Movie still from “Mr. Robot” (2015), created by Sam Esmail – A computer screen with a warning sign on it; Extreme Close Up shot, High angle
Movie still from “City of Ghosts” (2017), directed by Matthew Heineman – A computer screen with a computer screen with a picture of mountains; Extreme Close Up shot, Over the shoulder angle
Movie still from “Outside” (2021), directed by Farahd Wallizada – A computer screen showing a call - to - engaged advertisement; Extreme Close Up shot, Over the shoulder angle
Movie still from “Castaway on the Moon” (2009), directed by Lee Hae-jun – A computer screen with a blue background; Extreme Close Up shot, High angle
Movie still from “Queenmaker: The Making of an It Girl” (2023), directed by Zackary Drucker – A woman with long blonde hair wearing a gray sweater; Close Up shot, High angle
Movie still from “The Girl with the Dragon Tattoo” (2011), directed by David Fincher – An old photo of people walking down the street; Wide shot, High angle
Movie still from “Mr. Robot” (2015), created by Sam Esmail – A computer screen with a computer settings screen; Extreme Wide shot, High angle
Movie still from “Missing” (2023), directed by Nicholas D. Johnson – An image of an email on a computer screen; Extreme Wide shot, Overhead angle
Movie still from “A Writer's Odyssey” (2021), directed by Yang Lu – A picture of a woman on the screen of an electronic device; Extreme Close Up shot, Overhead angle
Movie still from “The Amazing Spider-Man 2” (2014), directed by Marc Webb – A computer screen with a computer screen showing a computer; Extreme Close Up shot, High angle
Movie still from “Terminator Genisys” (2015), directed by Alan Taylor – A television screen with the words genisys on it; Extreme Close Up shot, High angle
Movie still from “Girl House” (2014), directed by Trevor Matthews – A computer screen with a picture of a woman in lingerie; Extreme Close Up shot, High angle
Movie still from “Cam” (2018), directed by Daniel Goldhaber – A computer screen showing a google library page on it; Extreme Close Up shot, High angle
Movie still from “Our Father” (2022), directed by Lucie Jourdan – A computer screen showing a person's profile and health analysis information; Extreme Close Up shot, Over the shoulder angle
Movie still from “Missing” (2023), directed by Nicholas D. Johnson – A computer screen showing a person in a motorcycle helmet; Extreme Close Up shot, Overhead angle
Movie still from “Through My Window” (2022), directed by Marçal Forés – A computer screen showing a picture of a person; Extreme Close Up shot, High angle
Movie still from “20th Century Girl” (2022), directed by Woo-ri Bang – A computer screen showing a korean language; Extreme Close Up shot, High angle
Movie still from “Mr. Robot” (2015), created by Sam Esmail – A computer screen with a computer screen showing a computer; Extreme Close Up shot, High angle
Movie still from “Brazen” (2022), directed by Monika Mitchell – A laptop computer sitting on top of a wooden table; Extreme Close Up shot, High angle
Movie still from “Embrace the Panda: Making Turning Red” (2022), directed by Erica Milsom – An open laptop computer sitting on top of a stack of books; Wide shot, High angle
Movie still from “Mr. Robot” (2015), created by Sam Esmail – A computer screen showing a menu with several options; Extreme Wide shot, High angle
Movie still from “Mr. Robot” (2015), created by Sam Esmail – A computer screen with a computer program running on it; Extreme Wide shot, High angle
Movie still from “Castaway on the Moon” (2009), directed by Lee Hae-jun – A woman holding a paper bag in front of a computer screen; Extreme Close Up shot, High angle
Movie still from “Mr. Robot” (2015), created by Sam Esmail – A computer screen with a computer code on it; Extreme Close Up shot, Overhead angle
Movie still from “Bordertown: The Mural Murders” (2021), directed by Juuso Syrjä – Extreme Close Up shot, High angle
Movie still from “Dear David” (2023), directed by Lucky Kuswandi – A person holding a phone with a notification screen on it; Extreme Close Up shot, High angle
Movie still from “Beginners” (2010), directed by Mike Mills – A view of a waterfall from the side of a mountain; Extreme Wide shot, Low angle
Movie still from “The Rain” (2018), created by Jannik Tai Mosholt – A computer screen with a book icon on it; Extreme Close Up shot, High angle
Movie still from “The Social Network” (2010), directed by David Fincher – Extreme Close Up shot, High angle
Movie still from “Missing” (2023), directed by Nicholas D. Johnson – A woman in a black top is on a computer screen; Extreme Close Up shot, Overhead angle
Movie still from “You” (2018), created by Sera Gamble – A computer screen with a list of things to do on it; Extreme Close Up shot, Overhead angle
Movie still from “Jem and the Holograms” (2015), directed by Jon M. Chu – A computer screen with a computer screen showing a computer; Extreme Close Up shot, High angle
Movie still from “Outside” (2021), directed by Farahd Wallizada – View of a laptop keyboard; Extreme Close Up shot, High angle
Movie still from “Mr. Robot” (2015), created by Sam Esmail – A computer screen with a bunch of sticky notes attached to it; Extreme Wide shot, High angle
Movie still from “The Weekend Away” (2022), directed by Kim Farrant – A computer screen showing the date and time of the event; Close Up shot, High angle
Movie still from “El Jeremías” (2015), directed by Anwar Safa – A computer screen with a bunch of pictures on it; Extreme Close Up shot, High angle
Movie still from “Flora and Son” (2023), directed by John Carney – Extreme Close Up shot, High angle
Movie still from “Hellbound” (2021), created by Yeon Sang-ho – Extreme Close Up shot, High angle
Movie still from “Oh Belinda” (2023), directed by Deniz Yorulmazer – An open laptop computer sitting on top of a desk; Extreme Close Up shot, High angle
Movie still from “10 Days of a Good Man” (2023), directed by Uluç Bayraktar – A hand holding a cell phone with a bunch of pictures on it; Extreme Close Up shot, High angle
Movie still from “Kimi” (2022), directed by Steven Soderbergh – A computer screen with a picture of a beach on it; Extreme Close Up shot, Over the shoulder angle
Movie still from “Mr. Robot” (2015), created by Sam Esmail – A computer screen with a bunch of pictures on it; Extreme Close Up shot, High angle
Movie still from “Mr. Robot” (2015), created by Sam Esmail – A computer screen with several icons on it; Extreme Close Up shot, Low angle
Movie still from “To the Stars” (2019), directed by Martha Stephens – A dandelion with a sky in the background; Extreme Close Up shot, Low angle
Movie still from “Manchester by the Sea” (2016), directed by Kenneth Lonergan – A computer screen with a blue background; Extreme Wide shot, High angle
Movie still from “SAS: Red Notice” (2021), directed by Magnus Martens – A man holding a gun and aiming it at a building; Extreme Close Up shot, High angle
Movie still from “Needle in a Timestack” (2021), directed by John Ridley – A person taking a picture of a picture on a computer screen; Extreme Close Up shot, Over the shoulder angle
Movie still from “Happy End” (2017), directed by Michael Haneke – A hamster in a cage eating food from a bowl; Extreme Close Up shot, Overhead angle
Movie still from “The Night Agent” (2023), created by Shawn Ryan – A computer screen with a computer screen showing a computer; Extreme Close Up shot, High angle
Movie still from “The Rain” (2018), created by Jannik Tai Mosholt – A computer screen with a shamrock on it; Extreme Close Up shot, Overhead angle
Movie still from “The Night Agent” (2023), created by Shawn Ryan – A computer monitor with a dark background; Extreme Close Up shot, High angle
Movie still from “The Boys” (2019), created by Eric Kripke – A computer screen with a blue background; Extreme Close Up shot, High angle
Movie still from “She Said” (2022), directed by Maria Schrader – Extreme Close Up shot, High angle
Movie still from “Code Name Emperor” (2022), directed by Jorge Coira – A computer screen showing a person's picture on a social media page; Extreme Close Up shot, High angle
Movie still from “Money Monster” (2016), directed by Jodie Foster – A computer screen with a computer screen showing a computer; Extreme Close Up shot, High angle
Movie still from “Mr. Robot” (2015), created by Sam Esmail – Extreme Close Up shot, High angle
Movie still from “You” (2018), created by Sera Gamble – A computer screen with a computer screen showing a computer; Extreme Close Up shot, High angle
Movie still from “Youth” (2015), directed by Paolo Sorrentino – Two people walking down a path in the middle of a field; Extreme Wide shot, High angle
Movie still from “The Weekend Away” (2022), directed by Kim Farrant – A black screen with a camera and a picture of the same image; Extreme Wide shot, Overhead angle
Movie still from “Bodyguard” (2018), created by Jed Mercurio – A computer screen with a leaf on the screen; Extreme Close Up shot, High angle
Movie still from “Hellbound” (2021), created by Yeon Sang-ho – Extreme Close Up shot, High angle
Movie still from “The Hunger Games” (2012), directed by Gary Ross – An aerial view of a city at night with lights; Extreme Wide shot, High angle
Movie still from “Mr. Robot” (2015), created by Sam Esmail – A computer screen showing a computer screen with a computer screen showing a computer; Extreme Close Up shot, High angle
Movie still from “The Hatchet Wielding Hitchhiker” (2023), directed by Colette Camden – A computer screen with a couple of pictures on it; Extreme Close Up shot, Overhead angle
Movie still from “Operation Fortune: Ruse de Guerre” (2023), directed by Guy Ritchie – A computer screen with a computer screen with a picture of a building; Extreme Close Up shot, Over the shoulder angle
Movie still from “Mr. Robot” (2015), created by Sam Esmail – A computer monitor with a white screen on it; Extreme Close Up shot, Low angle
Movie still from “Tár” (2022), directed by Todd Field – An image of an article in a computer screen; Extreme Close Up shot, High angle
Movie still from “Home” (2021), directed by Saalih Chaudhry – A man's face with a subscribe button in front of him; Extreme Close Up shot, Over the shoulder angle
Movie still from “13 Reasons Why” (2017), created by Brian Yorkey – An open laptop computer sitting on top of a desk; Extreme Close Up shot, Over the shoulder angle
Movie still from “Flora and Son” (2023), directed by John Carney – Extreme Close Up shot, High angle
Movie still from “Haider” (2014), directed by Vishal Bhardwaj – A bridge over a body of water at night time; Extreme Wide shot, High angle
Movie still from “Love and Leashes” (2022), directed by Hyeon-jin Park – Picture of a computer screen; Extreme Close Up shot, Over the shoulder angle
Movie still from “Infamy” (2023), directed by Kuba Czekaj – A computer screen with a group of people on it; Extreme Close Up shot, High angle
Movie still from “Mr. Robot” (2015), created by Sam Esmail – A computer screen with a cone on the screen; Extreme Close Up shot, Overhead angle
Movie still from “Missing” (2023), directed by Nicholas D. Johnson – An image of a man with a blanket on his shoulders; Close Up shot, Over the shoulder angle
Movie still from “Squared Love All Over Again” (2023), directed by Filip Zylber – A person is looking at a computer screen; Extreme Close Up shot, High angle
Movie still from “Missing” (2023), directed by Nicholas D. Johnson – A computer screen and a laptop with sticky notes on the wall; Extreme Close Up shot, High angle
Movie still from “Missing” (2023), directed by Nicholas D. Johnson – A computer screen with a log in screen; Extreme Close Up shot, High angle
Movie still from “Lupin” (2021), created by Tigran Rosine – Extreme Close Up shot, High angle
Movie still from “Through My Window” (2022), directed by Marçal Forés – A man with a surfboard in front of some trees; Extreme Close Up shot, Low angle
Movie still from “Parallel Mothers” (2021), directed by Pedro Almodóvar – An aerial view of a green field with many windows; Extreme Wide shot, Overhead angle
Movie still from “Tomorrow X Together: Our Lost Summer” (2023), directed by Jun-Soo Park – A crowd of people in a stadium at night with cell phones in their hands; Extreme Wide shot, High angle
Movie still from “The Good Lie” (2014), directed by Philippe Falardeau – An open laptop computer sitting on top of a desk; Extreme Close Up shot, High angle
Movie still from “The Constant Gardener” (2005), directed by Fernando Meirelles – A computer screen showing a group of people in suits; Extreme Close Up shot, High angle
Movie still from “Resistance” (2020), directed by Jonathan Jakubowicz – A view of a snowy mountain range at night time; Extreme Wide shot, High angle
Movie still from “Terminator Genisys” (2015), directed by Alan Taylor – A city street at night lit up by street lights; Extreme Wide shot, High angle