Split Screen

About the technique
Movie still from “Stan Smith x Adidas - Superstan” (2020) – Wide shot, Low angle
Match Split
Movie still from “Nike - More Than Warmth” (2023) – Extreme Wide shot, Low angle
Movie still from “Travis Scott - I KNOW ?” (2024), directed by Travis Scott – Extreme Close Up shot, Low angle
Match Split
Movie still from “KFC - Crunch Collective” (2023) – Extreme Close Up shot, Overhead angle
Movie still from “Aminé - Charmander” (2021), directed by Jack Begert – Close Up shot, Low angle
Dolly Zoom
Movie still from “Saint Levant - Nails” (2023), directed by Mattias Russo-Larsson – Medium shot, High angle
Collage+2
Movie still from “Skims - Lab” (2024) – Wide shot, Overhead angle
Screen In Screen+1
Movie still from “Travis Scott - I KNOW ?” (2024), directed by Travis Scott – Medium shot, Low angle
Match Split
Movie still from “Kendrick Lamar - HUMBLE.” (2017), directed by Dave Meyers – Medium shot, Over the shoulder angle
Match Split
Movie still from “NOWNESS - Sister Cities” (2019) – Close Up shot, Overhead angle
Movie still from “A$AP Rocky - D.M.B.” (2022), directed by A$AP Rocky – Close Up shot, Low angle
Locked-on
Movie still from “KFC - Crunch Collective” (2023) – Extreme Close Up shot, Overhead angle
Movie still from “Jessica Helfand - FACE” (2021) – Extreme Close Up shot, Low angle
Movie still from “Travis Scott - I KNOW ?” (2024), directed by Travis Scott – Medium shot, Over the shoulder angle
Match Split
Movie still from “Joost, Ski Aggu & Otto Waalkes - Friesenjung” (2023), directed by Joost Klein – Wide shot, Low angle
Speed Ramp
Movie still from “Oblé Reed - WESTON” (2023), directed by Nash Pearson – Medium shot, Low angle
Dolly+1
Movie still from “Oblé Reed - WESTON” (2023), directed by Nash Pearson – Medium shot, Over the shoulder angle
Collage+1
Movie still from “Kendrick Lamar - HUMBLE.” (2017), directed by Dave Meyers – Extreme Close Up shot, Low angle
Match Split
Movie still from “Nike - More Than Warmth” (2023) – Extreme Close Up shot, Low angle
Movie still from “Sub Urban feat. BENEE - UH OH!” (2022), directed by Andrew Donoho – Medium shot, High angle
Movie still from “Nu Genea with Célia Kameni - Marechià” (2021), directed by Guido Lombardi – Close Up shot, Low angle
Movie still from “Jessica Helfand - FACE” (2021) – Extreme Close Up shot, Overhead angle
Movie still from “Travis Scott - I KNOW ?” (2024), directed by Travis Scott – Close Up shot, Low angle
Match Split
Movie still from “Oblé Reed - WESTON” (2023), directed by Nash Pearson – Medium shot, Low angle
Dolly+1
Movie still from “Nike - More Than Warmth” (2023) – Medium shot, Low angle
Movie still from “Saint Levant - Nails” (2023), directed by Mattias Russo-Larsson – Medium shot, Low angle
Photography+2
Movie still from “Nike - More Than Warmth” (2023) – Extreme Close Up shot, Low angle
Movie still from “Jessica Helfand - FACE” (2021) – Extreme Close Up shot, Low angle
Movie still from “Chime - Whoa” (2021) – Extreme Close Up shot, Low angle
Movie still from “Carly Gibert - WILLOW” (2024), directed by Carly Gibert – Extreme Close Up shot, Overhead angle
Movie still from “Saint Levant - Nails” (2023), directed by Mattias Russo-Larsson – Medium shot, Overhead angle
Collage+2
Movie still from “Saint Levant - Nails” (2023), directed by Mattias Russo-Larsson – Wide shot, High angle
Collage+2
Movie still from “Sub Urban feat. BENEE - UH OH!” (2022), directed by Andrew Donoho – Medium shot, Low angle
Movie still from “Nike - More Than Warmth” (2023) – Extreme Close Up shot, High angle
Movie still from “Joost, Ski Aggu & Otto Waalkes - Friesenjung” (2023), directed by Joost Klein – Wide shot, Low angle
Speed Ramp
Movie still from “Saint Levant - Nails” (2023), directed by Mattias Russo-Larsson – Medium shot, Low angle
Mixed Media+2
Movie still from “Carly Gibert - WILLOW” (2024), directed by Carly Gibert – Medium shot, High angle
Collage
Movie still from “Jessica Helfand - FACE” (2021) – Extreme Close Up shot, Low angle
Movie still from “Carly Gibert - WILLOW” (2024), directed by Carly Gibert – Medium shot, Low angle
Collage
Movie still from “Aiza - Majimbo” (2023), directed by Will Niava – Medium shot, Low angle