Arc

Arc

The camera moves in a curved path around a subject, creating a dynamic and immersive view. Often used to build tension or highlight emotional intensity.

Movie still from “Snipes x Nike - The Cypher” (2023) – Medium shot, Low angle
Movie still from “Dell - Get Into Your Youniverse” (2021) – Medium shot, High angle
Movie still from “Anton Tammi - Fardosa” (2021) – Extreme Close Up shot, Low angle
Movie still from “Timelab Pro - Indonesia FPV: Bali & Java” (2022) – Extreme Wide shot, High angle
Movie still from “Snipes x Nike - The Cypher” (2023) – Medium shot, Low angle
Movie still from “Snipes x Nike - The Cypher” (2023) – Medium shot, Low angle
Movie still from “Travis Scott - FE!N” (2024), directed by Gabriel Moses – Wide shot, Overhead angle
Movie still from “A$AP Rocky - Kids Turned Out Fine” (2019), directed by Dexter Navy – Extreme Close Up shot, High angle
Movie still from “Gregory Porter - Revival” (2020), directed by Douglas Bernardt – Medium shot, Low angle
Movie still from “Dell - Get Into Your Youniverse” (2021) – Wide shot, High angle
Movie still from “Snipes x Nike - The Cypher” (2023) – Medium shot, Low angle
Movie still from “A$AP Rocky - Kids Turned Out Fine” (2019), directed by Dexter Navy – Wide shot, Low angle
Movie still from “Travis Scott - FE!N” (2024), directed by Gabriel Moses – Medium shot, Low angle
Movie still from “Nike - Rise of the kids” (2022) – Extreme Wide shot, High angle
Movie still from “Nike - Never Settle. Never Done” (2022) – Medium shot, Over the shoulder angle
Movie still from “Zef - 420” (2022), directed by Jay Walker – Wide shot, Low angle
Movie still from “adidas Originals - Original Is Never Finished” (2018) – Extreme Close Up shot, Low angle
Movie still from “Anton Tammi - Fardosa” (2021) – Close Up shot, Low angle
Movie still from “Manish Khushalani - Jhula” (2024), directed by Manish Khushalani – Close Up shot, Low angle
Movie still from “Travis Scott - FE!N” (2024), directed by Gabriel Moses – Wide shot, Overhead angle
Movie still from “eLaLiga Santander - What Can't Can Be” (2021) – Wide shot, Overhead angle
Movie still from “KFC - Crunch Collective” (2023) – Extreme Close Up shot, Overhead angle
Movie still from “St. Louis CITY SC - The CITY Kit is here” (2022) – Close Up shot, High angle
Movie still from “Maria Peszek - Barbarka” (2022), directed by Grajper – Close Up shot, Low angle
Movie still from “Moncler - Genius is Born Crazy” (2019) – Wide shot, Low angle
Movie still from “Nomis - Damn Boots” (2009) – Close Up shot, Low angle
Movie still from “Moncler - Genius is Born Crazy” (2019) – Close Up shot, Low angle
Movie still from “ASD - Legendär / Populär” (2015), directed by David Aufdembrinke – Medium shot, Low angle
Movie still from “Ford Kuga - Levels” (2021) – Extreme Wide shot, High angle
Movie still from “Dell - Get Into Your Youniverse” (2021) – Wide shot, High angle
Movie still from “eLaLiga Santander - What Can't Can Be” (2021) – Extreme Wide shot, High angle
Movie still from “Timelab Pro - Indonesia FPV: Bali & Java” (2022) – Extreme Wide shot, Low angle
Movie still from “Ziak - Akimbo” (2021), directed by Bleu Désert – Medium shot, Low angle
Movie still from “Coach - Life Has Different Paths” (2024) – Medium shot, High angle
Movie still from “Coach - Life Has Different Paths” (2024) – Close Up shot, High angle
Movie still from “Dell - Get Into Your Youniverse” (2021) – Wide shot, Low angle
Movie still from “Dell - Get Into Your Youniverse” (2021) – Wide shot, High angle
Movie still from “Timelab Pro - Indonesia FPV: Bali & Java” (2022) – Extreme Wide shot, Low angle
Movie still from “Dell - Get Into Your Youniverse” (2021) – Wide shot, High angle
Movie still from “Travis Scott - FE!N” (2024), directed by Gabriel Moses – Medium shot, Low angle
Movie still from “eLaLiga Santander - What Can't Can Be” (2021) – Wide shot, Low angle
Movie still from “Kid Culture - Keep It” (2023), directed by Daniel Iglesias Jr. – Close Up shot, Low angle
Movie still from “Coach - Life Has Different Paths” (2024) – Close Up shot, Over the shoulder angle
Movie still from “Ford Kuga - Levels” (2021) – Extreme Wide shot, High angle
Movie still from “DJ Pone (ft. Blasé) - All I Want” (2023), directed by Benoît Marzouvanlian – Extreme Wide shot, Low angle
Movie still from “Kid Culture - Keep It” (2023), directed by Daniel Iglesias Jr. – Close Up shot, Low angle
Movie still from “A$AP Rocky - Kids Turned Out Fine” (2019), directed by Dexter Navy – Medium shot, High angle
Movie still from “Nike - Nothing Beats a Londoner” (2018) – Wide shot, High angle
Movie still from “Anton Tammi - Fardosa” (2021) – Close Up shot, Low angle
Movie still from “Kid Culture - Keep It” (2023), directed by Daniel Iglesias Jr. – Extreme Wide shot, Low angle
Movie still from “adidas Originals - Original Is Never Finished” (2018) – Close Up shot, Low angle
Movie still from “Ziak - Akimbo” (2021), directed by Bleu Désert – Close Up shot, Overhead angle
Movie still from “eLaLiga Santander - What Can't Can Be” (2021) – Wide shot, High angle
Movie still from “Dell - Get Into Your Youniverse” (2021) – Extreme Close Up shot, Low angle
Movie still from “eLaLiga Santander - What Can't Can Be” (2021) – Extreme Close Up shot, Low angle
Movie still from “A$AP Rocky - Kids Turned Out Fine” (2019), directed by Dexter Navy – Medium shot, Low angle
Movie still from “Snipes x Nike - The Cypher” (2023) – Medium shot, Low angle
Movie still from “St. Louis CITY SC - The CITY Kit is here” (2022) – Medium shot, High angle
Movie still from “Dell - Get Into Your Youniverse” (2021) – Extreme Close Up shot, High angle
Movie still from “A$AP Rocky - Kids Turned Out Fine” (2019), directed by Dexter Navy – Medium shot, Low angle
Movie still from “Asap Rocky - Forever” (2018), directed by Dexter Navy – Medium shot, Low angle
Movie still from “A$AP Rocky - Kids Turned Out Fine” (2019), directed by Dexter Navy – Extreme Close Up shot, Low angle
Movie still from “Instagram - Coeur Sur Toi” (2019) – Wide shot, Low angle
Movie still from “Adidas - Bounce” (2020) – Wide shot, High angle
Movie still from “A$AP Rocky - Kids Turned Out Fine” (2019), directed by Dexter Navy – Medium shot, Low angle
Movie still from “A$AP Rocky - Kids Turned Out Fine” (2019), directed by Dexter Navy – Wide shot, Low angle
Movie still from “Ford Kuga - Levels” (2021) – Extreme Wide shot, Overhead angle
Movie still from “Maria Peszek - Barbarka” (2022), directed by Grajper – Close Up shot, Low angle
Movie still from “A$AP Rocky - Kids Turned Out Fine” (2019), directed by Dexter Navy – Extreme Close Up shot, Low angle