House sitting next to a body of water surrounded by trees movie stills

On Genery.io, creators and filmmakers find references and create moodboards — get inspired with House sitting next to a body of water surrounded by trees.

Movie still from “The Night House” (2020), directed by David Bruckner – A living room with large windows and a lake in the background; Extreme Wide shot, High angle

Movie still from “Hannibal” (2001), directed by Ridley Scott – A house sitting on the side of a river; Extreme Wide shot, High angle

Movie still from “Fifty Shades Darker” (2017), directed by James Foley – A house on the side of a lake surrounded by a forest; Extreme Wide shot, High angle

Movie still from “Crawlspace” (2022), directed by L. Gustavo Cooper – A house in the middle of a forest with a power line; Extreme Wide shot, High angle

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Movie still from “Silver Dollar Road” (2023), directed by Raoul Peck – A wooded area with trees and grass in the foreground; Extreme Wide shot, High angle

Movie still from “The Night House” (2020), directed by David Bruckner – A view of a lake through a window; Extreme Wide shot, High angle

Movie still from “Troop Zero” (2019), directed by Bert – A light that is lit up in the dark at night; Extreme Wide shot, High angle

Movie still from “Ozark” (2017), created by Bill Dubuque – A forest with a boat in the middle of the trees; Extreme Wide shot, High angle

Movie still from “Ozark” (2017), created by Bill Dubuque – A man standing next to a dock near a body of water; Extreme Wide shot, Over the shoulder angle

Movie still from “Cabin Fever” (2016), directed by Travis Zariwny – A house is lit up at night near a body of water; Extreme Wide shot, High angle

Movie still from “Loving Adults” (2022), directed by Barbara Topsøe-Rothenborg – A raft floating on the water near the shore; Extreme Wide shot, Low angle

Movie still from “Alice, Darling” (2022), directed by Mary Nighy – A tree in front of a house with a porch and lawn chairs; Wide shot, High angle

Movie still from “The Wolf and the Lion” (2021), directed by Gilles de Maistre – An aerial view of a house in the middle of the woods; Extreme Wide shot, High angle

Movie still from “Ozark” (2017), created by Bill Dubuque – A boat dock with a boat on the water; Extreme Wide shot, High angle

Movie still from “Children of Men” (2006), directed by Alfonso Cuarón – A yellow truck parked in the middle of a forest; Extreme Wide shot, High angle

Movie still from “Every Day” (2018), directed by Michael Sucsy – A house in the middle of a forest with a pool in front of it; Extreme Wide shot, High angle

Movie still from “Soulcatcher” (2023), directed by Daniel Markowicz – A house sitting next to a body of water; Extreme Wide shot, High angle

Movie still from “Gunpowder Milkshake” (2021), directed by Navot Papushado – A cabin in the middle of the woods in the woods; Extreme Wide shot, High angle

Movie still from “The Shack” (2017), directed by Stuart Hazeldine – A person standing in front of a house in the woods; Extreme Wide shot, High angle

Movie still from “Ozark” (2017), created by Bill Dubuque – A view of a body of water from a boat dock; Extreme Wide shot, High angle

Movie still from “Martha Marcy May Marlene” (2011), directed by Sean Durkin – A boat floating on a body of water next to a forest; Extreme Wide shot, Over the shoulder angle

Movie still from “The Wave” (2008), directed by Dennis Gansel – A man standing on the edge of a house boat; Extreme Wide shot, Low angle

Movie still from “What Lies Beneath” (2000), directed by Robert Zemeckis – A man standing in front of stairs on a hill; Wide shot, Low angle

Movie still from “Ghosts of Mississippi” (1996), directed by Rob Reiner – People sitting on a bench in a forest; Extreme Wide shot, High angle

Movie still from “Ozark” (2017), created by Bill Dubuque – A person walking down a sidewalk near a house; Extreme Wide shot, Low angle

Movie still from “Ozark” (2017), created by Bill Dubuque – Extreme Wide shot, High angle

Movie still from “Alice, Darling” (2022), directed by Mary Nighy – A living room filled with couches and a window; Extreme Wide shot, High angle

Movie still from “Queen of Earth” (2015), directed by Alex Ross Perry – A cat sitting on a chair in front of a window; Wide shot, High angle

Movie still from “Salvation” (2017), created by Elizabeth Kruger – A group of people sitting around a pond in the middle of a forest; Extreme Wide shot, High angle

Movie still from “No One Will Save You” (2023), directed by Brian Duffield – A house sitting on the edge of a lake; Extreme Wide shot, High angle

Movie still from “Ozark” (2017), created by Bill Dubuque – A van parked in front of a house next to trees; Extreme Wide shot, High angle

Movie still from “Ozark” (2017), created by Bill Dubuque – Extreme Wide shot, High angle

Movie still from “Super Troopers 2” (2018), directed by Jay Chandrasekhar – A boat is parked in front of a house; Extreme Wide shot, High angle

Movie still from “Apex” (2021), directed by Edward Drake – A house on the water with a boat in the foreground; Extreme Wide shot, High angle

Movie still from “Pamela: A Love Story” (2023), directed by Ryan White – A group of trees near a body of water; Extreme Wide shot, High angle

Movie still from “Ozark” (2017), created by Bill Dubuque – A house that has a lot of trees in the background; Extreme Wide shot, Low angle

Movie still from “The Dunes” (2021), directed by Martin Copping – A wooden deck in the middle of the night; Extreme Wide shot, High angle

Movie still from “The Sky Is Everywhere” (2022), directed by Josephine Decker – People sitting on the steps of a house lit up at night; Extreme Wide shot, Low angle

Movie still from “Ozark” (2017), created by Bill Dubuque – An outdoor table and chairs set up on a patio; Extreme Wide shot, High angle

Movie still from “Song to Song” (2017), directed by Terrence Malick – An outdoor pool with a palm tree in the middle of the pool; Extreme Wide shot, High angle

Movie still from “Lovesong” (2016), directed by So Yong Kim – A group of lawn chairs sitting in the middle of a field; Extreme Wide shot, High angle

Movie still from “Stranger Things” (2016), created by Ross Duffer – A body of water surrounded by trees and a wooden deck; Extreme Wide shot, High angle

Movie still from “Soulcatcher” (2023), directed by Daniel Markowicz – A house with solar panels on the roof by the water; Extreme Wide shot, High angle

Movie still from “Ozark” (2017), created by Bill Dubuque – Extreme Wide shot, High angle

Movie still from “The Night House” (2020), directed by David Bruckner – A man standing on a dock next to a house; Extreme Wide shot, High angle

Movie still from “Trent Jaklitsch - Alyssa Monks” (2014) – Extreme Wide shot, High angle

Movie still from “Vikrant Rona” (2022), directed by Anup Bhandari – An aerial view of trees and a body of water; Extreme Wide shot, Overhead angle

Movie still from “Parker” (2013), directed by Taylor Hackford – A house sitting next to a body of water; Extreme Wide shot, Low angle

Movie still from “The Sopranos” (1999), created by David Chase – A car parked in the middle of a wooded area; Extreme Wide shot, High angle

Movie still from “Bullet to the Head” (2012), directed by Walter Hill – A house on stilts in the middle of a body of water; Extreme Wide shot, Low angle

Movie still from “The Towrope” (2012), directed by William Vega – A man standing in front of a house next to a body of water; Extreme Wide shot, Low angle

Movie still from “Fire Island” (2022), directed by Andrew Ahn – Extreme Wide shot, High angle

Movie still from “50 First Dates” (2004), directed by Peter Segal – A car parked in front of a house near a body of water; Extreme Wide shot, High angle

Movie still from “The Cabin in the Woods” (2011), directed by Drew Goddard – An old log cabin in the middle of the woods; Wide shot, High angle

Movie still from “Nobody Knows I'm Here” (2020), directed by Gaspar Antillo – An aerial view of a body of water with a boat in it; Extreme Wide shot, Overhead angle

Movie still from “Reptile” (2023), directed by Grant Singer – A living room filled with couches and chairs and tables; Extreme Wide shot, High angle

Movie still from “The Night House” (2020), directed by David Bruckner – A dark room with a couch and chair in it; Extreme Wide shot, High angle

Movie still from “Grown Ups” (2010), directed by Dennis Dugan – A boat is floating on a lake at sunset; Extreme Wide shot, High angle

Movie still from “V for Vengeance” (2022), directed by Kelly Halihan – An aerial view of a cabin in the middle of the woods; Extreme Wide shot, High angle

Movie still from “Pamela: A Love Story” (2023), directed by Ryan White – A house sitting next to a body of water; Extreme Wide shot, High angle

Movie still from “Drinking Buddies” (2013), directed by Joe Swanberg – A view of a body of water with trees in the foreground; Extreme Wide shot, High angle

Movie still from “Serendipity” (2001), directed by Peter Chelsom – A house and a boat in the water; Extreme Wide shot, High angle

Movie still from “Every Day” (2018), directed by Michael Sucsy – A lake surrounded by a forest filled with trees; Extreme Wide shot, High angle

Movie still from “Ozark” (2017), created by Bill Dubuque – A person standing in front of a car parked in front of a house; Extreme Wide shot, High angle

Movie still from “The Paperboy” (2012), directed by Lee Daniels – Clothes are hanging on a line next to a tree; Extreme Wide shot, High angle

Movie still from “The Lake House” (2006), directed by Alejandro Agresti – A building that has been built on the side of a river; Extreme Wide shot, High angle

Movie still from “Firestarter” (1984), directed by Mark L. Lester – A man standing on the steps of a house; Wide shot, High angle

Movie still from “Barney's Version” (2010), directed by Richard J. Lewis – A man standing on a pier next to a body of water; Wide shot, High angle

Movie still from “Minority Report” (2002), directed by Steven Spielberg – A house with a porch sitting next to a body of water; Extreme Wide shot, High angle

Movie still from “Ozark” (2017), created by Bill Dubuque – An aerial view of a small island in the middle of a body of water; Extreme Wide shot, High angle

Movie still from “The Day the Earth Stood Still” (2008), directed by Scott Derrickson – A building in the middle of a forest at night; Wide shot, High angle

Movie still from “Atonement” (2007), directed by Joe Wright – A boat floating on top of a body of water near trees; Extreme Wide shot, High angle

Movie still from “Mud” (2012), directed by Jeff Nichols – A boat floating down a river next to a dock; Extreme Wide shot, High angle

Movie still from “Sabotage” (2014), directed by David Ayer – An aerial view of a house near a body of water; Extreme Wide shot, High angle

Movie still from “Run All Night” (2015), directed by Jaume Collet-Serra – A man standing in front of a house with leaves on the ground; Wide shot, Over the shoulder angle

Movie still from “The Night House” (2020), directed by David Bruckner – A house is lit up at night on the water; Extreme Wide shot, Low angle

Movie still from “Ozark” (2017), created by Bill Dubuque – A view of a body of water from a porch; Extreme Wide shot, Low angle

Movie still from “Tomorrowland” (2015), directed by Brad Bird – Three people are standing on a boat in the water; Wide shot, High angle

Movie still from “Arrival” (2016), directed by Denis Villeneuve – A view of a body of water through a window at night; Extreme Wide shot, Low angle

Movie still from “The Green Book: Guide to Freedom” (2019), directed by Yoruba Richen – A boat sits on the shore of a lake near trees; Extreme Wide shot, Low angle

Movie still from “The Ring” (2002), directed by Gore Verbinski – A cabin in the middle of the woods at night; Extreme Wide shot, Low angle

Movie still from “Big Fish” (2003), directed by Tim Burton – A house sitting next to a body of water; Extreme Wide shot, High angle

Movie still from “Ozark” (2017), created by Bill Dubuque – A house sitting on the side of a lake surrounded by trees; Extreme Wide shot, High angle

Movie still from “Funny Games” (2007), directed by Michael Haneke – A man in a raincoat walking on the grass by the water; Extreme Wide shot, High angle

Movie still from “The Green Book: Guide to Freedom” (2019), directed by Yoruba Richen – A person sitting on a bench near a body of water; Extreme Wide shot, High angle

Movie still from “The Lake House” (2006), directed by Alejandro Agresti – A building that is under construction next to a body of water; Extreme Wide shot, Low angle

Movie still from “The Lake House” (2006), directed by Alejandro Agresti – An old house is sitting in the middle of a pond; Extreme Wide shot, High angle

Movie still from “The Sea of Trees” (2015), directed by Gus Van Sant – A man standing on a chair in front of a house; Extreme Wide shot, High angle

Movie still from “It Follows” (2014), directed by David Robert Mitchell – A view of trees and a trail in the woods; Extreme Wide shot, High angle