Light Flash

About the technique
Movie still from “Canon - Live for The Story” (2017) – Extreme Wide shot, High angle
Magical Realism
Movie still from “Naomi August - Inter Alia” (2023), directed by Daniel Lawrence Wilson – Close Up shot, High angle
Color Shift+1
Movie still from “Flume - Say Nothing” (2022), directed by Michael Hili – Extreme Close Up shot, Overhead angle
Void
Movie still from “Elderbrook - Why Do We Shake In The Cold?” (2020), directed by Jara Moravec – Wide shot, Overhead angle
Camera Roll
Movie still from “Yeat - Riot & Set it off” (2024), directed by Trey Lyons – Medium shot, Low angle
Quick Cuts
Movie still from “Kendrick Lamar - HUMBLE.” (2017), directed by Dave Meyers – Close Up shot, Over the shoulder angle
Movie still from “ONHA - KODAK” (2024), directed by Nitram – Extreme Close Up shot, Overhead angle
Movie still from “Yeat - Riot & Set it off” (2024), directed by Trey Lyons – Close Up shot, Low angle
Movie still from “Yeat - Riot & Set it off” (2024), directed by Trey Lyons – Medium shot, Low angle
Movie still from “ONHA - KODAK” (2024), directed by Nitram – Medium shot, High angle
Movie still from “ONHA - KODAK” (2024), directed by Nitram – Medium shot, High angle
Movie still from “Yeat - Riot & Set it off” (2024), directed by Trey Lyons – Medium shot, Low angle
Movie still from “Elderbrook - Why Do We Shake In The Cold?” (2020), directed by Jara Moravec – Medium shot, Low angle
Movie still from “Yeat - Riot & Set it off” (2024), directed by Trey Lyons – Wide shot, Low angle
Slow Motion
Movie still from “adidas Originals - Original Is Never Finished (Chapter 3)” (2017) – Extreme Wide shot, Low angle
Magical Realism
Movie still from “Bree Runway - Just Like That” (2024), directed by Pietro Biz Biasia – Close Up shot, Low angle
Camera Roll
Movie still from “Yeat - Riot & Set it off” (2024), directed by Trey Lyons – Extreme Wide shot, High angle
Quick Cuts
Movie still from “Ken Carson - Fighting My Demons” (2023), directed by Cole Bennett – Medium shot, Low angle
Cut-ins
Movie still from “Yeat - Riot & Set it off” (2024), directed by Trey Lyons – Close Up shot, Low angle
Movie still from “João Borsch - Apaz” (2023), directed by Inês Aires – Extreme Close Up shot, Low angle
Echo Print+2
Movie still from “Yeat - Riot & Set it off” (2024), directed by Trey Lyons – Close Up shot, Low angle
Quick Cuts
Movie still from “Ken Carson - Fighting My Demons” (2023), directed by Cole Bennett – Extreme Close Up shot, Low angle
Cut-ins
Movie still from “Yeat - Riot & Set it off” (2024), directed by Trey Lyons – Extreme Wide shot, Low angle
Movie still from “BENEE - Never Ending” (2022), directed by Devan Narsai – Wide shot, Low angle
Void
Movie still from “Victoria Monét - Alright” (2024), directed by Dave Meyers – Medium shot, Low angle
Movie still from “Elderbrook - Why Do We Shake In The Cold?” (2020), directed by Jara Moravec – Extreme Wide shot, Overhead angle
Movie still from “Bree Runway - Just Like That” (2024), directed by Pietro Biz Biasia – Extreme Close Up shot, Low angle
Slow Motion
Movie still from “BENEE - Never Ending” (2022), directed by Devan Narsai – Extreme Wide shot, High angle
Void
Movie still from “Yeat - Riot & Set it off” (2024), directed by Trey Lyons – Medium shot, Low angle
Double Exposure
Movie still from “aexattack - Next Year” (2021), directed by Jetski – Extreme Close Up shot, High angle
Slow Motion
Movie still from “Yeat - Riot & Set it off” (2024), directed by Trey Lyons – Extreme Close Up shot, High angle
Movie still from “Yeat - Riot & Set it off” (2024), directed by Trey Lyons – Wide shot, High angle
Movie still from “João Borsch - Apaz” (2023), directed by Inês Aires – Extreme Close Up shot, Low angle
Echo Print+2
Movie still from “Naomi August - Inter Alia” (2023), directed by Daniel Lawrence Wilson – Extreme Close Up shot, Low angle
Void
Movie still from “Elderbrook - Why Do We Shake In The Cold?” (2020), directed by Jara Moravec – Extreme Wide shot, Overhead angle
Movie still from “Ken Carson - Fighting My Demons” (2023), directed by Cole Bennett – Wide shot, Overhead angle
Movie still from “Bree Runway - Just Like That” (2024), directed by Pietro Biz Biasia – Extreme Close Up shot, Low angle
Slow Motion
Movie still from “BENEE - Never Ending” (2022), directed by Devan Narsai – Medium shot, Low angle
Void
Movie still from “WHO SHOT SCOTT - WHAT TIME U ON” (2022), directed by Connor Pritchard – Close Up shot, Low angle
Fisheye
Movie still from “Yeat - Riot & Set it off” (2024), directed by Trey Lyons – Medium shot, Low angle