Movie still from “Ed Wood” (1994), directed by Tim Burton – A man standing in front of a door in a dark room; Medium shot, Low angle
Movie still from “My Gun Is Quick” (1957), directed by Victor Saville – Black and white photograph of a man in a suit; Medium shot, Low angle
Movie still from “Breaking Bad” (2008), created by Vince Gilligan – A man in a black jacket is standing in front of a wooden door; Medium shot, Over the shoulder angle
Movie still from “Fargo” (2014), created by Noah Hawley – A man standing on the stairs of a house; Wide shot, Low angle
Movie still from “The Velvet Underground” (2021), directed by Todd Haynes – Black and white photograph of a man with long hair; Close Up shot, Low angle
Movie still from “Swing Time” (1936), directed by George Stevens – A black and white photo of a man in a tuxedo; Medium shot, High angle
Movie still from “National Lampoon's Animal House” (1978), directed by John Landis – A man standing in front of a black door at night; Medium shot, Low angle
Movie still from “Jim Pressing & Stubenhacker - Was Anderes” (2014), directed by Sebastian Nevermann – Wide shot, Low angle
Movie still from “Belle de Jour” (1967), directed by Luis Buñuel – A man in a suit and sunglasses walking through a doorway; Wide shot, Low angle
Movie still from “Mirrors - Into The Heart” (2011), directed by Us – Medium shot, High angle
Movie still from “La haine” (1995), directed by Mathieu Kassovitz – A black and white photo of a man in a black jacket; Medium shot, Low angle
Movie still from “Spellbound” (1945), directed by Alfred Hitchcock – A black and white photo of a man in a suit and tie; Medium shot, Low angle
Movie still from “Fahrenheit 9/11” (2004), directed by Michael Moore – A man wearing a suit and tie standing in front of a wall; Medium shot, Low angle
Movie still from “House of Cards” (2013), created by Beau Willimon – A man standing in front of a window in a dark room; Medium shot, Over the shoulder angle
Movie still from “Gosford Park” (2001), directed by Robert Altman – A man wearing a suit and tie standing in a room; Medium shot, Low angle
Movie still from “House of Cards” (2013), created by Beau Willimon – A person standing in a dark room with their arms crossed; Medium shot, Low angle
Movie still from “Love with the Proper Stranger” (1963), directed by Robert Mulligan – Black and white photograph of a man smoking a cigarette; Medium shot, Over the shoulder angle
Movie still from “Imagine That” (2009), directed by Karey Kirkpatrick – A person standing in front of a black door; Medium shot, Low angle
Movie still from “The Man Who Could Cheat Death” (1959), directed by Terence Fisher – A man in a blue velvet jacket standing in front of a book shelf; Medium shot, Low angle
Movie still from “American History X” (1998), directed by Tony Kaye – Black and white photograph of a man wearing a suit and tie; Medium shot, Low angle
Movie still from “Merrily We Go to Hell” (1932), directed by Dorothy Arzner – A black and white photo of a man in a coat and hat; Medium shot, High angle
Movie still from “Mr. Robot” (2015), created by Sam Esmail – A person standing in front of a wall with their hands on their hips; Medium shot, Low angle
Movie still from “Top Hat” (1935), directed by Mark Sandrich – A black and white photo of a man in a tuxedo; Medium shot, Over the shoulder angle
Movie still from “Creep” (2014), directed by Patrick Brice – A man in a black shirt is sitting on steps; Medium shot, Low angle
Movie still from “Written on the Wind” (1956), directed by Douglas Sirk – A man in a black suit walking in front of a white door; Medium shot, High angle
Movie still from “Harriet” (2019), directed by Kasi Lemmons – A man in a brown suit is standing in front of a door; Medium shot, Low angle
Movie still from “The Man Who Could Cheat Death” (1959), directed by Terence Fisher – A man in a tuxedo standing in front of a door way; Medium shot, Low angle
Movie still from “Kendrick Lamar - Count Me Out” (2022), directed by Dave Free – Wide shot, High angle
Movie still from “No Way Out” (1987), directed by Roger Donaldson – A man standing in front of a door at night; Medium shot, Low angle
Movie still from “Kind Hearts and Coronets” (1949), directed by Robert Hamer – A man standing in front of a door way; Medium shot, Low angle
Movie still from “The Man Who Could Cheat Death” (1959), directed by Terence Fisher – A man wearing a suit and bow tie standing in front of a door; Medium shot, Low angle
Movie still from “The Crown” (2016), created by Peter Morgan – A man standing in front of a door in a dark room; Medium shot, Low angle
Movie still from “The Man Who Could Cheat Death” (1959), directed by Terence Fisher – A man in a blue suit standing in front of an antique safe; Medium shot, Low angle
Movie still from “Phantasm” (1979), directed by Don Coscarelli – A white door with an arched window in the center; Medium shot, Low angle
Movie still from “The Servant” (1963), directed by Joseph Losey – A black and white photo of a man in a hat; Wide shot, Low angle
Movie still from “Out of Sight” (1998), directed by Steven Soderbergh – A man in a hat and a leather jacket standing in front of a door; Medium shot, Low angle
Movie still from “The Man Who Could Cheat Death” (1959), directed by Terence Fisher – An older man wearing a suit and tie in front of a door; Medium shot, Low angle
Movie still from “The Bells of St. Mary's” (1945), directed by Leo McCarey – A black and white photo of a man in a suit; Medium shot, High angle
Movie still from “The Man Who Could Cheat Death” (1959), directed by Terence Fisher – A man in a tuxedo pointing at something on the wall; Medium shot, Low angle
Movie still from “The Man Who Could Cheat Death” (1959), directed by Terence Fisher – A man in a suit and tie standing in front of a door; Medium shot, Low angle
Movie still from “Inland Empire” (2006), directed by David Lynch – A person wearing a black jacket; Close Up shot, Low angle
Movie still from “Metropolis” (1927), directed by Fritz Lang – A black and white photo of a man standing in front of a door; Medium shot, Low angle
Movie still from “The Man Who Could Cheat Death” (1959), directed by Terence Fisher – A man standing in front of a wooden door; Medium shot, Low angle
Movie still from “House of Cards” (2013), created by Beau Willimon – A man standing in front of an open door; Medium shot, Low angle
Movie still from “Fists in the Pocket” (1965), directed by Marco Bellocchio – A man in a suit and tie standing in a door way; Medium shot, High angle
Movie still from “Ruggles of Red Gap” (1935), directed by Leo McCarey – A black and white photo of a man in a suit and tie; Medium shot, Over the shoulder angle
Movie still from “Going My Way” (1944), directed by Leo McCarey – A man wearing a hat and a black coat; Close Up shot, Low angle
Movie still from “The Furies” (1950), directed by Anthony Mann – A man standing in front of a door way; Medium shot, Low angle
Movie still from “Inland Empire” (2006), directed by David Lynch – An older man in a suit and tie in a room; Medium shot, Low angle
Movie still from “Fargo” (2014), created by Noah Hawley – A person standing in front of a door; Close Up shot, Over the shoulder angle
Movie still from “Le Doulos” (1962), directed by Jean-Pierre Melville – A man in a black suit holding a gun in the dark; Medium shot, Low angle
Movie still from “Dial M for Murder” (1954), directed by Alfred Hitchcock – A man in a tuxedo walking down the hall way; Wide shot, Low angle
Movie still from “The Happiest Millionaire” (1967), directed by Norman Tokar – A man in a suit and tie standing in front of a door; Medium shot, Low angle
Movie still from “A Most Wanted Man” (2014), directed by Anton Corbijn – A man wearing a suit and tie standing in front of a door; Wide shot, Low angle
Movie still from “The Big Town” (1987), directed by Harold Becker – A man in a suit standing in front of a door; Medium shot, Low angle
Movie still from “The Climax” (1944), directed by George Waggner – A man in a tuxedo standing in front of a wooden door; Medium shot, Low angle
Movie still from “Merrily We Live” (1938), directed by Norman Z. McLeod – A black and white photo of a man in a suit and tie; Medium shot, Low angle
Movie still from “The Wrecking Crew” (1968), directed by Phil Karlson – A man in a white jacket standing in front of a white door; Medium shot, Over the shoulder angle
Movie still from “Desperate Hours” (1990), directed by Michael Cimino – A man in a tuxedo holding a beer in his hand; Medium shot, Low angle
Movie still from “The Dam Busters” (1955), directed by Michael Anderson – A man in a uniform standing in front of a door; Medium shot, Low angle
Movie still from “The Man Who Could Cheat Death” (1959), directed by Terence Fisher – A man in a tuxedo standing in front of two women; Medium shot, Low angle
Movie still from “Goodbye, Mr. Chips” (1939), directed by Sam Wood – A black and white photo of a man in a suit and bow tie; Medium shot, Low angle
Movie still from “Black Dynamite” (2009), directed by Scott Sanders – A man in a suit and tie standing in front of a door way; Wide shot, Low angle
Movie still from “Fear X” (2003), directed by Nicolas Winding Refn – A man in a suit and tie looking at the camera; Close Up shot, Low angle
Movie still from “Gilda” (1946), directed by Charles Vidor – A black and white photo of a man standing in a doorway; Medium shot, Low angle
Movie still from “Stories We Tell” (2012), directed by Sarah Polley – An old man standing in front of a door; Wide shot, High angle
Movie still from “Goodbye, Mr. Chips” (1939), directed by Sam Wood – A black and white photo of a man in a suit opening a door; Medium shot, Low angle
Movie still from “The Man Who Could Cheat Death” (1959), directed by Terence Fisher – A person wearing a suit and tie; Close Up shot, Low angle
Movie still from “Metropolis” (1927), directed by Fritz Lang – A black and white photo of a man standing in front of a door; Medium shot, High angle
Movie still from “The Man Who Could Cheat Death” (1959), directed by Terence Fisher – A person wearing a suit and tie; Medium shot, Low angle
Movie still from “Night of the Eagle” (1962), directed by Sidney Hayers – A black and white photo of a man standing in front of a door; Medium shot, Over the shoulder angle
Movie still from “The Man Who Could Cheat Death” (1959), directed by Terence Fisher – A man wearing a suit and tie standing in front of a door; Medium shot, Low angle