Cut-ins

Cut-ins

Close-up inserts of important details within a wider scene, often to highlight reactions, emotions, or clues.

Movie still from “Kendrick Lamar - HUMBLE.” (2017), directed by Dave Meyers – Wide shot, High angle
Movie still from “Victoria Monét - Alright” (2024), directed by Dave Meyers – Extreme Wide shot, Low angle
Movie still from “Dillon Francis, Good Times Ahead - LA On Acid” (2023), directed by Parker Seaman – Close Up shot, Low angle
Movie still from “Dillon Francis, Good Times Ahead - LA On Acid” (2023), directed by Parker Seaman – Medium shot, Low angle
Movie still from “Victoria Monét - Alright” (2024), directed by Dave Meyers – Medium shot, Low angle
Movie still from “Leonardo Dalessandri - Watchtower of China” (2022) – Medium shot, Over the shoulder angle
Movie still from “H&M - Come Together: A Fashion Picture in Motion” (2016) – Wide shot, High angle
Movie still from “Victoria Monét - Alright” (2024), directed by Dave Meyers – Medium shot, Low angle
Movie still from “Dillon Francis, Good Times Ahead - LA On Acid” (2023), directed by Parker Seaman – Extreme Close Up shot, Overhead angle
Movie still from “Ford Kuga - Levels” (2021) – Wide shot, Low angle
Movie still from “Victoria Monét - Alright” (2024), directed by Dave Meyers – Wide shot, Low angle
Movie still from “Dillon Francis, Good Times Ahead - LA On Acid” (2023), directed by Parker Seaman – Medium shot, Low angle
Movie still from “Sabrina Carpenter - Espresso” (2024), directed by Dave Meyers – Wide shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Wide shot, Low angle
Movie still from “adidas Originals - Original Is Never Finished” (2018) – Medium shot, Low angle
Movie still from “Victoria Monét - Alright” (2024), directed by Dave Meyers – Medium shot, Low angle
Movie still from “Sheck Wes, JID & Ski Mask The Slump God - Fly Away” (2024), directed by Cole Bennett – Close Up shot, Low angle
Movie still from “Victoria Monét - Alright” (2024), directed by Dave Meyers – Medium shot, Low angle
Movie still from “Naomi August - Inter Alia” (2023), directed by Daniel Lawrence Wilson – Extreme Close Up shot, High angle
Movie still from “Kid Culture - Keep It” (2023), directed by Daniel Iglesias Jr. – Close Up shot, Low angle
Movie still from “Lil Yachty - TESLA” (2023), directed by Cole Bennett – Wide shot, Low angle
Movie still from “adidas Originals - Original Is Never Finished” (2018) – Medium shot, Over the shoulder angle
Movie still from “Sabrina Carpenter - Espresso” (2024), directed by Dave Meyers – Medium shot, Low angle
Movie still from “Drake, 21 Savage - Spin Bout U” (2023), directed by Dave Meyers – Medium shot, Over the shoulder angle
Movie still from “adidas Originals - Original Is Never Finished” (2018) – Wide shot, Low angle
Movie still from “Kendrick Lamar - HUMBLE.” (2017), directed by Dave Meyers – Medium shot, Low angle
Movie still from “H&M - Come Together: A Fashion Picture in Motion” (2016) – Wide shot, Low angle
Movie still from “Ford Kuga - Levels” (2021) – Wide shot, Low angle
Movie still from “Kendrick Lamar - HUMBLE.” (2017), directed by Dave Meyers – Wide shot, Low angle
Movie still from “Nike - Nothing Beats a Londoner” (2018) – Close Up shot, Low angle
Movie still from “Ken Carson - Fighting My Demons” (2023), directed by Cole Bennett – Medium shot, Low angle
Movie still from “Downtown Kayoto - Came Thru” (2024), directed by Joe Howat – Extreme Close Up shot, Low angle
Movie still from “Dillon Francis, Good Times Ahead - LA On Acid” (2023), directed by Parker Seaman – Extreme Close Up shot, Low angle
Movie still from “Ford Kuga - Levels” (2021) – Medium shot, Low angle
Movie still from “H&M - Come Together: A Fashion Picture in Motion” (2016) – Extreme Wide shot, High angle
Movie still from “Ken Carson - Fighting My Demons” (2023), directed by Cole Bennett – Extreme Close Up shot, Low angle
Movie still from “Downtown Kayoto - Came Thru” (2024), directed by Joe Howat – Extreme Wide shot, High angle
Movie still from “J. Cole - #LoveYourz” (2018) – Medium shot, Low angle
Movie still from “Duda Beat feat. Trevo - Nem Um Pouquinho” (2021), directed by Alaska – Extreme Close Up shot, Overhead angle
Movie still from “Unknown T - Hocus Pocus” (2024), directed by Felix Brady – Medium shot, High angle