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Object Portal

Characters or objects pass through a portal or opening, revealing a new world or dimension, used in fantasy or sci-fi contexts.

Movie still from “Graubünden - Best Version (DC)” (2024) – Close Up shot, Overhead angle

Movie still from “Nike - Mad Ready” (2024) – Extreme Close Up shot, Overhead angle

Movie still from “Fortuna - Fortuna favors you” (2024) – Close Up shot, Low angle

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Movie still from “Nike - Never Settle. Never Done” (2022) – Medium shot, Over the shoulder angle

Movie still from “NBA - Playoff Mode” (2023) – Extreme Wide shot, Low angle

Movie still from “Miel De Montagne - Le Pigeon” (2023), directed by Morgan Jouquand – Wide shot, High angle

Movie still from “AJR - The DJ Is Crying For Help” (2022), directed by Austin Roa – Wide shot, High angle

Movie still from “Armani White - BILLIE EILISH.” (2022), directed by Davey Robinson – Close Up shot, Low angle

Movie still from “ASAHI - The Unusual” (2022) – Extreme Close Up shot, Overhead angle

Movie still from “ASAHI - The Unusual” (2022) – Wide shot, Low angle

Movie still from “IKEA - Make Space for What You Love” (2022) – Wide shot, Overhead angle

Movie still from “AJ Tracey - Wifey Riddim 4” (2024), directed by Late Milk – Extreme Close Up shot, Overhead angle

Movie still from “H&M - House of Members” (2023) – Wide shot, Low angle

Movie still from “IKEA - Make Space for What You Love” (2022) – Extreme Close Up shot, Overhead angle

Movie still from “Dillon Francis, Good Times Ahead - LA On Acid” (2023), directed by Parker Seaman – Extreme Close Up shot, Overhead angle

Movie still from “Salomon - Tomorrow is yours” (2023) – Wide shot, High angle

Movie still from “ASAHI - The Unusual” (2022) – Wide shot, Low angle

Movie still from “Ford Kuga - Levels” (2021) – Medium shot, High angle

Movie still from “ASAHI - The Unusual” (2022) – Medium shot, Low angle

Movie still from “H&M - House of Members” (2023) – Wide shot, High angle

Movie still from “Graubünden - Best Version (DC)” (2024) – Wide shot, High angle

Movie still from “ASAHI - The Unusual” (2022) – Extreme Wide shot, Low angle

Movie still from “Trophy Room - Air Jordan "Rookie Card"” (2024) – Close Up shot, Low angle

Movie still from “ASAHI - The Unusual” (2022) – Extreme Wide shot, High angle

Movie still from “H&M - House of Members” (2023) – Extreme Close Up shot, Low angle

Movie still from “AJR - The DJ Is Crying For Help” (2022), directed by Austin Roa – Extreme Wide shot, Low angle

Movie still from “Slovenská sporiteľňa - Spolu premeníme vaše sny na budúcnosť” (2023) – Close Up shot, Low angle

Movie still from “Graubünden - Best Version (DC)” (2024) – Wide shot, High angle

Movie still from “Graubünden - Best Version (DC)” (2024) – Medium shot, High angle

Movie still from “ASAHI - The Unusual” (2022) – Extreme Wide shot, High angle

Movie still from “Sheck Wes, JID & Ski Mask The Slump God - Fly Away” (2024), directed by Cole Bennett – Wide shot, Low angle

Movie still from “ASAHI - The Unusual” (2022) – Medium shot, Over the shoulder angle

Movie still from “ASAHI - The Unusual” (2022) – Extreme Wide shot, High angle

Movie still from “Slovenská sporiteľňa - Spolu premeníme vaše sny na budúcnosť” (2023) – Extreme Close Up shot, Overhead angle

Movie still from “Graubünden - Best Version (DC)” (2024) – Medium shot, Low angle

Movie still from “ASAHI - The Unusual” (2022) – Medium shot, Low angle

Movie still from “Samsung - I'm Open To That” (2021) – Extreme Close Up shot, Low angle

Movie still from “João Borsch - Apaz” (2023), directed by Inês Aires – Close Up shot, Low angle

Movie still from “H&M - House of Members” (2023) – Medium shot, Low angle

Movie still from “YUNGBLUD feat. Lil Yachty - When We Die” (2024), directed by Logan Fields – Medium shot, Overhead angle

Movie still from “Nike - Mad Ready” (2024) – Extreme Close Up shot, High angle

Movie still from “H&M - House of Members” (2023) – Wide shot, Low angle

Movie still from “Sheck Wes, JID & Ski Mask The Slump God - Fly Away” (2024), directed by Cole Bennett – Medium shot, Low angle

Movie still from “Armani White - BILLIE EILISH.” (2022), directed by Davey Robinson – Medium shot, Low angle

Movie still from “Emporio Armani - SS24 Campaign” (2024) – Wide shot, Low angle

Movie still from “H&M - House of Members” (2023) – Wide shot, High angle

Movie still from “João Borsch - Apaz” (2023), directed by Inês Aires – Extreme Close Up shot, Overhead angle

Movie still from “NBA - Playoff Mode” (2023) – Extreme Close Up shot, Low angle

Movie still from “Sheck Wes, JID & Ski Mask The Slump God - Fly Away” (2024), directed by Cole Bennett – Medium shot, Low angle

Movie still from “João Borsch - Apaz” (2023), directed by Inês Aires – Extreme Close Up shot, Low angle

Movie still from “Samsung - I'm Open To That” (2021) – Extreme Close Up shot, Overhead angle

Movie still from “ASAHI - The Unusual” (2022) – Wide shot, High angle

Movie still from “Manga Saint Hilare, MoreNight feat. P Money & JME - Alarm Bells” (2024), directed by Will Norman – Extreme Close Up shot, Low angle

Movie still from “João Borsch - Apaz” (2023), directed by Inês Aires – Close Up shot, Low angle

Movie still from “AJ Tracey - Wifey Riddim 4” (2024), directed by Late Milk – Extreme Close Up shot, Overhead angle

Movie still from “Graubünden - Best Version (DC)” (2024) – Wide shot, High angle

Movie still from “H&M - House of Members” (2023) – Medium shot, Low angle

Movie still from “João Borsch - Apaz” (2023), directed by Inês Aires – Extreme Close Up shot, Overhead angle

Movie still from “ASAHI - The Unusual” (2022) – Medium shot, Over the shoulder angle

Movie still from “A$AP Ferg - Floor Seats” (2019), directed by Valentin Petit – Close Up shot, Low angle

Movie still from “Emporio Armani - SS24 Campaign” (2024) – Medium shot, Low angle

Movie still from “ASAHI - The Unusual” (2022) – Medium shot, High angle

Movie still from “Miel De Montagne - Le Pigeon” (2023), directed by Morgan Jouquand – Wide shot, Low angle

Movie still from “Ken Carson - Fighting My Demons” (2023), directed by Cole Bennett – Extreme Close Up shot, Low angle

Movie still from “ASAHI - The Unusual” (2022) – Wide shot, Low angle

Movie still from “ASAHI - The Unusual” (2022) – Extreme Wide shot, High angle

Movie still from “Asap Rocky - Forever” (2018), directed by Dexter Navy – Close Up shot, Low angle

Movie still from “Asap Rocky - Forever” (2018), directed by Dexter Navy – Extreme Close Up shot, Overhead angle