Flash Cut

Flash Cut

A sudden, abrupt transition between shots to shock or surprise the viewer. Often used to emphasize emotional or dramatic moments.

Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, Overhead angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, High angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, High angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, Over the shoulder angle
Movie still from “Lil Yachty - TESLA” (2023), directed by Cole Bennett – Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, Overhead angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, High angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, Overhead angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, Over the shoulder angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, Overhead angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, Overhead angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, Low angle
Movie still from “Feid - ALAKRAN” (2024), directed by Sebastian Sánchez – Wide shot, Overhead angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Medium shot, Low angle
Movie still from “Sam Morrison - Typologies of New York City: A Crowdsourced Hyperlapse” (2019) – Extreme Wide shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, High angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, Overhead angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Medium shot, Over the shoulder angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, High angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, Overhead angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, High angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, Overhead angle
Movie still from “Sam Morrison - Typologies of New York City: A Crowdsourced Hyperlapse” (2019) – Extreme Wide shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, High angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, High angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, High angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, Overhead angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, Overhead angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, High angle
Movie still from “Lil Yachty - TESLA” (2023), directed by Cole Bennett – Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, Overhead angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, High angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, High angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, Overhead angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, Low angle
Movie still from “21 Savage - redrum” (2024), directed by Danny Seth – Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, Overhead angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, High angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, Overhead angle
Movie still from “Sam Morrison - Typologies of New York City: A Crowdsourced Hyperlapse” (2019) – Extreme Wide shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, High angle
Movie still from “Reebok - Classic” (2022) – Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, High angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, Low angle
Movie still from “Latto - Sunday Service” (2024), directed by Hidji World – Medium shot, High angle
Movie still from “THEY. - U-RITE” (2017), directed by Jack Begert – Medium shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, Overhead angle
Movie still from “Sam Morrison - Typologies of New York City: A Crowdsourced Hyperlapse” (2019) – Extreme Wide shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, High angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, Overhead angle
Movie still from “Sam Morrison - Typologies of New York City: A Crowdsourced Hyperlapse” (2019) – Extreme Wide shot, Low angle
Movie still from “Sam Morrison - Typologies of New York City: A Crowdsourced Hyperlapse” (2019) – Extreme Wide shot, Overhead angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, High angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, Low angle
Movie still from “Reebok - Classic” (2022) – Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, Low angle
Movie still from “A$AP Ferg - Floor Seats” (2019), directed by Valentin Petit – Medium shot, Overhead angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, Over the shoulder angle
Movie still from “21 Savage - redrum” (2024), directed by Danny Seth – Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Close Up shot, Low angle
Movie still from “Jimmy Nelson - Blink. And they’re gone” (2018) – Extreme Close Up shot, High angle