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Forklift movie stills

On Genery.io, creators and filmmakers find references and create moodboards — get inspired with Forklift.

Movie still from “Snakehead” (2021), directed by Evan Jackson Leong – A man sitting in a fork lift in a warehouse; Wide shot, Low angle

Movie still from “Money Heist” (2017), created by Álex Pina – A man sitting in a forklift in a warehouse; Medium shot, Low angle

Movie still from “Fatman” (2020), directed by Ian Nelms – A forklift parked in front of a window; Wide shot, Low angle

Movie still from “Bitchin': The Sound and Fury of Rick James” (2021), directed by Sacha Jenkins – A person is using a cell phone while sitting on a forklift; Medium shot, Overhead angle

Movie still from “Money Heist” (2017), created by Álex Pina – A man standing on the stairs of a building; Wide shot, Low angle

Movie still from “Fantastic Fungi” (2019), directed by Louie Schwartzberg – A man standing in front of a yellow forklift; Wide shot, Over the shoulder angle

Movie still from “The Lego Movie” (2014), directed by Phil Lord – A forklift is parked next to a yellow shelf; Extreme Close Up shot, Overhead angle

Movie still from “Ride Along 2” (2016), directed by Tim Story – An aerial view of a construction vehicle with a man sitting in the back; Extreme Wide shot, High angle

Movie still from “Narcos” (2015), created by Chris Brancato – Two men driving a yellow forklift in an industrial setting; Wide shot, Low angle

Movie still from “Tekkonkinkreet” (2006), directed by Michael Arias – A woman standing in front of a man riding a yellow truck; Extreme Wide shot, Overhead angle

Movie still from “Planes: Fire & Rescue” (2014), directed by Bobs Gannaway – A silver and black car is in a parking lot; Wide shot, Low angle

Movie still from “Rucker” (2022), directed by Amy Hesketh – A man standing in front of a truck with boxes on it; Extreme Wide shot, High angle

Movie still from “Faces Places” (2017), directed by Agnès Varda – A man standing next to a large yellow crane; Extreme Wide shot, Low angle

Movie still from “Monster Trucks” (2016), directed by Chris Wedge – A yellow tractor parked in front of a barn; Wide shot, High angle

Movie still from “Daylight” (1996), directed by Rob Cohen – A man sitting on a fork lift in front of a truck; Wide shot, Low angle

Movie still from “The Wire” (2002), created by David Simon – A man in an orange hard hat driving a yellow cart; Medium shot, High angle

Movie still from “Terrifier” (2016), directed by Damien Leone – A forklift parked inside of a warehouse next to a building; Wide shot, Low angle

Movie still from “Planes: Fire & Rescue” (2014), directed by Bobs Gannaway – A cartoon truck with eyes on it is parked in a parking lot; Wide shot, High angle

Movie still from “Breaking Bad” (2008), created by Vince Gilligan – A man standing in front of a machine in a room; Extreme Wide shot, High angle

Movie still from “Centaur” (2022), directed by Daniel Calparsoro – A man standing next to a fork lift holding his hand to his face; Medium shot, Low angle

Movie still from “Jack Reacher: Never Go Back” (2016), directed by Edward Zwick – A forklift is parked in front of an airplane; Extreme Wide shot, Low angle

Movie still from “Planes: Fire & Rescue” (2014), directed by Bobs Gannaway – A toy truck is driving down the street; Wide shot, High angle

Movie still from “Patriots Day” (2016), directed by Peter Berg – A man sitting on top of a forklift in a warehouse; Medium shot, Low angle

Movie still from “Hereafter” (2010), directed by Clint Eastwood – Two men in a warehouse with a forklift; Wide shot, High angle

Movie still from “Smokey and the Bandit” (1977), directed by Hal Needham – A man sitting on top of a yellow forklift; Wide shot, High angle

Movie still from “Austin Powers: International Man of Mystery” (1997), directed by Jay Roach – A man sitting on a forklift in an industrial setting; Wide shot, Low angle

Movie still from “Monster Trucks” (2016), directed by Chris Wedge – A man driving a yellow forklift in a parking lot; Wide shot, Low angle

Movie still from “Savage Salvation” (2022), directed by Randall Emmett – A man sitting on the ground next to a forklift; Medium shot, High angle

Movie still from “Godzilla” (1998), directed by Roland Emmerich – A man sitting on a yellow fork lift truck; Wide shot, Low angle

Movie still from “You Only Live Twice” (1967), directed by Lewis Gilbert – A forklift is parked in a warehouse with wooden pallets behind it; Medium shot, Low angle

Movie still from “Planes” (2013), directed by Klay Hall – A cartoon car with a face on the front of it; Medium shot, High angle

Movie still from “Ozark” (2017), created by Bill Dubuque – Medium shot, Low angle

Movie still from “Wayne's World” (1992), directed by Penelope Spheeris – A couple of people standing next to a forklift; Wide shot, Low angle

Movie still from “Superman: Man of Tomorrow” (2020), directed by Chris Palmer – An orange forklift is parked in a warehouse; Extreme Wide shot, Low angle

Movie still from “The Sopranos” (1999), created by David Chase – A man standing in front of a fork lift; Wide shot, Low angle

Movie still from “Fargo” (2014), created by Noah Hawley – A man driving a yellow forklift in a warehouse; Wide shot, Low angle

Movie still from “It Might Get Loud” (2008), directed by Davis Guggenheim – A man driving a forklift in a large warehouse; Wide shot, Low angle

Movie still from “Savage Salvation” (2022), directed by Randall Emmett – A man sitting on the ground next to a forklift in a warehouse; Wide shot, High angle

Movie still from “Charlie's Angels: Full Throttle” (2003), directed by McG – A man driving a fork lift truck in a warehouse; Medium shot, Low angle

Movie still from “Planes: Fire & Rescue” (2014), directed by Bobs Gannaway – An animated car with eyes on the front of it; Wide shot, Low angle

Movie still from “2 Fast 2 Furious” (2003), directed by John Singleton – A forklift that is parked next to a boat; Extreme Wide shot, Low angle

Movie still from “A Street Cat Named Bob” (2016), directed by Roger Spottiswoode – A street scene of a train station with cars parked on the sidewalk; Wide shot, Low angle

Movie still from “Captain Underpants: The First Epic Movie” (2017), directed by David Soren – An overhead view of a construction crane in a city; Extreme Wide shot, High angle

Movie still from “Blue Collar” (1978), directed by Paul Schrader – A forklift is parked in a room next to a window; Wide shot, Low angle

Movie still from “Centaur” (2022), directed by Daniel Calparsoro – A large yellow and black truck and some red containers; Wide shot, Low angle

Movie still from “Den of Thieves” (2018), directed by Christian Gudegast – A forklift is parked in a warehouse filled with cardboard boxes; Wide shot, High angle

Movie still from “Tim and Eric's Billion Dollar Movie” (2012), directed by Eric Wareheim – Two men are sitting on a forklift in front of a store window; Wide shot, Over the shoulder angle

Movie still from “Planes: Fire & Rescue” (2014), directed by Bobs Gannaway – A truck that is sitting in the middle of the road; Wide shot, High angle

Movie still from “The Wire” (2002), created by David Simon – A man sitting on the back of a fork lift truck; Wide shot, Low angle

Movie still from “Hitman's Wife's Bodyguard” (2021), directed by Patrick Hughes – A person looking at a drawing of an excavator; Extreme Close Up shot, Overhead angle

Movie still from “Breaking Bad” (2008), created by Vince Gilligan – A man is standing in a forklift in a warehouse; Wide shot, Low angle

Movie still from “Cinderella Man” (2005), directed by Ron Howard – A man sitting in the driver's seat of a crane; Wide shot, High angle

Movie still from “Blue Collar” (1978), directed by Paul Schrader – A man standing in front of a pile of tires; Wide shot, High angle

Movie still from “Popovich: Road to Hollywood” (2021), directed by Gregory Popovich – A man with a beard and a yellow vest standing in front of a forklift; Wide shot, Low angle

Movie still from “Blue Collar” (1978), directed by Paul Schrader – A fork lift in a warehouse; Wide shot, Low angle

Movie still from “Game Night” (2018), directed by John Francis Daley – Extreme Wide shot, Low angle

Movie still from “Daylight” (1996), directed by Rob Cohen – An older man sitting in the back of a forklift; Medium shot, High angle

Movie still from “The Wire” (2002), created by David Simon – A man standing on a skateboard in front of a truck; Wide shot, Over the shoulder angle

Movie still from “Zom 100: Bucket List of the Dead” (2023), directed by Yûsuke Ishida – A man standing in front of a yellow forklift; Wide shot, Low angle

Movie still from “Planes: Fire & Rescue” (2014), directed by Bobs Gannaway – A cartoon character with a bucket; Medium shot, Low angle

Movie still from “Closet Monster” (2015), directed by Stephen Dunn – A forklift driving down a street next to piles of lumber; Extreme Wide shot, Low angle

Movie still from “Hooper” (1978), directed by Hal Needham – A man standing on the back of a red truck; Medium shot, Low angle

Movie still from “Popovich: Road to Hollywood” (2021), directed by Gregory Popovich – A man laying on the ground in front of a forklift; Wide shot, High angle

Movie still from “Bear Witness” (2022), directed by Jeff Wilson – A large yellow and black wheel loader is parked in the snow near a building; Extreme Wide shot, Over the shoulder angle

Movie still from “Breaking Bad” (2008), created by Vince Gilligan – A bald man in a red shirt and a yellow apron; Wide shot, Over the shoulder angle

Movie still from “Alien vs. Predator” (2004), directed by Paul W.S. Anderson – A man sitting in the driver's seat of a tractor; Wide shot, High angle

Movie still from “Cracow Monsters” (2022), created by Kasia Adamik – Medium shot, Low angle

Movie still from “The Lorax” (2012), directed by Chris Renaud – A tire and wheel on the ground; Extreme Close Up shot, Low angle

Movie still from “To Live and Die in L.A.” (1985), directed by William Friedkin – A fork lift is driving down the street; Wide shot, High angle

Movie still from “A Civil Action” (1998), directed by Steven Zaillian – A man riding on the back of a forklift in a warehouse; Wide shot, High angle

Movie still from “Sound of Noise” (2010), directed by Ola Simonsson – A man wearing a hard hat sitting in a vehicle; Medium shot, Low angle

Movie still from “The Wire” (2002), created by David Simon – A man in an orange vest standing in front of a train; Medium shot, Low angle

Movie still from “22 Jump Street” (2014), directed by Phil Lord – An empty warehouse with a forklift in the middle of the floor; Extreme Wide shot, High angle

Movie still from “The Standoff at Sparrow Creek” (2018), directed by Henry Dunham – A warehouse filled with lots of shelves of lumber; Extreme Wide shot, Low angle

Movie still from “SAS: Red Notice” (2021), directed by Magnus Martens – Two men standing next to each other next to a yellow machine; Wide shot, High angle

Movie still from “Timecop” (1994), directed by Peter Hyams – A fork lift is parked next to a large stack of barrels; Wide shot, Low angle

Movie still from “Mickey One” (1965), directed by Arthur Penn – A black and white photo of cars being lifted by a crane; Wide shot, Low angle

Movie still from “Planes: Fire & Rescue” (2014), directed by Bobs Gannaway – The face of a cartoon character; Medium shot, Low angle

Movie still from “Savage Salvation” (2022), directed by Randall Emmett – A forklift with a pallet of beer on it; Medium shot, Low angle

Movie still from “Money Heist” (2017), created by Álex Pina – A man sitting in a forklift in a warehouse; Wide shot, Low angle

Movie still from “Smokey and the Bandit” (1977), directed by Hal Needham – Two men are working on a machine in a warehouse; Medium shot, Low angle

Movie still from “Planes” (2013), directed by Klay Hall – A group of toy cars sitting next to each other in front of an airplane; Wide shot, Low angle

Movie still from “Planes” (2013), directed by Klay Hall – A green car is parked on the side of the road; Wide shot, Low angle

Movie still from “Monster Trucks” (2016), directed by Chris Wedge – A man sitting in the driver's seat of a vehicle; Medium shot, Over the shoulder angle

Movie still from “G-Force” (2009), directed by Hoyt Yeatman – A person holding a skateboard while standing next to a wall; Medium shot, Low angle