Magical Realism

Magical Realism

Integrating magical elements into realistic settings in a subtle, matter-of-fact way. Creates a dreamlike atmosphere.

Movie still from “Sampha - Can’t Go Back” (2023), directed by Saad Moosajee – Extreme Wide shot, Low angle
Movie still from “Ford Kuga - Levels” (2021) – Extreme Wide shot, High angle
Movie still from “Hayden Thorpe - Aerial Songs” (2021), directed by Fiona Jane Burgess – Medium shot, Low angle
Movie still from “Kendrick Lamar - HUMBLE.” (2017), directed by Dave Meyers – Extreme Wide shot, High angle
Movie still from “Dell - Get Into Your Youniverse” (2021) – Wide shot, High angle
Movie still from “Valentino Khan - Deep Down Low” (2016), directed by Ian Pons Jewell – Medium shot, Over the shoulder angle
Movie still from “Valentino Khan - Deep Down Low” (2016), directed by Ian Pons Jewell – Medium shot, Low angle
Movie still from “Kendrick Lamar - HUMBLE.” (2017), directed by Dave Meyers – Wide shot, Low angle
Movie still from “Nike - Nothing Beats a Londoner” (2018) – Medium shot, Low angle
Movie still from “Valentino Khan - Deep Down Low” (2016), directed by Ian Pons Jewell – Medium shot, Over the shoulder angle
Movie still from “Dell - Get Into Your Youniverse” (2021) – Wide shot, High angle
Movie still from “Sub Urban feat. BENEE - UH OH!” (2022), directed by Andrew Donoho – Wide shot, Low angle
Movie still from “Ford Kuga - Levels” (2021) – Extreme Wide shot, Low angle
Movie still from “Dell - Get Into Your Youniverse” (2021) – Extreme Wide shot, High angle
Movie still from “Canon - Live for The Story” (2017) – Extreme Wide shot, High angle
Movie still from “Dell - Get Into Your Youniverse” (2021) – Wide shot, High angle
Movie still from “KYLE feat. Lil Yachty - iSpy” (2017), directed by Colin Tilley – Medium shot, Low angle
Movie still from “KYLE feat. Lil Yachty - iSpy” (2017), directed by Colin Tilley – Wide shot, High angle
Movie still from “Unknown T - Hocus Pocus” (2024), directed by Felix Brady – Extreme Close Up shot, High angle
Movie still from “Valentino Khan - Deep Down Low” (2016), directed by Ian Pons Jewell – Extreme Close Up shot, Low angle
Movie still from “Dell - Get Into Your Youniverse” (2021) – Close Up shot, Low angle
Movie still from “Cadillac ft. RZA - Path of Arrival” (2021) – Extreme Close Up shot, Low angle
Movie still from “Sub Urban feat. BENEE - UH OH!” (2022), directed by Andrew Donoho – Medium shot, Low angle
Movie still from “IKEA - Make Space for What You Love” (2022) – Wide shot, Overhead angle
Movie still from “KYLE feat. Lil Yachty - iSpy” (2017), directed by Colin Tilley – Medium shot, Low angle
Movie still from “IKEA - Make Space for What You Love” (2022) – Extreme Close Up shot, Overhead angle
Movie still from “Dillon Francis, Good Times Ahead - LA On Acid” (2023), directed by Parker Seaman – Extreme Close Up shot, Overhead angle
Movie still from “Pharrell - Cash In Cash Out” (2022), directed by François Rousselet – Medium shot, Low angle
Movie still from “adidas Originals - Original Is Never Finished (Chapter 3)” (2017) – Medium shot, Low angle
Movie still from “Sub Urban feat. BENEE - UH OH!” (2022), directed by Andrew Donoho – Medium shot, Low angle
Movie still from “Ford Kuga - Levels” (2021) – Extreme Wide shot, High angle
Movie still from “Apple Arcade - A New World To Play In” (2020) – Wide shot, High angle
Movie still from “Sheck Wes, JID & Ski Mask The Slump God - Fly Away” (2024), directed by Cole Bennett – Extreme Wide shot, Low angle
Movie still from “Sheck Wes, JID & Ski Mask The Slump God - Fly Away” (2024), directed by Cole Bennett – Medium shot, Low angle
Movie still from “Nike - Nothing Beats a Londoner” (2018) – Medium shot, Low angle
Movie still from “Kendrick Lamar - HUMBLE.” (2017), directed by Dave Meyers – Medium shot, Low angle
Movie still from “Sheck Wes, JID & Ski Mask The Slump God - Fly Away” (2024), directed by Cole Bennett – Extreme Wide shot, Low angle
Movie still from “Botis Seva - Santo” (2022), directed by Freddie Leyden – Wide shot, Low angle
Movie still from “Canon - Live for The Story” (2017) – Wide shot, High angle
Movie still from “Sheck Wes, JID & Ski Mask The Slump God - Fly Away” (2024), directed by Cole Bennett – Wide shot, Low angle