Fixed Cam

About the technique
Movie still from “Kid Culture - Keep It” (2023), directed by Daniel Iglesias Jr. – Close Up shot, Low angle
Arc
Movie still from “21 Savage - redrum” (2024), directed by Danny Seth – Close Up shot, Low angle
Movie still from “AJ Tracey - Wifey Riddim 4” (2024), directed by Late Milk – Wide shot, Overhead angle
Movie still from “Flybuys - Give a Flybuys” (2021) – Close Up shot, Over the shoulder angle
Fourth Wall Break
Movie still from “21 Savage - redrum” (2024), directed by Danny Seth – Close Up shot, Low angle
Movie still from “AJ Tracey - Wifey Riddim 4” (2024), directed by Late Milk – Wide shot, Low angle
Fast Motion+1
Movie still from “AJ Tracey - Wifey Riddim 4” (2024), directed by Late Milk – Extreme Wide shot, Low angle
Movie still from “First Hawaiian Bank - Dance Party” (2022) – Medium shot, High angle
Fast Motion
Movie still from “AJ Tracey - Wifey Riddim 4” (2024), directed by Late Milk – Extreme Wide shot, High angle
Movie still from “Dillon Francis, Good Times Ahead - LA On Acid” (2023), directed by Parker Seaman – Extreme Close Up shot, High angle
Locked-on
Movie still from “Latto - Sunday Service” (2024), directed by Hidji World – Medium shot, Low angle
Fast Motion
Movie still from “Flybuys - Give a Flybuys” (2021) – Close Up shot, Low angle
Movie still from “Naomi August - Inter Alia” (2023), directed by Daniel Lawrence Wilson – Extreme Wide shot, Low angle
Movie still from “Naomi August - Inter Alia” (2023), directed by Daniel Lawrence Wilson – Medium shot, Low angle
Movie still from “AJ Tracey - Wifey Riddim 4” (2024), directed by Late Milk – Close Up shot, Low angle
Movie still from “Naomi August - Inter Alia” (2023), directed by Daniel Lawrence Wilson – Wide shot, Low angle
Movie still from “Killdummies - Keine War Großartig//Fukk U” (2023), directed by Tom Klimek – Close Up shot, High angle
Movie still from “Unknown T - Hocus Pocus” (2024), directed by Felix Brady – Close Up shot, Overhead angle
Movie still from “H&M - House of Members” (2023) – Medium shot, High angle
Movie still from “Wimbledon - It’s A Wimbledon Thing” (2021) – Medium shot, Low angle
Movie still from “Nike X Fear of God - SS19 Collection” (2019) – Wide shot, Low angle
Movie still from “MAKE UP FOR EVER - HD SKIN” (2022) – Extreme Wide shot, High angle
Movie still from “Saint Levant - Nails” (2023), directed by Mattias Russo-Larsson – Wide shot, Low angle
Fast Motion
Movie still from “Nike SB - Don't Make Plans” (2021) – Medium shot, Low angle
Movie still from “Lil Uzi Vert - Just Wanna Rock” (2022), directed by Gibson Hazard – Medium shot, Low angle
Altered State+2
Movie still from “Flybuys - Give a Flybuys” (2021) – Close Up shot, Low angle
Movie still from “KFC - Crunch Collective” (2023) – Extreme Close Up shot, Overhead angle
Movie still from “Huggies - Welcome to the World, Baby” (2021) – Close Up shot, Low angle
Movie still from “Feid - ALAKRAN” (2024), directed by Sebastian Sánchez – Extreme Wide shot, High angle
Movie still from “eLaLiga Santander - What Can't Can Be” (2021) – Wide shot, Low angle
Movie still from “Danny Brown feat. Bruiser Wolf - Y.B.P.” (2024), directed by Edem Wornoo – Extreme Close Up shot, Low angle
Movie still from “Playstation - Play Has No Limits” (2022) – Wide shot, High angle
Movie still from “adidas Originals - Your Future is Not Mine” (2016) – Wide shot, Low angle
Movie still from “Unknown T - Hocus Pocus” (2024), directed by Felix Brady – Extreme Wide shot, Low angle
Movie still from “Omeleto - FESTIVAL OF SLAPS” (2023) – Extreme Close Up shot, Overhead angle
Movie still from “Joost, Ski Aggu & Otto Waalkes - Friesenjung” (2023), directed by Joost Klein – Extreme Close Up shot, Overhead angle
Movie still from “DJ Pone (ft. Blasé) - All I Want” (2023), directed by Benoît Marzouvanlian – Medium shot, Low angle
Movie still from “Killdummies - Keine War Großartig//Fukk U” (2023), directed by Tom Klimek – Close Up shot, Low angle
Movie still from “Unknown T - Hocus Pocus” (2024), directed by Felix Brady – Extreme Wide shot, Low angle
Movie still from “Playstation - Play Has No Limits” (2022) – Extreme Close Up shot, Overhead angle