Gallery

Explore

Library

Get Pro
Movie still from “A$AP Rocky - D.M.B.” (2022), directed by A$AP Rocky – Medium shot, Low angle
Movie still from “The Golden Compass” (2007), directed by Chris Weitz – A house in the middle of the night in the snow; Extreme Wide shot, Low angle
Movie still from “Charly Bliss - Hard To Believe” (2019), directed by Henry Kaplan – Close Up shot, Over the shoulder angle
Movie still from “Moonwalker” (1988), directed by Jerry Kramer – A man wearing a hat and a black coat; Close Up shot, Low angle
Movie still from “Gus Dapperton - Fill Me Up Anthem” (2019), directed by Gus Dapperton – Wide shot, Low angle
Movie still from “Spider-Man: Across the Spider-Verse” (2023), directed by Joaquim Dos Santos – An illustration of a woman in a crowd of people; Medium shot, Over the shoulder angle
Movie still from “Peaky Blinders” (2013), created by Steven Knight – A man sitting on a chair in a room; Extreme Wide shot, High angle
Movie still from “Riddick” (2013), directed by David Twohy – A group of people flying in the sky on a cloudy day; Extreme Wide shot, Overhead angle
Movie still from “Dark” (2017), created by Baran bo Odar – A man walking through a foggy forest on a path; Wide shot, Low angle
Movie still from “I Spit on Your Grave” (1978), directed by Meir Zarchi – A body of water surrounded by trees and a forest; Extreme Wide shot, High angle
Movie still from “Perfume: The Story of a Murderer” (2006), directed by Tom Tykwer – A woman with red hair laying on the ground; Close Up shot, Overhead angle
Movie still from “Pharrell - Cash In Cash Out” (2022), directed by François Rousselet – Medium shot, Low angle
Movie still from “The Rock” (1996), directed by Michael Bay – A jet airplane parked in a hangar at an airport; Extreme Wide shot, Low angle
Movie still from “The Boys” (2019), created by Eric Kripke – A person standing in a room with chairs in front of them; Extreme Wide shot, High angle
Movie still from “Batman: Gotham by Gaslight” (2018), directed by Sam Liu – The face of a woman with green eyes; Close Up shot, Over the shoulder angle
Movie still from “Truwer - Kaz. Truth” (2020), directed by Georgiy Kazakov-Pokrovskiy – Wide shot, Low angle
Movie still from “Ollie - Feelings” (2020), directed by Brendan Barnard – Medium shot, Over the shoulder angle
Movie still from “On the Road” (2012), directed by Walter Salles – Two people standing under a tree in a field; Extreme Wide shot, High angle
Movie still from “Excalibur” (1981), directed by John Boorman – A man riding a horse through the water at dusk; Extreme Wide shot, Over the shoulder angle
Movie still from “ONHA - KODAK” (2024), directed by Nitram – Close Up shot, Low angle
Movie still from “Dark” (2017), created by Baran bo Odar – A man standing on the side of a road next to a car; Wide shot, Low angle
Movie still from “Their Finest” (2016), directed by Lone Scherfig – A boat with people on it in the middle of the night; Extreme Wide shot, High angle
Movie still from “The Great Gatsby” (1974), directed by Jack Clayton – A candle is lit in front of the ocean; Extreme Wide shot, High angle
Movie still from “Ella Enchanted” (2004), directed by Tommy O'Haver – Two people riding horses on a hill near a body of water; Extreme Wide shot, High angle
Movie still from “Audrey Nuna - Space” (2021), directed by Loris Russier – Extreme Close Up shot, Low angle
Movie still from “The Double Life of Véronique” (1991), directed by Krzysztof Kieslowski – A woman with short brown hair sitting in front of a group of people; Close Up shot, High angle
Movie still from “Nego Bala - Sonho” (2021), directed by Douglas Bernardt – Extreme Close Up shot, Low angle
Movie still from “Better Days” (2019), directed by Derek Tsang – A group of people standing in a gymnasium; Extreme Wide shot, High angle
Movie still from “Oko Ebombo - Nalingi Yo” (2022), directed by Frank Lebon – Close Up shot, Low angle
Movie still from “Rachel, Rachel” (1968), directed by Paul Newman – View of a person's hand on a blue surface; Extreme Close Up shot, Overhead angle
Movie still from “The Wind Rises” (2013), directed by Hayao Miyazaki – A man standing in front of a green wall; Extreme Wide shot, Overhead angle
Movie still from “Piet Row - You’re Not Alone Anymore” (2019), directed by Giovanni Bolzani Valenzano – Extreme Wide shot, High angle
Movie still from “Whiplash” (2014), directed by Damien Chazelle – A bald man is holding his arm out in front of him; Medium shot, Low angle
Movie still from “Badlands” (1973), directed by Terrence Malick – A girl in a yellow dress standing next to a tree; Wide shot, Low angle
Movie still from “A Clockwork Orange” (1971), directed by Stanley Kubrick – A man's face in the dark; Extreme Close Up shot, Low angle
Movie still from “Pharaoh” (1966), directed by Jerzy Kawalerowicz – A man standing in front of an open field with smoke billowing from it; Wide shot, Over the shoulder angle
Movie still from “Death Becomes Her” (1992), directed by Robert Zemeckis – A couple of cars driving down a street in the rain; Extreme Wide shot, High angle
Movie still from “Kong: Skull Island” (2017), directed by Jordan Vogt-Roberts – A boat traveling down a river with mountains in the background; Extreme Wide shot, High angle
Movie still from “BERWYN - Trap Phone” (2020), directed by Brock Neal-Roberts – Medium shot, Low angle
Movie still from “Glass Animals - Heat Waves” (2020), directed by Colin Read – Extreme Wide shot, Low angle
Movie still from “Saw IV” (2007), directed by Darren Lynn Bousman – A person wearing a leather jacket; Close Up shot, Over the shoulder angle
Movie still from “To the Lake” (2019), directed by Pavel Kostomarov – Two cars driving down a snowy road at night; Extreme Wide shot, Low angle
Movie still from “The Day the Earth Stood Still” (2008), directed by Scott Derrickson – An older woman looking out of a window; Close Up shot, Over the shoulder angle
Movie still from “Jaws 2” (1978), directed by Jeannot Szwarc – A small boat floating on top of a large body of water; Extreme Wide shot, High angle
Movie still from “Land of Mine” (2015), directed by Martin Zandvliet – The sun is setting over the ocean on a cloudy day; Extreme Wide shot, Low angle
Movie still from “Luca” (2021), directed by Enrico Casarosa – A green doll with a blue wig laying in a bed of green leaves; Medium shot, High angle
Movie still from “Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb” (1964), directed by Stanley Kubrick – An airplane is flying low over a body of water; Extreme Wide shot, Low angle
Movie still from “Jorja Smith - By Any Means” (2020), directed by Otis Dominique – Extreme Close Up shot, Overhead angle
Movie still from “The Fifth Cord” (1971), directed by Luigi Bazzoni – A tall building with many windows lit up at night; Extreme Wide shot, Low angle
Movie still from “Christian Löffler - Dir Jehova” (2021), directed by Matías Montecinos – Close Up shot, Low angle
Movie still from “Deep Sea Diver - See These Eyes” (2016), directed by LAMAR+NIK – Medium shot, Overhead angle
Movie still from “Despicable Me” (2010), directed by Pierre Coffin – A man in a striped scarf standing next to a group of yellow barrels; Wide shot, Low angle
Movie still from “Rise of the Guardians” (2012), directed by Peter Ramsey – A full moon rises over a city skyline at night; Extreme Wide shot, Low angle
Movie still from “Dune” (2021), directed by Denis Villeneuve – A woman standing in front of a smoke filled sky at night; Extreme Wide shot, Low angle
Movie still from “365 Days: This Day” (2022), directed by Tomasz Mandes – A man and a woman kissing in the ocean at sunset; Wide shot, Low angle
Movie still from “Ozark” (2017), created by Bill Dubuque – A woman sitting on top of a couch in a living room; Medium shot, High angle
Movie still from “Better Call Saul” (2015), created by Vince Gilligan – A man and a woman standing next to each other in a room; Medium shot, Low angle
Movie still from “Carly Gibert - Dropping Seeds” (2023), directed by Luciana Baldovino – Extreme Close Up shot, Low angle
Movie still from “The Dark Knight” (2008), directed by Christopher Nolan – An older man wearing a suit and tie; Close Up shot, Low angle
Movie still from “GONE.Fludd - Pacany II” (2021), directed by Felix Umarov – Extreme Close Up shot, Overhead angle
Movie still from “Santa Claus Conquers the Martians” (1964), directed by Nicholas Webster – A group of men working in a room with computers on the wall; Wide shot, Low angle
Movie still from “Vic Mensa - Shelter” (2021), directed by Andre Muir – Close Up shot, High angle
Movie still from “Rio” (2011), directed by Carlos Saldanha – A person in a room with a brick wall; Medium shot, Over the shoulder angle
Movie still from “Moonrise Kingdom” (2012), directed by Wes Anderson – Two young women on the beach shaking hands in front of the ocean; Wide shot, High angle
Movie still from “1899” (2022), created by Jantje Friese – An old woman is looking into the distance; Close Up shot, Low angle
Movie still from “Love, Death & Robots” (2019), created by Tim Miller – A man standing in front of a forest with trees; Extreme Wide shot, Low angle
Movie still from “The O’Pears - Lady Winter” (2019), directed by Vincent René-Lortie – Wide shot, Low angle
Movie still from “Delfina Campos - Ultravioleta” (2019), directed by Kevin Havas – Extreme Close Up shot, Overhead angle
Movie still from “Barretso - Alright” (2020), directed by Annabelle Rodicq – Extreme Wide shot, High angle
Movie still from “Octavian - Poison feat. Take A Daytrip, Obongjayar, Santi” (2020), directed by Owls – Close Up shot, Low angle
Ads Card Image

Sponsored

Movie still from “Severance” (2022), created by Dan Erickson – An older man with white hair looking at the camera; Close Up shot, Over the shoulder angle
Movie still from “The Grand Budapest Hotel” (2014), directed by Wes Anderson – A group of people sitting in a room; Medium shot, Low angle
Movie still from “Blade Runner 2049” (2017), directed by Denis Villeneuve – A woman in a white jacket is looking at the camera; Close Up shot, Low angle
Movie still from “Jesse - Rainbow” (2023), directed by Ramez Silyan – Extreme Close Up shot, Overhead angle
Movie still from “Monsters, Inc.” (2001), directed by Pete Docter – A blue furry monster is holding a computer; Close Up shot, Low angle