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Jump Cut

Jump Cut

An intentional break in continuity that skips forward in time, creating a disjointed, energetic feel. Often used in vlogs and experimental film.

Movie still from “Halfprice - Fitting room” (2022) – Medium shot, Low angle

Movie still from “Aiza - Majimbo” (2023), directed by Will Niava – Close Up shot, Low angle

Movie still from “Aiza - Majimbo” (2023), directed by Will Niava – Close Up shot, High angle

Movie still from “Aiza - Majimbo” (2023), directed by Will Niava – Close Up shot, Low angle

Movie still from “Victoria Monét - Alright” (2024), directed by Dave Meyers – Medium shot, High angle

Movie still from “Halfprice - Fitting room” (2022) – Wide shot, Overhead angle

Movie still from “Miel De Montagne - Le Pigeon” (2023), directed by Morgan Jouquand – Wide shot, High angle

Movie still from “First Hawaiian Bank - Dance Party” (2022) – Medium shot, High angle

Movie still from “Aiza - Majimbo” (2023), directed by Will Niava – Close Up shot, High angle

Movie still from “Halfprice - Fitting room” (2022) – Medium shot, High angle

Movie still from “AJ Tracey - Wifey Riddim 4” (2024), directed by Late Milk – Extreme Close Up shot, Low angle

Movie still from “Miel De Montagne - Le Pigeon” (2023), directed by Morgan Jouquand – Wide shot, Low angle

Movie still from “Killdummies - Keine War Großartig//Fukk U” (2023), directed by Tom Klimek – Wide shot, Low angle

Movie still from “ONHA - KODAK” (2024), directed by Nitram – Close Up shot, Low angle

Movie still from “Lil Yachty - TESLA” (2023), directed by Cole Bennett – Medium shot, Overhead angle

Movie still from “Killdummies - Keine War Großartig//Fukk U” (2023), directed by Tom Klimek – Wide shot, Low angle

Movie still from “Carly Gibert - Dropping Seeds” (2023), directed by Luciana Baldovino – Close Up shot, High angle

Movie still from “Joost, Ski Aggu & Otto Waalkes - Friesenjung” (2023), directed by Joost Klein – Medium shot, High angle

Movie still from “Conswank - Holes In My Denim” (2023), directed by Seamus Brennan – Medium shot, High angle

Movie still from “Halfprice - Fitting room” (2022) – Medium shot, Low angle

Movie still from “HUSKY - Never-Ever” (2020), directed by Evgenii Bakirov – Close Up shot, Overhead angle

Movie still from “Miel De Montagne - Le Pigeon” (2023), directed by Morgan Jouquand – Wide shot, Low angle

Movie still from “Carly Gibert - Dropping Seeds” (2023), directed by Luciana Baldovino – Wide shot, High angle

Movie still from “Joost, Ski Aggu & Otto Waalkes - Friesenjung” (2023), directed by Joost Klein – Extreme Close Up shot, Overhead angle

Movie still from “21 Savage - redrum” (2024), directed by Danny Seth – Medium shot, Low angle

Movie still from “Conswank - Holes In My Denim” (2023), directed by Seamus Brennan – Medium shot, High angle

Movie still from “Joost, Ski Aggu & Otto Waalkes - Friesenjung” (2023), directed by Joost Klein – Medium shot, High angle

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Movie still from “NIKE x SIZE? - Content De Te Revoir” (2024) – Close Up shot, Low angle

Movie still from “H&M - Hotel Hennes” (2022) – Wide shot, Low angle

Movie still from “Bree Runway - Just Like That” (2024), directed by Pietro Biz Biasia – Extreme Close Up shot, Overhead angle

Movie still from “H&M - Hotel Hennes” (2022) – Wide shot, Low angle

Movie still from “Bree Runway - Just Like That” (2024), directed by Pietro Biz Biasia – Extreme Close Up shot, Overhead angle

Movie still from “Vince Staples - Norf Norf” (2015), directed by Vince Staples – Medium shot, Low angle

Movie still from “Metro Boomin & Future - Superhero (Heroes & Villains)” (2022) – Close Up shot, Over the shoulder angle

Movie still from “Killdummies - Keine War Großartig//Fukk U” (2023), directed by Tom Klimek – Medium shot, Low angle

Movie still from “Conswank - Holes In My Denim” (2023), directed by Seamus Brennan – Medium shot, High angle

Movie still from “Carly Gibert - Dropping Seeds” (2023), directed by Luciana Baldovino – Wide shot, High angle

Movie still from “Conswank - Holes In My Denim” (2023), directed by Seamus Brennan – Medium shot, Overhead angle

Movie still from “Conswank - Holes In My Denim” (2023), directed by Seamus Brennan – Extreme Close Up shot, High angle

Movie still from “Quavo x Takeoff - Hotel Lobby” (2022), directed by Keemotion – Close Up shot, Low angle

Movie still from “Halfprice - Fitting room” (2022) – Medium shot, Low angle

Movie still from “Downtown Kayoto - Came Thru” (2024), directed by Joe Howat – Extreme Close Up shot, High angle

Movie still from “Conswank - Holes In My Denim” (2023), directed by Seamus Brennan – Medium shot, Low angle

Movie still from “21 Savage - redrum” (2024), directed by Danny Seth – Extreme Close Up shot, High angle

Movie still from “Metro Boomin & Future - Superhero (Heroes & Villains)” (2022) – Medium shot, Over the shoulder angle

Movie still from “H&M - Hotel Hennes” (2022) – Medium shot, Over the shoulder angle

Movie still from “A$AP Rocky - D.M.B.” (2022), directed by A$AP Rocky – Wide shot, High angle

Movie still from “Lil Dicky - HAHAHA” (2024), directed by Phillip R Lopez – Close Up shot, High angle

Movie still from “Metro Boomin & Future - Superhero (Heroes & Villains)” (2022) – Wide shot, High angle

Movie still from “21 Savage - redrum” (2024), directed by Danny Seth – Wide shot, High angle

Movie still from “A$AP Rocky - D.M.B.” (2022), directed by A$AP Rocky – Wide shot, High angle

Movie still from “21 Savage - redrum” (2024), directed by Danny Seth – Medium shot, Low angle

Movie still from “Joost, Ski Aggu & Otto Waalkes - Friesenjung” (2023), directed by Joost Klein – Extreme Close Up shot, High angle

Movie still from “Lil Dicky - HAHAHA” (2024), directed by Phillip R Lopez – Medium shot, Low angle