Color Shift

Color Shift

Intentional change in color palette to reflect emotion, time, or psychological state. Frequently used for mood transitions.

Movie still from “Sony - Your World. Nothing Else” (2022) – Close Up shot, High angle
Movie still from “Offset ft. Moneybagg Yo - CODE” (2022), directed by Claire Arnold – Close Up shot, Low angle
Movie still from “Offset ft. Moneybagg Yo - CODE” (2022), directed by Claire Arnold – Close Up shot, Low angle
Movie still from “Flume - Say Nothing” (2022), directed by Michael Hili – Medium shot, Low angle
Movie still from “Halfprice - Fitting room” (2022) – Medium shot, Low angle
Movie still from “Sony - Your World. Nothing Else” (2022) – Close Up shot, Low angle
Movie still from “Saint Levant - Nails” (2023), directed by Mattias Russo-Larsson – Wide shot, Overhead angle
Movie still from “Sabrina Carpenter - Espresso” (2024), directed by Dave Meyers – Extreme Close Up shot, Low angle
Movie still from “Naomi August - Inter Alia” (2023), directed by Daniel Lawrence Wilson – Close Up shot, High angle
Movie still from “Halfprice - Fitting room” (2022) – Wide shot, Overhead angle
Movie still from “Jessica Helfand - FACE” (2021) – Medium shot, Over the shoulder angle
Movie still from “Halfprice - Fitting room” (2022) – Medium shot, High angle
Movie still from “Offset ft. Moneybagg Yo - CODE” (2022), directed by Claire Arnold – Wide shot, Low angle
Movie still from “Naomi August - Inter Alia” (2023), directed by Daniel Lawrence Wilson – Medium shot, High angle
Movie still from “Naomi August - Inter Alia” (2023), directed by Daniel Lawrence Wilson – Wide shot, Low angle
Movie still from “Saint Levant - Nails” (2023), directed by Mattias Russo-Larsson – Medium shot, Low angle
Movie still from “Naomi August - Inter Alia” (2023), directed by Daniel Lawrence Wilson – Medium shot, Low angle
Movie still from “Sabrina Carpenter - Espresso” (2024), directed by Dave Meyers – Extreme Close Up shot, Overhead angle
Movie still from “Saint Levant - Nails” (2023), directed by Mattias Russo-Larsson – Medium shot, Low angle
Movie still from “H&M - Come Together: A Fashion Picture in Motion” (2016) – Wide shot, High angle
Movie still from “Sabrina Carpenter - Espresso” (2024), directed by Dave Meyers – Close Up shot, Low angle
Movie still from “Halfprice - Fitting room” (2022) – Medium shot, Low angle
Movie still from “adidas Originals - Original Is Never Finished” (2018) – Medium shot, Low angle
Movie still from “adidas Originals - Original Is Never Finished” (2018) – Wide shot, Low angle
Movie still from “Sabrina Carpenter - Espresso” (2024), directed by Dave Meyers – Extreme Close Up shot, Overhead angle
Movie still from “Saint Levant - Nails” (2023), directed by Mattias Russo-Larsson – Medium shot, High angle
Movie still from “Jessica Helfand - FACE” (2021) – Medium shot, High angle
Movie still from “adidas Originals - Original Is Never Finished” (2018) – Wide shot, Low angle
Movie still from “Saint Levant - Nails” (2023), directed by Mattias Russo-Larsson – Medium shot, Over the shoulder angle
Movie still from “Saint Levant - Nails” (2023), directed by Mattias Russo-Larsson – Extreme Close Up shot, Low angle
Movie still from “Halfprice - Fitting room” (2022) – Medium shot, Low angle
Movie still from “Bourne - Ere We Go” (2022), directed by Truman – Medium shot, Low angle
Movie still from “Pepsi - The Encounter” (2019) – Medium shot, Over the shoulder angle
Movie still from “adidas Originals - Original Is Never Finished” (2018) – Medium shot, Low angle
Movie still from “Sabrina Carpenter - Espresso” (2024), directed by Dave Meyers – Extreme Wide shot, High angle
Movie still from “Bourne - Ere We Go” (2022), directed by Truman – Medium shot, Low angle
Movie still from “Offset ft. Moneybagg Yo - CODE” (2022), directed by Claire Arnold – Extreme Close Up shot, Overhead angle