Duplication

Duplication

Replicating a subject within the frame for stylistic, comedic, or psychological effect (e.g., clones).

Movie still from “Saint Levant - Nails” (2023), directed by Mattias Russo-Larsson – Wide shot, Low angle
Movie still from “AJR - The DJ Is Crying For Help” (2022), directed by Austin Roa – Wide shot, Low angle
Movie still from “AJR - The DJ Is Crying For Help” (2022), directed by Austin Roa – Medium shot, High angle
Movie still from “Bree Runway - Just Like That” (2024), directed by Pietro Biz Biasia – Medium shot, Overhead angle
Movie still from “Skims - Lab” (2024) – Wide shot, High angle
Movie still from “AJR - The DJ Is Crying For Help” (2022), directed by Austin Roa – Wide shot, High angle
Movie still from “Skims - Lab” (2024) – Extreme Close Up shot, High angle
Movie still from “Bree Runway - Just Like That” (2024), directed by Pietro Biz Biasia – Close Up shot, Low angle
Movie still from “Skims - Lab” (2024) – Medium shot, Over the shoulder angle
Movie still from “Squarespace - The Singularity” (2023) – Extreme Wide shot, Low angle
Movie still from “Bree Runway - Just Like That” (2024), directed by Pietro Biz Biasia – Extreme Close Up shot, Low angle
Movie still from “Squarespace - The Singularity” (2023) – Medium shot, Low angle
Movie still from “adidas Originals - Original Is Never Finished” (2018) – Extreme Close Up shot, Low angle
Movie still from “KAYTRAMINÉ feat. Pharrell Williams - 4EVA” (2023), directed by Jack Begert – Wide shot, High angle
Movie still from “Bree Runway - Just Like That” (2024), directed by Pietro Biz Biasia – Close Up shot, Overhead angle
Movie still from “Cartier - Yvan Fabing” (2021) – Medium shot, Low angle
Movie still from “Cartier - Yvan Fabing” (2021) – Medium shot, Overhead angle
Movie still from “Bree Runway - Just Like That” (2024), directed by Pietro Biz Biasia – Medium shot, Overhead angle
Movie still from “THEY. - U-RITE” (2017), directed by Jack Begert – Medium shot, Low angle
Movie still from “Shit Robot - Take Em Up” (2010), directed by Eoghan Kidney – Wide shot, High angle
Movie still from “AJR - The DJ Is Crying For Help” (2022), directed by Austin Roa – Medium shot, High angle
Movie still from “Botis Seva - Santo” (2022), directed by Freddie Leyden – Wide shot, Low angle
Movie still from “THEY. - U-RITE” (2017), directed by Jack Begert – Wide shot, High angle
Movie still from “AJR - The DJ Is Crying For Help” (2022), directed by Austin Roa – Wide shot, High angle
Movie still from “adidas Originals - Original Is Never Finished” (2018) – Extreme Wide shot, Low angle
Movie still from “AJR - The DJ Is Crying For Help” (2022), directed by Austin Roa – Wide shot, Low angle
Movie still from “AJR - The DJ Is Crying For Help” (2022), directed by Austin Roa – Medium shot, High angle
Movie still from “Skims - Lab” (2024) – Extreme Wide shot, High angle
Movie still from “Saint Levant - Nails” (2023), directed by Mattias Russo-Larsson – Extreme Close Up shot, Low angle
Movie still from “AJR - The DJ Is Crying For Help” (2022), directed by Austin Roa – Extreme Wide shot, Low angle
Movie still from “adidas Originals - Original Is Never Finished” (2018) – Medium shot, Overhead angle
Movie still from “KAYTRAMINÉ feat. Pharrell Williams - 4EVA” (2023), directed by Jack Begert – Medium shot, Low angle
Movie still from “Pharrell - Cash In Cash Out” (2022), directed by François Rousselet – Medium shot, Low angle
Movie still from “Bree Runway - Just Like That” (2024), directed by Pietro Biz Biasia – Medium shot, Low angle
Movie still from “AJR - The DJ Is Crying For Help” (2022), directed by Austin Roa – Wide shot, Low angle
Movie still from “Coach - Life Has Different Paths” (2024) – Medium shot, High angle
Movie still from “adidas Originals - Original Is Never Finished” (2018) – Medium shot, Low angle
Movie still from “adidas Originals - Original Is Never Finished” (2018) – Wide shot, Low angle
Movie still from “Squarespace - The Singularity” (2023) – Close Up shot, Low angle
Movie still from “Squarespace - The Singularity” (2023) – Extreme Wide shot, Overhead angle
Movie still from “Atlantic - Typecast” (2018) – Medium shot, Over the shoulder angle
Movie still from “Atlantic - Typecast” (2018) – Wide shot, Over the shoulder angle
Movie still from “Saint Levant - Nails” (2023), directed by Mattias Russo-Larsson – Extreme Wide shot, High angle
Movie still from “AJR - The DJ Is Crying For Help” (2022), directed by Austin Roa – Extreme Wide shot, Low angle
Movie still from “Squarespace - The Singularity (Backstage)” (2023) – Wide shot, High angle
Movie still from “Squarespace - The Singularity (Backstage)” (2023) – Wide shot, High angle
Movie still from “Squarespace - The Singularity (Hug)” (2023) – Medium shot, Low angle
Movie still from “Squarespace - The Singularity (Cactus)” (2023) – Extreme Wide shot, Low angle
Movie still from “Squarespace - The Singularity (Backstage)” (2023) – Wide shot, High angle
Movie still from “Under Armour - Rule Yourself” (2015) – Wide shot, High angle
Movie still from “AJR - The DJ Is Crying For Help” (2022), directed by Austin Roa – Wide shot, Low angle
Movie still from “Atlantic - Typecast” (2018) – Close Up shot, Low angle
Movie still from “Saint Levant - Nails” (2023), directed by Mattias Russo-Larsson – Wide shot, High angle
Movie still from “Under Armour - Rule Yourself” (2015) – Close Up shot, Low angle
Movie still from “Squarespace - The Singularity (Hug)” (2023) – Wide shot, Low angle
Movie still from “USHER, H.E.R. - Risk It All” (2024), directed by Dave Meyers – Close Up shot, Low angle
Movie still from “Squarespace - The Singularity” (2023) – Close Up shot, Low angle
Movie still from “BENEE - Never Ending” (2022), directed by Devan Narsai – Extreme Wide shot, High angle
Movie still from “KAYTRAMINÉ feat. Pharrell Williams - 4EVA” (2023), directed by Jack Begert – Medium shot, Low angle
Movie still from “Under Armour - Rule Yourself” (2015) – Extreme Close Up shot, Low angle
Movie still from “João Borsch - Apaz” (2023), directed by Inês Aires – Close Up shot, Low angle
Movie still from “João Borsch - Apaz” (2023), directed by Inês Aires – Extreme Close Up shot, High angle
Movie still from “BENEE - Never Ending” (2022), directed by Devan Narsai – Medium shot, Low angle
Movie still from “João Borsch - Apaz” (2023), directed by Inês Aires – Extreme Close Up shot, Low angle
Movie still from “BENEE - Never Ending” (2022), directed by Devan Narsai – Medium shot, Low angle
Movie still from “adidas Originals - Original Is Never Finished” (2018) – Close Up shot, Low angle
Movie still from “Shit Robot - Take Em Up” (2010), directed by Eoghan Kidney – Wide shot, Low angle
Movie still from “BENEE - Never Ending” (2022), directed by Devan Narsai – Wide shot, High angle
Movie still from “Empimic - Bittere Welt” (2021), directed by Angelo Kovatchev – Wide shot, Low angle
Movie still from “João Borsch - Apaz” (2023), directed by Inês Aires – Extreme Close Up shot, Low angle
Movie still from “Bounty Banana - inTENsity” (2022) – Close Up shot, Overhead angle
Movie still from “Jessica Helfand - FACE” (2021) – Extreme Close Up shot, Low angle
Movie still from “Shit Robot - Take Em Up” (2010), directed by Eoghan Kidney – Wide shot, High angle
Movie still from “Bree Runway - Just Like That” (2024), directed by Pietro Biz Biasia – Wide shot, Overhead angle
Movie still from “NLE Choppa ft. ‪2Rare - Do It Again” (2022), directed by Shotbyjolo – Medium shot, Low angle
Movie still from “Tyler, The Creator - SORRY NOT SORRY” (2023), directed by Tyler Okonma – Medium shot, Low angle