Cinematic background from Merrily We Go to Hell 1932 - A drunken newspaperman, Jerry Corbett, is rescued from his alcoholic haze by an heiress, Joan Prentice, whose love sobers him up and encourages him to write a play, but he lapses back into dipsomania.
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A black and white photo of a woman driving a car; Close Up shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A man in a suit and tie holding a monkey in his hand; Wide shot, Low angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A black and white photo of people at a bar; Medium shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A man and a woman sitting on a couch; Medium shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A woman in a dress standing in front of a door; Medium shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A black - and - white photo of a woman standing in front of a window; Medium shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A black and white photo of a man talking on a phone; Medium shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – Two men in suits and ties working on a film set; Medium shot, Over the shoulder angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A black and white photo of a woman sitting on a bench; Medium shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A man and two women standing next to each other in front of a building; Medium shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – An old photo of a man and a woman smoking; Medium shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A black and white photo of a man in a suit and tie; Close Up shot, Low angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A man and a woman walking down the aisle of a church; Wide shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A black and white photo of a woman in a black dress; Medium shot, Over the shoulder angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – Black and white photograph of a man wearing a suit and tie; Close Up shot, Low angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – An old photo of a man and a woman talking; Close Up shot, Low angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A man and a woman are kissing in a car; Close Up shot, Low angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – An old photo of a woman in a black dress; Close Up shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A woman sitting on top of a chair next to a man; Wide shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A black and white photo of a man sitting at a table; Close Up shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A woman in a hat and a black jacket; Close Up shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A black and white photo of a woman in a black dress; Close Up shot, Low angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A black and white photo of a woman holding a bag; Medium shot, Low angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – An older man and a younger woman embracing each other; Medium shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A black and white photo of a woman in a dress; Close Up shot, Low angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A man and a woman embracing each other in black and white; Close Up shot, Low angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A black and white photo of a man sitting at a desk; Medium shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – An old photo of a man and a young woman; Close Up shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – An old photo of a woman talking on a phone; Close Up shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A woman talking on a phone while sitting down; Close Up shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A black - and - white photo of a woman holding flowers; Close Up shot, Low angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A black - and - white photo of a woman wearing a veil; Close Up shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A man in a suit and bow tie holding a drink; Close Up shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – Black and white photograph of a man in a suit and bow tie; Close Up shot, Low angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A man in a tuxedo holding a tray of drinks; Medium shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A man in a suit and a hat is holding a camera; Medium shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A man and a woman are looking at each other; Close Up shot, Low angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – An old black and white photo of a woman; Close Up shot, Low angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – An older man in a suit holding a bouquet of flowers; Close Up shot, Low angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A man and a woman looking at one another; Close Up shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A black - and - white photo of a dog's face; Close Up shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A man and a woman sitting next to each other; Medium shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A man in a tuxedo holding a glass of water; Close Up shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A man in a suit and hat talking to a woman; Medium shot, Over the shoulder angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – Two men in suits and hats are shaking hands; Medium shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A man and a woman pose for a picture; Medium shot, Low angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – An older man and a younger woman standing next to each other in front of a brick wall; Close Up shot, Low angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A man and a woman sitting on a stair rail; Medium shot, Low angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A black - and - white photo of a woman smiling; Close Up shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A man and a woman are dancing in formal wear; Medium shot, Low angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – An old photo of a woman wearing a hat; Close Up shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A man and a woman sitting in the driver's seat of a car; Close Up shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A woman leaning up against the hood of a car; Medium shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – An old photo of a woman sitting at a table; Medium shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A man in a tuxedo holding a tray of food and two glasses; Medium shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A black and white photo of a man standing in a doorway; Wide shot, Low angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A man and a woman sitting next to each other on a bench; Medium shot, High angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A man and a woman sitting at a table; Medium shot, High angle