Jutta Dolle movie stills

On Genery.io, creators and filmmakers find references and create moodboards — get inspired with Jutta Dolle.

Movie still from “Obsession” (1943), directed by Luchino Visconti – A black - and - white photo of a woman with her arms crossed; Close Up shot, Over the shoulder angle
Movie still from “The Spiderwick Chronicles” (2008), directed by Mark Waters – An old photo of a young girl with long hair; Extreme Close Up shot, High angle
Movie still from “The Night of the Iguana” (1964), directed by John Huston – Black and white photograph of a woman in front of a house; Close Up shot, Low angle
Movie still from “Sound of Noise” (2010), directed by Ola Simonsson – An old photo of a woman smiling for the camera; Close Up shot, Low angle
Movie still from “Moonage Daydream” (2022), directed by Brett Morgen – An older woman sitting on a chair with her arm outstreched; Close Up shot, High angle
Movie still from “The Maids of Wilko” (1979), directed by Andrzej Wajda – An older woman wearing glasses and a brown sweater; Close Up shot, Low angle
Movie still from “Bait” (2019), directed by Mark Jenkin – Black and white photograph of a woman looking at the camera; Close Up shot, Low angle
Movie still from “Mirror” (1975), directed by Andrei Tarkovsky – An old photo of an older woman with blonde hair; Close Up shot, High angle
Movie still from “The Miracle Worker” (1962), directed by Arthur Penn – An old black and white photo of a woman kneeling in the grass; Wide shot, High angle
Movie still from “Diary for My Children” (1984), directed by Márta Mészáros – An old photo of a woman smiling for the camera; Close Up shot, Low angle
Movie still from “Cléo from 5 to 7” (1962), directed by Agnès Varda – A black and white photo of a woman sitting on a couch with a cat; Medium shot, High angle
Movie still from “The Cathedral” (2021), directed by Ricky D'Ambrose – A person wearing a jacket; Close Up shot, High angle
Movie still from “The Bohemian Life” (1992), directed by Aki Kaurismäki – An older woman with long curly hair is looking at the camera; Close Up shot, Low angle
Movie still from “Sanshiro Sugata, Part Two” (1945), directed by Akira Kurosawa – An old photo of a woman smiling for the camera; Close Up shot, Low angle
Movie still from “Since You Went Away” (1944), directed by John Cromwell – An old photo of a woman looking at a pile of papers; Medium shot, Low angle
Movie still from “Das Boot” (1981), directed by Wolfgang Petersen – An old photo of a young girl sitting on a bench; Medium shot, High angle
Movie still from “Three Poplars on Plyuschikha Street” (1968), directed by Tatyana Lioznova – A woman in white shirt smiling for the camera; Close Up shot, Low angle
Movie still from “Summer Interlude” (1951), directed by Ingmar Bergman – A black - and - white photo of a young woman; Close Up shot, High angle
Movie still from “The Cremator” (1969), directed by Juraj Herz – An older woman wearing a hat and a suit; Close Up shot, High angle
Movie still from “The Snake Pit” (1948), directed by Anatole Litvak – A black and white photo of a woman eating a sandwich; Close Up shot, High angle
Movie still from “The Spirit of the Beehive” (1973), directed by Víctor Erice – An old photo of a young girl holding a flower; Close Up shot, High angle
Movie still from “The Devil Strikes at Night” (1957), directed by Robert Siodmak – A black - and - white photo of a woman with short blonde hair; Close Up shot, Low angle
Movie still from “Judy & Punch” (2019), directed by Mirrah Foulkes – A little girl with a sad look on her face; Close Up shot, High angle
Movie still from “Hell and High Water” (1954), directed by Samuel Fuller – A woman in a yellow shirt sitting down; Close Up shot, High angle
Movie still from “The Cranes Are Flying” (1957), directed by Mikhail Kalatozov – A young woman wearing a headscarf is looking at the camera; Close Up shot, High angle
Movie still from “Twenty Days Without War” (1977), directed by Aleksey German – An old black and white photo of a woman; Close Up shot, Low angle
Movie still from “The Beatles: Eight Days a Week - The Touring Years” (2016), directed by Ron Howard – A young woman with short brown hair wearing a collared shirt; Close Up shot, Low angle
Movie still from “Twenty Days Without War” (1977), directed by Aleksey German – A black and white photo of a young girl; Close Up shot, High angle
Movie still from “The Two of Us” (1967), directed by Claude Berri – An older woman standing in front of a building; Medium shot, Low angle
Movie still from “The Magnificent Ambersons” (1942), directed by Robert Wise – An old photo of an older woman with long hair; Close Up shot, Low angle
Movie still from “Gun Crazy” (1950), directed by Joseph H. Lewis – An old photo of a woman in a black and white photo; Close Up shot, Low angle
Movie still from “Stories We Tell” (2012), directed by Sarah Polley – A black and white photo of a woman with a necklace; Close Up shot, Low angle
Movie still from “The Passion of Joan of Arc” (1928), directed by Carl Theodor Dreyer – Black and white photograph of a woman looking up; Close Up shot, Low angle
Movie still from “Zelig” (1983), directed by Woody Allen – A black and white photo of a woman wearing glasses; Close Up shot, Over the shoulder angle
Movie still from “Obsession” (1943), directed by Luchino Visconti – A woman holding a towel while standing in a room; Close Up shot, High angle
Movie still from “Diary of a Pregnant Woman” (1958), directed by Agnès Varda – A black - and - white photo of a woman smiling; Extreme Close Up shot, High angle
Movie still from “The Slender Thread” (1965), directed by Sydney Pollack – A black and white photo of a young woman; Close Up shot, High angle
Movie still from “Waterloo Bridge” (1940), directed by Mervyn LeRoy – An older woman wearing a black suit and a medal; Medium shot, Low angle
Movie still from “Decision Before Dawn” (1951), directed by Anatole Litvak – A black - and - white photo of a woman in a crowd; Close Up shot, Over the shoulder angle
Movie still from “Lenny” (1974), directed by Bob Fosse – Black and white photograph of a woman smiling for the camera; Close Up shot, High angle
Movie still from “Stories We Tell” (2012), directed by Sarah Polley – A black and white photo of a woman with blonde hair; Close Up shot, Low angle
Movie still from “Stories We Tell” (2012), directed by Sarah Polley – A black and white photo of a woman's face; Close Up shot, Low angle
Movie still from “Tokyo Olympiad” (1965), directed by Kon Ichikawa – A person with a medal around their neck; Close Up shot, Low angle
Movie still from “The Crown” (2016), created by Peter Morgan – An older woman wearing a scarf and holding a wine glass; Close Up shot, Over the shoulder angle
Movie still from “Three Poplars on Plyuschikha Street” (1968), directed by Tatyana Lioznova – A woman with blonde hair and blue eyes is posing for a picture; Close Up shot, Low angle
Movie still from “Darling” (1965), directed by John Schlesinger – A black and white photo of a woman with a bow in her hair; Close Up shot, Low angle
Movie still from “Mad About Music” (1938), directed by Norman Taurog – An old black and white photo of a woman; Close Up shot, High angle
Movie still from “Miracle in Milan” (1951), directed by Vittorio De Sica – An old black and white photo of a woman smiling; Close Up shot, High angle
Movie still from “Inland Empire” (2006), directed by David Lynch – A person wearing a suit and pearl necklace; Close Up shot, High angle
Movie still from “Four Daughters” (1938), directed by Michael Curtiz – A young woman in a sweater and a white shirt; Close Up shot, High angle
Movie still from “Baby Doll” (1956), directed by Elia Kazan – A black - and - white photo of a woman with blonde hair; Close Up shot, High angle
Movie still from “The Hunchback of Notre Dame” (1939), directed by William Dieterle – A black and white photo of a woman with curly hair; Close Up shot, High angle
Movie still from “Cannibal Holocaust” (1980), directed by Ruggero Deodato – A woman in a jacket and a neck tie looks at the camera; Close Up shot, Over the shoulder angle
Movie still from “The Gleaners & I” (2000), directed by Agnès Varda – An older woman smiling for the camera; Close Up shot, High angle
Movie still from “Cléo from 5 to 7” (1962), directed by Agnès Varda – An older woman with a white hair and a white shirt; Close Up shot, Low angle
Movie still from “The Asphalt Jungle” (1950), directed by John Huston – Black and white photograph of a woman looking at the camera; Close Up shot, High angle
Movie still from “Welcome, or No Trespassing” (1964), directed by Elem Klimov – A young woman wearing a white hat and a black shirt; Close Up shot, High angle
Movie still from “Alice in the Cities” (1974), directed by Wim Wenders – Black and white photograph of a woman on a cell phone; Close Up shot, Low angle
Movie still from “My Name Is Pauli Murray” (2021), directed by Betsy West – An old photo of a woman sitting in a chair; Medium shot, High angle
Movie still from “The Grand Illusion” (1937), directed by Jean Renoir – An old photo of a woman with a braid in her hair; Close Up shot, High angle
Movie still from “Studio 54” (2018), directed by Matt Tyrnauer – An older woman wearing a brown shirt and a necklace; Close Up shot, High angle
Movie still from “Bitter Rice” (1949), directed by Giuseppe De Santis – An old photo of a woman waving her hands; Medium shot, Low angle
Movie still from “Peeping Tom” (1960), directed by Michael Powell – A black and white photo of a woman in a bikini; Medium shot, Low angle
Movie still from “Teorema” (1968), directed by Pier Paolo Pasolini – An old photo of an older woman with a sad look on her face; Close Up shot, High angle
Movie still from “The Last Days” (1998), directed by James Moll – An older woman wearing glasses in a field of flowers; Close Up shot, Over the shoulder angle
Movie still from “Downfall” (2004), directed by Oliver Hirschbiegel – An older woman with gray hair wearing a yellow jacket; Close Up shot, Low angle
Movie still from “Margaret” (2011), directed by Kenneth Lonergan – An older woman sitting in front of an audience; Close Up shot, Over the shoulder angle
Movie still from “The Uninvited” (1944), directed by Lewis Allen – An old black and white photo of a woman on a sailboat; Wide shot, High angle
Movie still from “Turkish Delight” (1973), directed by Paul Verhoeven – A person wearing a dress; Close Up shot, High angle