Movie still from “Atlanta” (2016), created by Donald Glover – A man talking on a phone next to a wall; Close Up shot, Over the shoulder angle
Movie still from “Better Call Saul” (2015), created by Vince Gilligan – A man sitting in a chair talking on a cell phone; Medium shot, Over the shoulder angle
Movie still from “Better Call Saul” (2015), created by Vince Gilligan – A man is talking on a cell phone in front of a wall of cigarette boxes; Extreme Close Up shot, High angle
Movie still from “Greta” (2018), directed by Neil Jordan – A post - it note with a phone number on top of it; Extreme Close Up shot, Overhead angle
Movie still from “Get the Gringo” (2012), directed by Adrian Grunberg – A person talking on a cell phone; Close Up shot, Over the shoulder angle
Movie still from “Big Mäck - Gangsters and Gold” (2023), directed by Andreas Spinrath – An old phone sitting on top of a desk; Extreme Close Up shot, High angle
Movie still from “Money Heist” (2017), created by Álex Pina – A person is working on a cell phone on a desk; Extreme Close Up shot, Low angle
Movie still from “Missing” (2023), directed by Nicholas D. Johnson – A picture of a timer with the name of james and a picture of a pair of red headphones; Extreme Close Up shot, Overhead angle
Movie still from “Run All Night” (2015), directed by Jaume Collet-Serra – A phone number on the screen; Extreme Close Up shot, Overhead angle
Movie still from “Get the Gringo” (2012), directed by Adrian Grunberg – A man sitting at a desk talking on a cell phone; Medium shot, High angle
Movie still from “Wrath of Man” (2021), directed by Guy Ritchie – A man with tattoos on his face talking on a cell phone; Close Up shot, Low angle
Movie still from “Batman v Superman: Dawn of Justice” (2016), directed by Zack Snyder – A phone on a desk; Extreme Close Up shot, High angle
Movie still from “Breaking” (2022), directed by Abi Damaris Corbin – A person is sitting at a desk with a phone; Extreme Close Up shot, High angle
Movie still from “Batman v Superman: Dawn of Justice” (2016), directed by Zack Snyder – A phone on a desk; Extreme Close Up shot, High angle
Movie still from “Breaking Bad” (2008), created by Vince Gilligan – A person holding a matchbook that reads " saul goodman attorney at law "; Extreme Close Up shot, Overhead angle
Movie still from “Man on Fire” (2004), directed by Tony Scott – View of a phone on top of a desk; Extreme Close Up shot, High angle
Movie still from “Wifelike” (2022), directed by James Bird – A beautiful woman holding a cell phone in her hand; Medium shot, Low angle
Movie still from “Rocky” (1976), directed by John G. Avildsen – A man in a car talking on a cell phone; Close Up shot, Over the shoulder angle
Movie still from “Kaytranada - Look Easy (The Short) feat. Lucky Daye” (2020), directed by Xavier Tera – Extreme Close Up shot, High angle
Movie still from “F*ck Love Too” (2022), directed by Appie Boudellah – A hand holding a smart phone with an e - mail sign on the screen; Extreme Close Up shot, Overhead angle
Movie still from “Wrong” (2012), directed by Quentin Dupieux – A man is talking on a cell phone outside; Close Up shot, Low angle
Movie still from “S.W.A.T.” (2003), directed by Clark Johnson – An old cell phone with an incoming call on the screen; Extreme Close Up shot, Overhead angle
Movie still from “Goodfellas” (1990), directed by Martin Scorsese – A man talking on a phone while sitting at a desk; Close Up shot, Low angle
Movie still from “Unforgettable” (2017), directed by Denise Di Novi – A person holding a cell phone in their hand; Extreme Close Up shot, High angle
Movie still from “Good Time” (2017), directed by Benny Safdie – View of the buttons of a purple calculator; Extreme Close Up shot, High angle
Movie still from “Last Night” (1998), directed by Don McKellar – A person writing on a piece of paper with a pen; Extreme Close Up shot, High angle
Movie still from “The Boys” (2019), created by Eric Kripke – A person is holding a cell phone in their hand; Extreme Close Up shot, High angle
Movie still from “The Rainmaker” (1997), directed by Francis Ford Coppola – An older man talking on a cell phone while standing under a palm tree; Close Up shot, Low angle
Movie still from “Kill the Irishman” (2011), directed by Jonathan Hensleigh – An image of a glass of water on a table; Extreme Close Up shot, High angle
Movie still from “Fear X” (2003), directed by Nicolas Winding Refn – A man talking on a phone while sitting at a table; Close Up shot, High angle
Movie still from “Hellbound” (2021), created by Yeon Sang-ho – A person holding a smart phone in front of a computer keyboard; Extreme Close Up shot, High angle
Movie still from “Sorry to Bother You” (2018), directed by Boots Riley – A man is looking at a resume on a tablet; Extreme Close Up shot, High angle
Movie still from “John Wick: Chapter 3 - Parabellum” (2019), directed by Chad Stahelski – A computer screen with a green screen with numbers; Extreme Close Up shot, Overhead angle
Movie still from “The Lincoln Lawyer” (2011), directed by Brad Furman – A person talking on a cell phone; Close Up shot, Over the shoulder angle
Movie still from “When a Man Falls” (2007), directed by Ryan Eslinger – View of a remote control device; Extreme Close Up shot, High angle
Movie still from “Reality Bites” (1994), directed by Ben Stiller – A television screen with a call sign on it; Extreme Close Up shot, High angle
Movie still from “Pride Jewel” (2022), directed by Doug Thomsen – A man is talking on a cell phone while walking by a tree; Medium shot, Low angle
Movie still from “Snatch” (2000), directed by Guy Ritchie – A man's hand on a black keyboard; Extreme Close Up shot, High angle
Movie still from “Quicksilver” (1986), directed by Thomas Michael Donnelly – A person holding a buy call receipt in their hand; Extreme Close Up shot, High angle
Movie still from “Falling Down” (1993), directed by Joel Schumacher – A sign on the side of a car; Extreme Close Up shot, High angle
Movie still from “While You Were Sleeping” (1995), directed by Jon Turteltaub – A white truck parked on the side of the road; Wide shot, Low angle
Movie still from “Better Call Saul” (2015), created by Vince Gilligan – A person using a computer keyboard on top of a desk; Extreme Close Up shot, High angle
Movie still from “The Bourne Ultimatum” (2007), directed by Paul Greengrass – View of a person's mouth and ear; Extreme Close Up shot, High angle
Movie still from “The Walker” (2007), directed by Paul Schrader – A man sitting at a computer on a desk; Medium shot, High angle
Movie still from “The Descendants” (2011), directed by Alexander Payne – A person holding a cell phone; Extreme Close Up shot, High angle
Movie still from “Stutz” (2022), directed by Jonah Hill – View of a bunch of notes on a table; Extreme Close Up shot, High angle
Movie still from “Summer of 84” (2018), directed by Yoann-Karl Whissell – A contact list on top of money; Extreme Close Up shot, Overhead angle
Movie still from “Jerry Maguire” (1996), directed by Cameron Crowe – A man sitting at a table talking on a phone; Medium shot, High angle
Movie still from “We the Animals” (2018), directed by Jeremiah Zagar – A phone number on a purple background; Extreme Close Up shot, Low angle
Movie still from “Wall Street” (1987), directed by Oliver Stone – A person talking on a cell phone; Close Up shot, Low angle
Movie still from “Chernobyl” (2019), directed by Johan Renck – A person is playing a game on a remote control device; Extreme Close Up shot, High angle
Movie still from “Barney's Version” (2010), directed by Richard J. Lewis – A hand is on a phone on a desk; Extreme Close Up shot, High angle
Movie still from “Run Lola Run” (1998), directed by Tom Tykwer – An old red telephone with a silver dial; Extreme Close Up shot, Overhead angle
Movie still from “Love & Death” (2023), directed by Clark Johnson – A woman is talking on a phone in a room; Close Up shot, Over the shoulder angle
Movie still from “Dave” (1993), directed by Ivan Reitman – A person in a business suit is holding a remote control; Extreme Close Up shot, High angle
Movie still from “Love & Death” (2023), directed by Clark Johnson – A person talking on a phone; Close Up shot, Over the shoulder angle
Movie still from “Untrapped: The Story of Lil Baby” (2022), directed by Karam Gill – A sign on the side of a pole that says junk cars r ' us for $ 1 0 0 -$ 3 0 0; Extreme Close Up shot, Low angle
Movie still from “8-Bit Christmas” (2021), directed by Michael Dowse – A sign on the side of a building; Extreme Close Up shot, High angle
Movie still from “Zack Snyder's Justice League” (2021), directed by Zack Snyder – A black telephone on a table; Extreme Close Up shot, High angle
Movie still from “Mr. Robot” (2015), created by Sam Esmail – A computer screen with a message on it; Extreme Close Up shot, High angle
Movie still from “The Judge” (2014), directed by David Dobkin – A person holding a cell phone with a broken screen on it; Extreme Close Up shot, Overhead angle
Movie still from “The Simpsons Movie” (2007), directed by David Silverman – A man with a headset is working on a computer; Medium shot, High angle
Movie still from “The Irishman” (2019), directed by Martin Scorsese – A man in a suit and tie on the phone; Close Up shot, Low angle
Movie still from “God Forbid” (2022), directed by Billy Corben – A person talking on a phone; Extreme Close Up shot, High angle
Movie still from “The Long Kiss Goodnight” (1996), directed by Renny Harlin – A computer screen showing a receiver and caller numbers; Extreme Close Up shot, High angle
Movie still from “I Love You Phillip Morris” (2009), directed by John Requa – A person talking on a cell phone; Close Up shot, Low angle
Movie still from “Confessions of a Shopaholic” (2009), directed by P.J. Hogan – A man sitting at a desk writing on a piece of paper; Medium shot, Overhead angle
Movie still from “The International” (2009), directed by Tom Tykwer – A person holding a cell phone in their hand; Extreme Close Up shot, High angle
Movie still from “The Sopranos” (1999), created by David Chase – A man talking on a phone while wearing a suit and tie; Medium shot, Low angle
Movie still from “Home” (2021), directed by Saalih Chaudhry – A phone sitting on top of a wooden table next to a cup; Extreme Close Up shot, High angle
Movie still from “Dark” (2017), created by Baran bo Odar – A woman's hand on a phone on a table; Extreme Close Up shot, High angle
Movie still from “The Sopranos” (1999), created by David Chase – A man talking on a phone while standing in a kitchen; Medium shot, Low angle
Movie still from “Money Heist” (2017), created by Álex Pina – A person is typing on a white keyboard; Extreme Close Up shot, High angle
Movie still from “Run All Night” (2015), directed by Jaume Collet-Serra – The last call screen on a phone; Extreme Close Up shot, High angle
Movie still from “Better Call Saul” (2015), created by Vince Gilligan – A man sitting in front of a long wooden table; Medium shot, Over the shoulder angle
Movie still from “Glass Onion” (2022), directed by Rian Johnson – An office phone sitting on top of a desk; Close Up shot, High angle
Movie still from “Death Sentence” (2007), directed by James Wan – The company name sign on a wall; Medium shot, Low angle
Movie still from “The Sopranos” (1999), created by David Chase – A man in a towel talking on a phone; Medium shot, Low angle
Movie still from “Richard Jewell” (2019), directed by Clint Eastwood – A man sitting at a desk talking on a phone; Medium shot, High angle
Movie still from “Fear X” (2003), directed by Nicolas Winding Refn – A man sitting at a desk talking on the phone; Wide shot, High angle
Movie still from “It Chapter Two” (2019), directed by Andy Muschietti – A phone number is displayed on the screen of a cell phone; Extreme Close Up shot, High angle
Movie still from “Hollywoodland” (2006), directed by Allen Coulter – A man holding a phone up to his ear; Medium shot, Low angle
Movie still from “Ozark” (2017), created by Bill Dubuque – A hand on a computer keyboard in the dark; Extreme Close Up shot, High angle
Movie still from “Woman in Gold” (2015), directed by Simon Curtis – A telephone is lit up in a dark room; Extreme Close Up shot, High angle
Movie still from “Mystic River” (2003), directed by Clint Eastwood – A man talking on a phone while wearing a black t - shirt; Close Up shot, Low angle
Movie still from “Army of the Dead” (2021), directed by Zack Snyder – A closed sign hanging in front of a window; Medium shot, Low angle