Movie still from “Paul Trillo - The Irrational Fear of Nothing” (2016) – Medium shot, Over the shoulder angle

Movie still from “Sam Akpro - Death By Entertainment” (2023), directed by Pedro Takahashi – Medium shot, Low angle

Movie still from “Paul Trillo - The Irrational Fear of Nothing” (2016) – Medium shot, High angle

Movie still from “Getter - Head Splitter” (2015), directed by Liam Underwood – Close Up shot, Low angle

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Movie still from “Paul Trillo - The Irrational Fear of Nothing” (2016) – Medium shot, Overhead angle

Movie still from “Paul Trillo - The Irrational Fear of Nothing” (2016) – Medium shot, Over the shoulder angle

Movie still from “Paul Trillo - The Irrational Fear of Nothing” (2016) – Medium shot, Over the shoulder angle

Movie still from “Paul Trillo - The Irrational Fear of Nothing” (2016) – Medium shot, High angle

Movie still from “Paul Trillo - The Irrational Fear of Nothing” (2016) – Medium shot, Over the shoulder angle

Movie still from “Getter - Head Splitter” (2015), directed by Liam Underwood – Extreme Close Up shot, Low angle

Movie still from “Paul Trillo - The Irrational Fear of Nothing” (2016) – Medium shot, Over the shoulder angle

Movie still from “Getter - Head Splitter” (2015), directed by Liam Underwood – Extreme Close Up shot, Overhead angle

Movie still from “Paul Trillo - The Irrational Fear of Nothing” (2016) – Medium shot, Over the shoulder angle

Movie still from “Paul Trillo - The Irrational Fear of Nothing” (2016) – Medium shot, High angle

Movie still from “Paul Trillo - The Irrational Fear of Nothing” (2016) – Medium shot, Over the shoulder angle

Movie still from “Paul Trillo - The Irrational Fear of Nothing” (2016) – Medium shot, High angle

Movie still from “Paul Trillo - The Irrational Fear of Nothing” (2016) – Medium shot, Over the shoulder angle

Movie still from “Getter - Head Splitter” (2015), directed by Liam Underwood – Close Up shot, Low angle

Movie still from “Lil Dicky - HAHAHA” (2024), directed by Phillip R Lopez – Wide shot, High angle

Movie still from “Lil Dicky - HAHAHA” (2024), directed by Phillip R Lopez – Extreme Wide shot, High angle

Movie still from “Oddworld x Souly - wzf / maybach” (2024), directed by Florian Christopher – Wide shot, Low angle

Movie still from “Oddworld x Souly - wzf / maybach” (2024), directed by Florian Christopher – Extreme Close Up shot, Overhead angle

Movie still from “Paul Trillo - The Irrational Fear of Nothing” (2016) – Medium shot, Overhead angle

Movie still from “Oddworld x Souly - wzf / maybach” (2024), directed by Florian Christopher – Extreme Close Up shot, Overhead angle

Movie still from “Getter - Head Splitter” (2015), directed by Liam Underwood – Extreme Close Up shot, High angle

Movie still from “Oddworld x Souly - wzf / maybach” (2024), directed by Florian Christopher – Extreme Close Up shot, High angle

Movie still from “Lil Dicky - HAHAHA” (2024), directed by Phillip R Lopez – Wide shot, High angle