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Projections

Projections

Visuals projected onto surfaces or subjects, often to merge environments or create dynamic textures.

Movie still from “Victoria Monét - Alright” (2024), directed by Dave Meyers – Medium shot, Overhead angle

Movie still from “OMOTE - REAL-TIME FACE TRACKING & PROJECTION MAPPING” (2014) – Extreme Close Up shot, Low angle

Movie still from “emmy Curl - Come Closer” (2014), directed by Nuno Barbosa – Extreme Close Up shot, Overhead angle

Movie still from “WOW inc. - INORI - PRAYER -” (2017) – Close Up shot, Low angle

Movie still from “Hayden Thorpe - Aerial Songs” (2021), directed by Fiona Jane Burgess – Wide shot, Low angle

Movie still from “AJ Tracey - Wifey Riddim 4” (2024), directed by Late Milk – Extreme Close Up shot, Overhead angle

Movie still from “WOW inc. - INORI - PRAYER -” (2017) – Close Up shot, Low angle

Movie still from “emmy Curl - Come Closer” (2014), directed by Nuno Barbosa – Extreme Close Up shot, Overhead angle

Movie still from “emmy Curl - Come Closer” (2014), directed by Nuno Barbosa – Extreme Close Up shot, Low angle

Movie still from “emmy Curl - Come Closer” (2014), directed by Nuno Barbosa – Close Up shot, Low angle

Movie still from “emmy Curl - Come Closer” (2014), directed by Nuno Barbosa – Extreme Close Up shot, Low angle

Movie still from “The Bar Stool Preachers - Lighthouse Keeper” (2023), created by Ben Hannah – Medium shot, Low angle

Movie still from “Hayden Thorpe - Aerial Songs” (2021), directed by Fiona Jane Burgess – Wide shot, Low angle

Movie still from “emmy Curl - Come Closer” (2014), directed by Nuno Barbosa – Extreme Close Up shot, Overhead angle

Movie still from “Hayden Thorpe - Aerial Songs” (2021), directed by Fiona Jane Burgess – Wide shot, Low angle

Movie still from “emmy Curl - Come Closer” (2014), directed by Nuno Barbosa – Extreme Close Up shot, Overhead angle

Movie still from “Victoria Monét - Alright” (2024), directed by Dave Meyers – Wide shot, Low angle

Movie still from “Hayden Thorpe - Aerial Songs” (2021), directed by Fiona Jane Burgess – Medium shot, Low angle

Movie still from “emmy Curl - Come Closer” (2014), directed by Nuno Barbosa – Close Up shot, Low angle

Movie still from “WOW inc. - INORI - PRAYER -” (2017) – Close Up shot, Low angle

Movie still from “Downtown Kayoto - Changed it” (2023), directed by Joe Howat – Medium shot, Low angle

Movie still from “Hayden Thorpe - Aerial Songs” (2021), directed by Fiona Jane Burgess – Wide shot, Low angle

Movie still from “Hayden Thorpe - Aerial Songs” (2021), directed by Fiona Jane Burgess – Wide shot, Low angle

Movie still from “Downtown Kayoto - Changed it” (2023), directed by Joe Howat – Medium shot, Low angle

Movie still from “João Borsch - Apaz” (2023), directed by Inês Aires – Extreme Close Up shot, Low angle

Movie still from “AJ Tracey - Wifey Riddim 4” (2024), directed by Late Milk – Extreme Close Up shot, Overhead angle

Movie still from “João Borsch - Apaz” (2023), directed by Inês Aires – Medium shot, Overhead angle

Movie still from “The Bar Stool Preachers - Lighthouse Keeper” (2023), created by Ben Hannah – Extreme Close Up shot, Low angle

Movie still from “Nike - Jordan Melo M8” (2011) – Extreme Wide shot, High angle

Movie still from “WOW inc. - INORI - PRAYER -” (2017) – Close Up shot, Overhead angle

Movie still from “João Borsch - Apaz” (2023), directed by Inês Aires – Medium shot, High angle

Movie still from “Hayden Thorpe - Aerial Songs” (2021), directed by Fiona Jane Burgess – Wide shot, Low angle

Movie still from “Hayden Thorpe - Aerial Songs” (2021), directed by Fiona Jane Burgess – Medium shot, Low angle

Movie still from “emmy Curl - Come Closer” (2014), directed by Nuno Barbosa – Extreme Close Up shot, Overhead angle

Movie still from “João Borsch - Apaz” (2023), directed by Inês Aires – Extreme Close Up shot, Overhead angle

Movie still from “Downtown Kayoto - Changed it” (2023), directed by Joe Howat – Extreme Close Up shot, Overhead angle

Movie still from “João Borsch - Apaz” (2023), directed by Inês Aires – Extreme Close Up shot, Low angle

Movie still from “Downtown Kayoto - Changed it” (2023), directed by Joe Howat – Medium shot, High angle

Movie still from “João Borsch - Apaz” (2023), directed by Inês Aires – Medium shot, High angle

Movie still from “WOW inc. - INORI - PRAYER -” (2017) – Medium shot, Overhead angle

Movie still from “Downtown Kayoto - Changed it” (2023), directed by Joe Howat – Close Up shot, Low angle

Movie still from “Nike - Jordan Melo M8” (2011) – Extreme Wide shot, Overhead angle

Movie still from “emmy Curl - Come Closer” (2014), directed by Nuno Barbosa – Extreme Close Up shot, Low angle

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Movie still from “João Borsch - Apaz” (2023), directed by Inês Aires – Extreme Close Up shot, High angle

Movie still from “AJ Tracey - Wifey Riddim 4” (2024), directed by Late Milk – Extreme Close Up shot, Low angle

Movie still from “João Borsch - Apaz” (2023), directed by Inês Aires – Extreme Close Up shot, Overhead angle

Movie still from “João Borsch - Apaz” (2023), directed by Inês Aires – Extreme Close Up shot, Overhead angle

Movie still from “João Borsch - Apaz” (2023), directed by Inês Aires – Extreme Close Up shot, Overhead angle