Slit-scan

Slit-scan

A technique that distorts time and space by stretching or warping image data frame-by-frame.

Movie still from “Violet Sands — No Matter What” (2017), directed by Dress Code – Wide shot, Low angle
Movie still from “Violet Sands — No Matter What” (2017), directed by Dress Code – Wide shot, Low angle
Movie still from “Violet Sands — No Matter What” (2017), directed by Dress Code – Close Up shot, Low angle
Movie still from “Violet Sands — No Matter What” (2017), directed by Dress Code – Medium shot, Low angle
Movie still from “Violet Sands — No Matter What” (2017), directed by Dress Code – Medium shot, Low angle
Movie still from “Hiroshi Kondo - The Others” (2016) – Extreme Wide shot, High angle
Movie still from “Hiroshi Kondo - The Others” (2016) – Medium shot, Low angle
Movie still from “IKEA - Infinite Play” (2022) – Medium shot, Over the shoulder angle
Movie still from “Violet Sands — No Matter What” (2017), directed by Dress Code – Extreme Wide shot, Low angle
Movie still from “Violet Sands — No Matter What” (2017), directed by Dress Code – Medium shot, Low angle
Movie still from “IKEA - Infinite Play” (2022) – Extreme Wide shot, High angle
Movie still from “Violet Sands — No Matter What” (2017), directed by Dress Code – Extreme Close Up shot, Low angle
Movie still from “Lolo Zouaï - Moi + Look at Us” (2020), directed by Piotr Lebryk – Medium shot, Low angle
Movie still from “Jim Pressing & Stubenhacker - Was Anderes” (2014), directed by Sebastian Nevermann – Wide shot, Low angle
Movie still from “Violet Sands — No Matter What” (2017), directed by Dress Code – Extreme Close Up shot, Overhead angle
Movie still from “Violet Sands — No Matter What” (2017), directed by Dress Code – Extreme Close Up shot, Overhead angle
Movie still from “Unknown T - Hocus Pocus” (2024), directed by Felix Brady – Wide shot, Low angle
Movie still from “Violet Sands — No Matter What” (2017), directed by Dress Code – Extreme Close Up shot, Low angle
Movie still from “Paul Trillo - The Irrational Fear of Nothing” (2016) – Medium shot, High angle
Movie still from “Lolo Zouaï - Moi + Look at Us” (2020), directed by Piotr Lebryk – Wide shot, Low angle
Movie still from “Violet Sands — No Matter What” (2017), directed by Dress Code – Extreme Close Up shot, Low angle
Movie still from “Violet Sands — No Matter What” (2017), directed by Dress Code – Extreme Close Up shot, Overhead angle
Movie still from “Violet Sands — No Matter What” (2017), directed by Dress Code – Medium shot, Overhead angle
Movie still from “Jim Pressing & Stubenhacker - Was Anderes” (2014), directed by Sebastian Nevermann – Wide shot, Low angle
Movie still from “Violet Sands — No Matter What” (2017), directed by Dress Code – Medium shot, Low angle
Movie still from “Violet Sands — No Matter What” (2017), directed by Dress Code – Extreme Close Up shot, Low angle
Movie still from “Metro Boomin & Future - Superhero (Heroes & Villains)” (2022) – Medium shot, Low angle
Movie still from “Metro Boomin & Future - Superhero (Heroes & Villains)” (2022) – Medium shot, Low angle
Movie still from “Vaeda Black - Run Fast” (2019), directed by Justin Leyba – Medium shot, Over the shoulder angle
Movie still from “Deb Never - Momentary Sweetheart” (2023), directed by UNCANNY – Extreme Close Up shot, Overhead angle
Movie still from “Jim Pressing & Stubenhacker - Was Anderes” (2014), directed by Sebastian Nevermann – Medium shot, Low angle
Movie still from “Deb Never - Momentary Sweetheart” (2023), directed by UNCANNY – Extreme Close Up shot, Low angle
Movie still from “Deb Never - Momentary Sweetheart” (2023), directed by UNCANNY – Extreme Close Up shot, Overhead angle
Movie still from “Hiroshi Kondo - The Others” (2016) – Extreme Close Up shot, Low angle
Movie still from “Deb Never - Momentary Sweetheart” (2023), directed by UNCANNY – Wide shot, High angle
Movie still from “Deb Never - Momentary Sweetheart” (2023), directed by UNCANNY – Extreme Close Up shot, Low angle
Movie still from “Deb Never - Momentary Sweetheart” (2023), directed by UNCANNY – Extreme Close Up shot, Low angle
Movie still from “Deb Never - Momentary Sweetheart” (2023), directed by UNCANNY – Extreme Close Up shot, Low angle
Movie still from “Deb Never - Momentary Sweetheart” (2023), directed by UNCANNY – Extreme Close Up shot, Low angle
Movie still from “Jim Pressing & Stubenhacker - Was Anderes” (2014), directed by Sebastian Nevermann – Wide shot, Low angle