Fisheye

Fisheye

An ultra-wide lens that curves the image at the edges, creating a bubble effect. Often used for stylization or exaggeration.

Movie still from “A$AP Ferg - Floor Seats” (2019), directed by Valentin Petit – Extreme Wide shot, Overhead angle
Movie still from “Tyler, The Creator - Who Dat Boy” (2017), directed by Tyler Okonma – Close Up shot, Low angle
Movie still from “DJ Pone (ft. Blasé) - All I Want” (2023), directed by Benoît Marzouvanlian – Extreme Wide shot, Low angle
Movie still from “Lolo Zouaï - Moi + Look at Us” (2020), directed by Piotr Lebryk – Medium shot, Low angle
Movie still from “Foo Fighters - Monkey Wrench” (2009), directed by Dave Grohl – Medium shot, Low angle
Movie still from “H&M - Hotel Hennes” (2022) – Extreme Close Up shot, Overhead angle
Movie still from “NIKE x SIZE? - Content De Te Revoir” (2024) – Close Up shot, Low angle
Movie still from “DJ Pone (ft. Blasé) - All I Want” (2023), directed by Benoît Marzouvanlian – Wide shot, Low angle
Movie still from “MAKE UP FOR EVER - HD SKIN” (2022) – Wide shot, Low angle
Movie still from “Beastie Boys - Shake Your Rump” (1989), directed by Adam Yauch – Medium shot, Low angle
Movie still from “Lil Yachty - TESLA” (2023), directed by Cole Bennett – Wide shot, Low angle
Movie still from “Beastie Boys - Shake Your Rump” (1989), directed by Adam Yauch – Close Up shot, Overhead angle
Movie still from “Beastie Boys - An Open Letter To NYC” (2004), directed by Adam Yauch – Extreme Wide shot, Low angle
Movie still from “WHO SHOT SCOTT - WHAT TIME U ON” (2022), directed by Connor Pritchard – Close Up shot, Low angle
Movie still from “Lolo Zouaï - Moi + Look at Us” (2020), directed by Piotr Lebryk – Extreme Close Up shot, Low angle
Movie still from “Lolo Zouaï - Moi + Look at Us” (2020), directed by Piotr Lebryk – Close Up shot, Over the shoulder angle
Movie still from “Aminé - Charmander” (2021), directed by Jack Begert – Wide shot, Low angle
Movie still from “Lolo Zouaï - Moi + Look at Us” (2020), directed by Piotr Lebryk – Wide shot, Low angle
Movie still from “Lolo Zouaï - Moi + Look at Us” (2020), directed by Piotr Lebryk – Extreme Close Up shot, High angle
Movie still from “Aminé - Charmander” (2021), directed by Jack Begert – Extreme Close Up shot, High angle
Movie still from “DJ Pone (ft. Blasé) - All I Want” (2023), directed by Benoît Marzouvanlian – Wide shot, Low angle
Movie still from “H&M - Hotel Hennes” (2022) – Extreme Close Up shot, Overhead angle
Movie still from “Foo Fighters - Monkey Wrench” (2009), directed by Dave Grohl – Close Up shot, Low angle
Movie still from “Aminé - Charmander” (2021), directed by Jack Begert – Extreme Close Up shot, Overhead angle
Movie still from “Lolo Zouaï - Moi + Look at Us” (2020), directed by Piotr Lebryk – Extreme Close Up shot, Low angle
Movie still from “Foo Fighters - Monkey Wrench” (2009), directed by Dave Grohl – Extreme Close Up shot, Low angle
Movie still from “Aminé - Charmander” (2021), directed by Jack Begert – Extreme Close Up shot, High angle
Movie still from “Lolo Zouaï - Moi + Look at Us” (2020), directed by Piotr Lebryk – Extreme Close Up shot, Over the shoulder angle
Movie still from “Beastie Boys - An Open Letter To NYC” (2004), directed by Adam Yauch – Extreme Wide shot, Low angle
Movie still from “Beastie Boys - An Open Letter To NYC” (2004), directed by Adam Yauch – Extreme Close Up shot, Low angle
Movie still from “Lolo Zouaï - Moi + Look at Us” (2020), directed by Piotr Lebryk – Close Up shot, Low angle
Movie still from “Beastie Boys - An Open Letter To NYC” (2004), directed by Adam Yauch – Extreme Wide shot, Low angle
Movie still from “WHO SHOT SCOTT - WHAT TIME U ON” (2022), directed by Connor Pritchard – Medium shot, Overhead angle
Movie still from “Beastie Boys - An Open Letter To NYC” (2004), directed by Adam Yauch – Extreme Close Up shot, Overhead angle
Movie still from “Beastie Boys - An Open Letter To NYC” (2004), directed by Adam Yauch – Extreme Close Up shot, Low angle
Movie still from “Tyler, The Creator - Who Dat Boy” (2017), directed by Tyler Okonma – Extreme Close Up shot, Low angle
Movie still from “Beastie Boys - An Open Letter To NYC” (2004), directed by Adam Yauch – Extreme Wide shot, Low angle
Movie still from “Beastie Boys - An Open Letter To NYC” (2004), directed by Adam Yauch – Extreme Close Up shot, Overhead angle
Movie still from “Tyler, The Creator - Who Dat Boy” (2017), directed by Tyler Okonma – Extreme Close Up shot, Overhead angle
Movie still from “Beastie Boys - An Open Letter To NYC” (2004), directed by Adam Yauch – Medium shot, Low angle