Paul Dehn

Paul Dehn

Writing

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Movies

Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man in a suit and tie sitting at a table with a glass; Medium shot, Low angle
Movie still from “Murder on the Orient Express” (1974), directed by Sidney Lumet – A person wearing a plaid shirt; Close Up shot, Over the shoulder angle
Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man walking on the side of a road next to a car; Wide shot, High angle
Movie still from “The Taming of The Shrew” (1967), directed by Franco Zeffirelli – A man dressed in renaissance clothing in a dimly - lit room; Close Up shot, Low angle
Movie still from “The Taming of The Shrew” (1967), directed by Franco Zeffirelli – A person wearing a costume; Close Up shot, Over the shoulder angle
Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A group of people standing on a road near mountains; Wide shot, High angle
Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man in a suit and tie standing in front of a yellow cart; Medium shot, Low angle
Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – Black and white photograph of a man in a jacket; Close Up shot, Low angle
Movie still from “The Taming of The Shrew” (1967), directed by Franco Zeffirelli – A person wearing a headdress; Close Up shot, Over the shoulder angle
Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – Black and white photograph of a man wearing a jacket; Close Up shot, Low angle
Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man wearing a suit and a hat standing in front of a hotel; Medium shot, Low angle
Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – A black and white photo of a man walking through an airport; Wide shot, Over the shoulder angle
Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A person behind bars in a jail cell; Close Up shot, Low angle
Movie still from “Murder on the Orient Express” (1974), directed by Sidney Lumet – A person with short hair; Close Up shot, Over the shoulder angle
Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – A man sitting in front of two other men in uniform; Medium shot, Low angle
Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A woman wearing a headset in an airplane cockpit; Close Up shot, Low angle
Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – Two men sitting at a table in front of a bottle of wine; Medium shot, Over the shoulder angle
Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man in a suit and tie holding a glass of wine; Medium shot, Low angle
Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man in a white suit smoking a cigarette and holding a red flower; Medium shot, Low angle
Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – Black and white photograph of a man in a suit; Close Up shot, Low angle
Movie still from “Goldfinger” (1964), directed by Guy Hamilton – An image of an old car parked at a gas station; Extreme Wide shot, High angle
Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man standing next to a car on top of a hill; Wide shot, Low angle
Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – A black and white photo of a man with a bandage on his forehead; Close Up shot, Over the shoulder angle
Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man in a suit and tie standing in front of a building; Close Up shot, Low angle
Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A young girl wearing headphones and a headset in an airplane cockpit; Close Up shot, Low angle
Movie still from “Escape from the Planet of the Apes” (1971), directed by Don Taylor – A man and a woman dressed like apes; Close Up shot, High angle
Movie still from “Escape from the Planet of the Apes” (1971), directed by Don Taylor – A man and a chimpanzee in a scene from planet of the apes; Close Up shot, Low angle
Movie still from “Goldfinger” (1964), directed by Guy Hamilton – Cars driving down a street with a lot of signs on the side of the road; Extreme Wide shot, High angle
Movie still from “The Taming of The Shrew” (1967), directed by Franco Zeffirelli – A person wearing a hat; Close Up shot, Over the shoulder angle
Movie still from “Murder on the Orient Express” (1974), directed by Sidney Lumet – A man in a uniform is standing in a dark room; Close Up shot, Low angle
Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A car driving down a road near a mountain range; Extreme Wide shot, High angle
Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – An older man wearing a hat standing in front of a gate; Close Up shot, Over the shoulder angle
Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – A man sitting at a wooden table in front of another man; Medium shot, Over the shoulder angle
Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man holding a briefcase at a gas station with mountains in the background; Wide shot, Low angle
Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – A man and a man in a uniform stand in front of a window; Medium shot, Low angle
Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – A man in a suit and tie with two other men in uniform; Medium shot, Low angle
Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man in a blue shirt is standing in front of a stone wall; Close Up shot, High angle
Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – Black and white photograph of a man sitting on the ground; Medium shot, High angle
Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A group of men standing next to each other in front of an airplane; Wide shot, High angle
Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – A man in a suit and tie looking at the camera; Close Up shot, Low angle
Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – A man and a woman looking in the same mirror; Close Up shot, Over the shoulder angle
Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – Two men sitting at a table with papers and a cup of coffee; Medium shot, Over the shoulder angle
Movie still from “Goldfinger” (1964), directed by Guy Hamilton – An old car is parked on the side of the road; Extreme Wide shot, High angle
Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – An old photo of people watching a woman in lingerie on a stage; Wide shot, Over the shoulder angle
Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man in a suit and hat standing in front of a building; Medium shot, Low angle
Movie still from “The Taming of The Shrew” (1967), directed by Franco Zeffirelli – A group of people sitting at a table holding wine glasses; Close Up shot, Over the shoulder angle
Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man and a woman getting out of an airplane; Medium shot, Overhead angle
Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – An older man wearing a suit and tie; Close Up shot, Low angle
Movie still from “The Taming of The Shrew” (1967), directed by Franco Zeffirelli – A woman in a hat and gloves standing next to a wooden post; Close Up shot, Low angle
Movie still from “Murder on the Orient Express” (1974), directed by Sidney Lumet – An old photo of a woman sitting in the window of an airplane; Close Up shot, Low angle
Movie still from “Murder on the Orient Express” (1974), directed by Sidney Lumet – An old man with a white beard is looking at the camera; Close Up shot, Low angle
Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – An older man in a suit stands next to a young man in a uniform; Close Up shot, Low angle
Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man in a suit and a hat driving a car; Close Up shot, Over the shoulder angle
Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man sitting in the driver's seat of a car wearing a hat; Close Up shot, Low angle
Movie still from “Escape from the Planet of the Apes” (1971), directed by Don Taylor – A group of men holding microphones in a room; Medium shot, Over the shoulder angle
Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man standing on a hill next to a car; Extreme Wide shot, High angle
Movie still from “Escape from the Planet of the Apes” (1971), directed by Don Taylor – A chimpanzees mother holding a baby in her arms; Close Up shot, High angle
Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – Two men standing on top of a hill in front of a snowy mountain; Extreme Wide shot, High angle
Movie still from “Murder on the Orient Express” (1974), directed by Sidney Lumet – An old man with a beard and a mustache; Close Up shot, Low angle
Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – A black and white photo of a woman looking up; Close Up shot, Over the shoulder angle
Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – Black and white photograph of a man in a suit and tie looking pensive; Close Up shot, Over the shoulder angle
Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – A black and white photo of a man wearing a hat; Close Up shot, Low angle
Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – A man riding a bike down a street next to a bus; Wide shot, High angle
Movie still from “Murder on the Orient Express” (1974), directed by Sidney Lumet – A man in a suit and tie; Close Up shot, Over the shoulder angle
Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – A person is walking down a hallway in a building; Wide shot, Low angle
Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man and a woman in front of a swimming pool; Close Up shot, Overhead angle
Movie still from “Murder on the Orient Express” (1974), directed by Sidney Lumet – An older man wearing a black hat and a black coat; Close Up shot, Over the shoulder angle
Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A woman in a helicopter with a plane in the background; Close Up shot, Low angle
Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – Black and white photograph of a man looking at the camera; Close Up shot, Low angle
Movie still from “Goldfinger” (1964), directed by Guy Hamilton – Two people walking down a dark street at night; Extreme Wide shot, High angle
Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man with a towel around his neck standing on the beach; Medium shot, Low angle
Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – A black and white photo of a man in a crowd of people; Medium shot, Over the shoulder angle
Movie still from “Murder on the Orient Express” (1974), directed by Sidney Lumet – A person sitting on a couch; Close Up shot, Low angle
Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man in a suit sitting in a jail cell; Wide shot, High angle
Movie still from “Goldfinger” (1964), directed by Guy Hamilton – An aerial view of a large city with a bridge; Extreme Wide shot, High angle