Double Dolly

Double Dolly

Both the camera and subject are mounted on a dolly, moving in sync to create a floating, surreal effect. Popularized by Spike Lee.

Movie still from “H&M - House of Members” (2023) – Medium shot, Low angle
Movie still from “Dillon Francis, Good Times Ahead - LA On Acid” (2023), directed by Parker Seaman – Close Up shot, Low angle
Movie still from “AJR - The DJ Is Crying For Help” (2022), directed by Austin Roa – Wide shot, Low angle
Movie still from “Dillon Francis, Good Times Ahead - LA On Acid” (2023), directed by Parker Seaman – Medium shot, Low angle
Movie still from “Dillon Francis, Good Times Ahead - LA On Acid” (2023), directed by Parker Seaman – Extreme Close Up shot, Overhead angle
Movie still from “AJR - The DJ Is Crying For Help” (2022), directed by Austin Roa – Extreme Close Up shot, High angle
Movie still from “Dillon Francis, Good Times Ahead - LA On Acid” (2023), directed by Parker Seaman – Medium shot, Low angle
Movie still from “eLaLiga Santander - What Can't Can Be” (2021) – Medium shot, High angle
Movie still from “NBA - Playoff Mode” (2023) – Extreme Close Up shot, Overhead angle
Movie still from “Bally - Curling” (2022), directed by Marie Schüller – Close Up shot, Low angle
Movie still from “Dillon Francis, Good Times Ahead - LA On Acid” (2023), directed by Parker Seaman – Extreme Close Up shot, Low angle
Movie still from “Bally - Curling” (2022), directed by Marie Schüller – Extreme Close Up shot, High angle
Movie still from “Lil Dicky - HAHAHA” (2024), directed by Phillip R Lopez – Close Up shot, High angle
Movie still from “Bally - Curling” (2022), directed by Marie Schüller – Close Up shot, Low angle
Movie still from “Anton Tammi - Fardosa” (2021) – Extreme Close Up shot, Over the shoulder angle
Movie still from “Bally - Curling” (2022), directed by Marie Schüller – Close Up shot, Low angle
Movie still from “Bally - Curling” (2022), directed by Marie Schüller – Medium shot, Low angle
Movie still from “Bally - Curling” (2022), directed by Marie Schüller – Medium shot, High angle
Movie still from “Bally - Curling” (2022), directed by Marie Schüller – Extreme Close Up shot, Low angle
Movie still from “Bally - Curling” (2022), directed by Marie Schüller – Medium shot, Low angle
Movie still from “eLaLiga Santander - What Can't Can Be” (2021) – Wide shot, Low angle
Movie still from “Dillon Francis, Good Times Ahead - LA On Acid” (2023), directed by Parker Seaman – Extreme Wide shot, High angle
Movie still from “Lil Dicky - HAHAHA” (2024), directed by Phillip R Lopez – Medium shot, Overhead angle