Thom Enriquez

Thom Enriquez

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Movies

Movie still from “Brother Bear” (2003), directed by Robert Walker – A painting of a snowy landscape with trees and mountains in the background; Extreme Wide shot, Low angle
Movie still from “Dinosaur” (2000), directed by Eric Leighton – A view of a volcano from a distance; Extreme Wide shot, High angle
Movie still from “Mulan” (1998), directed by Tony Bancroft – A man with long black hair is kissing a man with long black hair; Close Up shot, Over the shoulder angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – An oil painting of a bear on a cliff; Extreme Wide shot, Low angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – An oil painting of a mountain and a lake; Extreme Wide shot, High angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – A painting of two people sitting on top of a cliff; Extreme Wide shot, Low angle
Movie still from “Mulan” (1998), directed by Tony Bancroft – An animated scene of a man and a woman sitting on a bench; Medium shot, Over the shoulder angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – View of a tree in a forest; Extreme Wide shot, Low angle
Movie still from “Mulan” (1998), directed by Tony Bancroft – A painting of mulan standing in front of a statue; Extreme Wide shot, Over the shoulder angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – A painting of a man holding an object in his hand; Extreme Wide shot, Low angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – A man sitting on top of a rock on top of a mountain; Extreme Wide shot, Low angle
Movie still from “The Lion King” (1994), directed by Rob Minkoff – An oil painting of an open field with a tree in the background; Extreme Wide shot, High angle
Movie still from “Mulan” (1998), directed by Tony Bancroft – An animated scene of a pond with a man and a woman sitting on a bench; Extreme Wide shot, Over the shoulder angle
Movie still from “Hercules” (1997), directed by Ron Clements – An artistic painting of a dirt road and a village in the background; Extreme Wide shot, High angle
Movie still from “Dinosaur” (2000), directed by Eric Leighton – An image of a tree in the middle of a field; Extreme Wide shot, High angle
Movie still from “Hercules” (1997), directed by Ron Clements – An illustration of a stairway leading up to the top of the stairs; Extreme Wide shot, High angle
Movie still from “Mulan” (1998), directed by Tony Bancroft – A crowd of people standing in front of a building at night; Extreme Wide shot, High angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – A painting of a man and a woman walking through a forest; Extreme Wide shot, High angle
Movie still from “Mulan” (1998), directed by Tony Bancroft – An old man and a young woman are standing next to each other in front of a tree; Medium shot, Over the shoulder angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – A painting of a snowy mountain with trees in the background; Extreme Wide shot, Low angle
Movie still from “Mulan” (1998), directed by Tony Bancroft – An old man with a long gray beard is standing in front of a building; Medium shot, Low angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – A painting of a bear and two people on a cliff; Extreme Wide shot, Low angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – A painting of a pink sky and some rocks; Extreme Wide shot, Low angle
Movie still from “The Lion King” (1994), directed by Rob Minkoff – An oil painting of a large cliff in the middle of a valley; Extreme Wide shot, Overhead angle
Movie still from “Hercules” (1997), directed by Ron Clements – A painting of a mountain with a house in the background; Extreme Wide shot, High angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – An artistic painting of a mountain valley with a river running through it; Extreme Wide shot, Low angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – A painting of a mountain range with a red sky at sunset; Extreme Wide shot, Low angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – A painting of a mountain range with trees in the foreground; Extreme Wide shot, Low angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – A painting of a forest with a bunch of trees in the background; Extreme Wide shot, Low angle
Movie still from “The Lion King” (1994), directed by Rob Minkoff – A herd of elephants walking across a grass covered field; Extreme Wide shot, Low angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – An oil painting of a rocky mountain side; Extreme Wide shot, Low angle
Movie still from “Mulan” (1998), directed by Tony Bancroft – An animated picture of an old man holding a sword; Close Up shot, Over the shoulder angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – A painting of a boat in the water near a mountain; Extreme Wide shot, Low angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – An oil painting of two horses grazing in a field; Extreme Wide shot, Low angle
Movie still from “The Lion King” (1994), directed by Rob Minkoff – A painting of a river flowing through a valley; Extreme Wide shot, High angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – An aerial view of a mountain range with trees in the background; Extreme Wide shot, High angle
Movie still from “Hercules” (1997), directed by Ron Clements – An artistic painting of a mountain with a sky background; Extreme Wide shot, Low angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – A painting of a mountain scene with trees and mountains in the background; Extreme Wide shot, Low angle
Movie still from “Mulan” (1998), directed by Tony Bancroft – An illustration of a man holding a baseball bat in a field; Extreme Wide shot, Low angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – An illustration of a person standing on top of a mountain; Extreme Wide shot, Low angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – A painting of a brown bear standing on top of a mountain; Extreme Wide shot, Low angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – A painting of a field with trees in the background; Extreme Wide shot, Low angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – A painting of two moose in the middle of a forest; Extreme Wide shot, Low angle
Movie still from “The Lion King” (1994), directed by Rob Minkoff – An artistic painting of a tree in the middle of a field; Extreme Wide shot, Low angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – An oil painting of a river flowing through a mountain valley; Extreme Wide shot, High angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – A painting of a mountain range at sunset; Extreme Wide shot, Low angle
Movie still from “Mulan” (1998), directed by Tony Bancroft – A crowd of people standing in front of a building; Extreme Wide shot, High angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – A painting of trees on the side of a cliff; Extreme Wide shot, Low angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – A painting of a deer grazing in a field with boats in the background; Extreme Wide shot, High angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – A painting of a snowy mountain range with snow on the ground; Extreme Wide shot, Low angle
Movie still from “Dinosaur” (2000), directed by Eric Leighton – A view of a body of water and a tree; Extreme Wide shot, Low angle
Movie still from “Mulan” (1998), directed by Tony Bancroft – An animated scene of a man and a woman; Medium shot, Over the shoulder angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – A painting of a person in a canoe on a body of water; Extreme Wide shot, High angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – A painting of trees and birds flying in the sky; Extreme Wide shot, Low angle
Movie still from “Mulan” (1998), directed by Tony Bancroft – An old man and an older man talking to each other; Medium shot, Over the shoulder angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – A bear sitting on top of a rock in front of the moon; Wide shot, Low angle
Movie still from “The Lion King” (1994), directed by Rob Minkoff – An oil painting of an open field with clouds in the background; Extreme Wide shot, Low angle
Movie still from “Hercules” (1997), directed by Ron Clements – An illustration of a man standing in front of an entrance to a castle; Extreme Wide shot, High angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – A painting of a bear and a cub in the mountains; Extreme Wide shot, Low angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – An aerial view of a body of water with rocks and trees in the background; Extreme Wide shot, Overhead angle
Movie still from “The Lion King” (1994), directed by Rob Minkoff – A painting of a grassy field with trees in the background; Extreme Wide shot, Low angle
Movie still from “Mulan” (1998), directed by Tony Bancroft – An animated man and a woman are looking at one another; Close Up shot, Over the shoulder angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – A painting of a red flower in front of a mountain range; Extreme Wide shot, Low angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – An oil painting of people standing on the side of a cliff; Extreme Wide shot, High angle
Movie still from “Mulan” (1998), directed by Tony Bancroft – An animated scene of a man holding a sword; Medium shot, Over the shoulder angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – An oil painting of a bird flying over a river; Extreme Wide shot, High angle
Movie still from “The Lion King” (1994), directed by Rob Minkoff – Two giraffes standing on top of a green hill; Wide shot, Low angle
Movie still from “Mulan” (1998), directed by Tony Bancroft – A man wearing a red robe and a black hat; Wide shot, Over the shoulder angle
Movie still from “Mulan” (1998), directed by Tony Bancroft – An animated picture of an old man with a beard; Close Up shot, Over the shoulder angle
Movie still from “Hercules” (1997), directed by Ron Clements – An illustration of a person hanging from a snow - covered moon; Extreme Wide shot, Overhead angle
Movie still from “Hercules” (1997), directed by Ron Clements – The face of a statue of a man with a beard; Close Up shot, Low angle
Movie still from “Hercules” (1997), directed by Ron Clements – A group of people standing on top of a set of stairs; Extreme Wide shot, High angle
Movie still from “Mulan” (1998), directed by Tony Bancroft – An animated picture of an old man with a long beard; Medium shot, Low angle
Movie still from “Mulan” (1998), directed by Tony Bancroft – A woman in traditional chinese clothing holding a basket; Wide shot, Over the shoulder angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – An oil painting of a valley with trees in the foreground and mountains in the background; Extreme Wide shot, High angle
Movie still from “Brother Bear” (2003), directed by Robert Walker – A lone tree stands on top of a hill at sunset; Extreme Wide shot, Low angle
Movie still from “Mulan” (1998), directed by Tony Bancroft – A group of women standing next to each other; Medium shot, Over the shoulder angle
Movie still from “Mulan” (1998), directed by Tony Bancroft – An animated scene of a man and woman eating food; Medium shot, Low angle