Motion Blur

Motion Blur

Long exposures or a low shutter smear moving subjects and lights into streaks, conveying speed, intoxication or a dreamy haze.

Frames shot with the Motion Blur technique

Movie still from “Lil Nas X, Youngboy Never Broke Again - Late To Da Party” (2022), directed by Gibson Hazard – Close Up shot, Low angle
Echo Print+1
Movie still from “USHER, H.E.R. - Risk It All” (2024), directed by Dave Meyers – Wide shot, Low angle
Echo Print+1
Movie still from “USHER, H.E.R. - Risk It All” (2024), directed by Dave Meyers – Medium shot, Over the shoulder angle
Echo Print+2
Movie still from “AJ Tracey - Wifey Riddim 4” (2024), directed by Late Milk – Wide shot, Low angle
Fast Motion+1
Movie still from “Bree Runway - Just Like That” (2024), directed by Pietro Biz Biasia – Medium shot, High angle
Echo Print+1
Movie still from “Dua Lipa - Training Season” (2024), directed by Vincent Haycock – Wide shot, High angle
Echo Print
Movie still from “USHER, H.E.R. - Risk It All” (2024), directed by Dave Meyers – Wide shot, Low angle
Echo Print+1
Movie still from “Aritzia - Sweatfleece” (2024) – Medium shot, Low angle
Fast Motion
Movie still from “Lil Uzi Vert - Just Wanna Rock” (2022), directed by Gibson Hazard – Medium shot, Low angle
Altered State+2
Movie still from “Dua Lipa - Training Season” (2024), directed by Vincent Haycock – Extreme Wide shot, High angle
Echo Print
Movie still from “Metro Boomin & Future - Superhero (Heroes & Villains)” (2022) – Medium shot, Low angle
Jump Cut+1
Movie still from “ONHA - KODAK” (2024), directed by Nitram – Medium shot, Low angle
Movie still from “Aritzia - Sweatfleece” (2024) – Wide shot, High angle
Fast Motion
Double Exposure
Movie still from “JACKBOYS - GANG GANG” (2019), directed by White Trash Tyler – Medium shot, Low angle
Movie still from “Jessica Helfand - FACE” (2021) – Medium shot, Low angle
Fast Motion
Double Exposure
Movie still from “Burberry & Pop Trading Company - Capsule Collection” (2022) – Wide shot, Low angle
Echo Print+1
Movie still from “Yeat - Riot & Set it off” (2024), directed by Trey Lyons – Extreme Close Up shot, Low angle
Echo Print+1
Stop Motion
Slit-scan
Movie still from “Oblé Reed - WESTON” (2023), directed by Nash Pearson – Wide shot, Low angle
Stop Motion
Movie still from “Omega - Road to the Olympics” (2024) – Extreme Close Up shot, Overhead angle
Double Exposure+1
Movie still from “Omega - Road to the Olympics” (2024) – Extreme Close Up shot, Overhead angle
Echo Print
Fast Motion
Slit-scan
Fast Motion

More camera moves and editing techniques