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Raphaël Ferret

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Raphaël Ferret movie stills

On Genery.io, creators and filmmakers find references and create moodboards — get inspired with Raphaël Ferret.

Movie still from “The Gospel According to St. Matthew” (1964), directed by Pier Paolo Pasolini – Black and white photograph of a man in a sweater; Close Up shot, High angle

Movie still from “Becoming Cousteau” (2021), directed by Liz Garbus – An older man wearing glasses and a black jacket; Close Up shot, Over the shoulder angle

Movie still from “Knife + Heart” (2018), directed by Yann Gonzalez – A man with curly hair is standing in front of some rocks; Close Up shot, Low angle

Movie still from “The Gleaners & I” (2000), directed by Agnès Varda – A man wearing glasses and a blue sweater in a vineyard; Close Up shot, High angle

Movie still from “Beastie Boys Story” (2020), directed by Spike Jonze – A man in a red shirt is playing an electric guitar; Close Up shot, Low angle

Movie still from “The Class” (2008), directed by Laurent Cantet – A man standing in front of a chalkboard; Close Up shot, Over the shoulder angle

Movie still from “Totally F***ed Up” (1993), directed by Gregg Araki – A man's face with a cigarette in his mouth; Extreme Close Up shot, High angle

Movie still from “The Class” (2008), directed by Laurent Cantet – A man standing in front of a chalkboard; Close Up shot, Low angle

Movie still from “Lost in La Mancha” (2002), directed by Louis Pepe – A person with curly hair; Close Up shot, Low angle

Movie still from “The Weekend Away” (2022), directed by Kim Farrant – A man with a shaved head and a goatee looking to his left; Close Up shot, High angle

Movie still from “The Rain” (2018), created by Jannik Tai Mosholt – A man sitting in a car with his head resting on his arm; Close Up shot, High angle

Movie still from “Mickey One” (1965), directed by Arthur Penn – An older man wearing a suit and tie; Close Up shot, Low angle

Movie still from “The Mother and the Whore” (1973), directed by Jean Eustache – Black and white photograph of a man with long hair; Close Up shot, High angle

Movie still from “Alligator” (1980), directed by Lewis Teague – A person wearing a red shirt; Close Up shot, Low angle

Movie still from “Ice Age: Dawn of the Dinosaurs” (2009), directed by Michael Thurmeier – An animated dog holding a bottle in his mouth; Medium shot, Low angle

Movie still from “The 400 Blows” (1959), directed by François Truffaut – Black and white photograph of a man sitting at a table; Medium shot, High angle

Movie still from “Shoot the Piano Player” (1960), directed by François Truffaut – A person's face in a black and white photo; Close Up shot, Low angle

Movie still from “Beginners” (2010), directed by Mike Mills – A person smiling and holding something in his hand; Close Up shot, Low angle

Movie still from “The Mother and the Whore” (1973), directed by Jean Eustache – A man sitting on top of a couch reading a magazine; Close Up shot, High angle

Movie still from “The Connection” (1961), directed by Shirley Clarke – Black and white photograph of a man with a mustache; Close Up shot, High angle

Movie still from “All About Gila” (2022), directed by Arturo González-Campos – A man in a red shirt and black jacket; Medium shot, High angle

Movie still from “Beastie Boys Story” (2020), directed by Spike Jonze – A man looking at his cell phone while standing on stairs; Close Up shot, Low angle

Movie still from “Sing 2” (2021), directed by Christophe Lourdelet – A man in a suit and tie wearing sunglasses; Close Up shot, Low angle

Movie still from “99 Francs” (2007), directed by Jan Kounen – A man with a beard and mustache is holding something in his hand; Close Up shot, Low angle

Movie still from “The Mother and the Whore” (1973), directed by Jean Eustache – A man sitting at a desk in front of a lamp; Medium shot, High angle

Movie still from “Cléo from 5 to 7” (1962), directed by Agnès Varda – A man in a suit and tie standing next to a piano; Close Up shot, Low angle

Movie still from “The Gospel According to St. Matthew” (1964), directed by Pier Paolo Pasolini – Black and white photograph of a man with curly hair; Close Up shot, Low angle

Movie still from “Alligator” (1980), directed by Lewis Teague – A person wearing a gray shirt; Close Up shot, Low angle

Movie still from “The Gleaners & I” (2000), directed by Agnès Varda – A man wearing glasses and a sweater standing in front of a field; Close Up shot, Low angle

Movie still from “Last Summer” (2021), directed by Ozan Açiktan – A young man sitting in front of a tree; Close Up shot, Low angle

Movie still from “The Mother and the Whore” (1973), directed by Jean Eustache – Black and white photograph of a man with long hair; Close Up shot, Low angle

Movie still from “Into the Night” (2020), created by Jason George – A young man holding an animal in his arms; Close Up shot, Over the shoulder angle

Movie still from “The Mother and the Whore” (1973), directed by Jean Eustache – A man sitting on a couch wearing a tie; Close Up shot, Low angle

Movie still from “France” (2021), directed by Bruno Dumont – A man wearing a suit and tie sitting in front of a building; Close Up shot, Low angle

Movie still from “Violent Night” (2022), directed by Tommy Wirkola – A man in a uniform holding a gun; Medium shot, Low angle

Movie still from “Madame Claude” (2021), directed by Sylvie Verheyde – A person wearing a suit and tie; Close Up shot, High angle

Movie still from “La Poison” (1951), directed by Sacha Guitry – An older man sitting at a table writing on a piece of paper; Medium shot, Low angle

Movie still from “Black Box” (2021), directed by Yann Gozlan – A man wearing a suit and tie in front of a sky background; Close Up shot, Low angle

Movie still from “Mood Indigo” (2013), directed by Michel Gondry – A person wearing glasses; Close Up shot, Over the shoulder angle

Movie still from “Pina” (2011), directed by Wim Wenders – A young man in a black shirt is posing for a picture; Close Up shot, High angle

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Movie still from “The Gleaners & I” (2000), directed by Agnès Varda – A man with a beard wearing an orange jacket and a gray scarf; Close Up shot, Low angle

Movie still from “Sr.” (2022), directed by Chris Smith – A black - and - white photo of a man in a dress shirt; Close Up shot, Low angle

Movie still from “Lost in La Mancha” (2002), directed by Louis Pepe – An older man wearing sunglasses is sitting in a chair; Close Up shot, High angle

Movie still from “Jacquot of Nantes” (1991), directed by Agnès Varda – An older man with grey hair is smiling for the camera; Close Up shot, High angle

Movie still from “The Mother and the Whore” (1973), directed by Jean Eustache – A young man in a white dress shirt and tie; Close Up shot, Low angle

Movie still from “The Rain” (2018), created by Jannik Tai Mosholt – A young man wearing a floral shirt looks to his left; Close Up shot, Low angle

Movie still from “Close” (2022), directed by Lukas Dhont – A young boy smiling for the camera in front of a red wall; Close Up shot, Overhead angle

Movie still from “The Cremator” (1969), directed by Juraj Herz – A black and white photo of a man sitting at a table; Close Up shot, Over the shoulder angle

Movie still from “All About Gila” (2022), directed by Arturo González-Campos – A man standing on a stage with his arms outstretched; Medium shot, High angle

Movie still from “Lucy” (2014), directed by Luc Besson – A group of people sitting in front of a crowd; Close Up shot, High angle

Movie still from “Black Box” (2021), directed by Yann Gozlan – A man in a suit and glasses looking at the camera; Close Up shot, Over the shoulder angle

Movie still from “Sentinelle” (2023), directed by David Caviglioli – A man in a suit and a red tie; Close Up shot, Low angle

Movie still from “The Thin Blue Line” (1988), directed by Errol Morris – A man wearing a suit and tie smiling for the camera; Close Up shot, High angle

Movie still from “Mickey One” (1965), directed by Arthur Penn – A black and white photo of a man in a suit and tie; Medium shot, Low angle

Movie still from “Code Name Emperor” (2022), directed by Jorge Coira – A person with curly red hair; Close Up shot, Low angle

Movie still from “The Figo Affair: The Transfer that Changed Football” (2022), directed by Ben Nicholas – A man in a brown jacket and a brown shirt; Close Up shot, Low angle

Movie still from “9 Songs” (2004), directed by Michael Winterbottom – A man sitting in front of a bowl of fruit; Medium shot, High angle

Movie still from “Alligator” (1980), directed by Lewis Teague – A person with a bag on his shoulder; Medium shot, Low angle

Movie still from “Anne with an E” (2017), created by Moira Walley-Beckett – A young man standing in front of a building; Medium shot, Low angle

Movie still from “WeWork: Or the Making and Breaking of a $47 Billion Unicorn” (2021), directed by Jed Rothstein – A man standing at a podium in front of microphones; Medium shot, Low angle

Movie still from “The Sandman” (2022), created by Neil Gaiman – A person in a dark room; Close Up shot, Low angle

Movie still from “La Poison” (1951), directed by Sacha Guitry – An older man sitting at a table writing on a piece of paper; Medium shot, Over the shoulder angle

Movie still from “The Class” (2008), directed by Laurent Cantet – A man in a black jacket is holding a book and gesturing with his hands; Medium shot, Over the shoulder angle

Movie still from “Bicycle Thieves” (1948), directed by Vittorio De Sica – A man in a suit and tie sitting in front of a mirror; Medium shot, Low angle

Movie still from “The Class” (2008), directed by Laurent Cantet – A man standing in front of a chalkboard; Close Up shot, Over the shoulder angle

Movie still from “Elle” (2016), directed by Paul Verhoeven – A man standing next to a woman on a sidewalk; Close Up shot, Over the shoulder angle

Movie still from “The Class” (2008), directed by Laurent Cantet – A person wearing a suit and tie; Close Up shot, Over the shoulder angle

Movie still from “Yves Saint Laurent” (2014), directed by Jalil Lespert – A person wearing glasses and a suit; Close Up shot, Over the shoulder angle

Movie still from “My American Uncle” (1980), directed by Alain Resnais – A person sitting in a room; Close Up shot, High angle

Movie still from “Caché” (2005), directed by Michael Haneke – A person sitting in front of a book shelf; Close Up shot, Over the shoulder angle

Movie still from “Restless” (2022), directed by Régis Blondeau – A man in a police uniform sitting in front of a computer; Medium shot, Over the shoulder angle

Movie still from “My Night at Maud's” (1969), directed by Éric Rohmer – Black and white photograph of a man in a suit holding a glass of wine; Close Up shot, Low angle

Movie still from “49th Parallel” (1941), directed by Michael Powell – Black and white photograph of a man wearing a suit and tie; Medium shot, Low angle