Paul Dehn

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Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man in a suit and tie sitting at a table with a glass; Medium shot, Low angle

Movie still from “Murder on the Orient Express” (1974), directed by Sidney Lumet – A person wearing a plaid shirt; Close Up shot, Over the shoulder angle

Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man walking on the side of a road next to a car; Wide shot, High angle

Movie still from “The Taming of The Shrew” (1967), directed by Franco Zeffirelli – A man dressed in renaissance clothing in a dimly - lit room; Close Up shot, Low angle

Movie still from “The Taming of The Shrew” (1967), directed by Franco Zeffirelli – A person wearing a costume; Close Up shot, Over the shoulder angle

Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A group of people standing on a road near mountains; Wide shot, High angle

Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man in a suit and tie standing in front of a yellow cart; Medium shot, Low angle

Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – Black and white photograph of a man in a jacket; Close Up shot, Low angle

Movie still from “The Taming of The Shrew” (1967), directed by Franco Zeffirelli – A person wearing a headdress; Close Up shot, Over the shoulder angle

Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – Black and white photograph of a man wearing a jacket; Close Up shot, Low angle

Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man wearing a suit and a hat standing in front of a hotel; Medium shot, Low angle

Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – A black and white photo of a man walking through an airport; Wide shot, Over the shoulder angle

Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A person behind bars in a jail cell; Close Up shot, Low angle

Movie still from “Murder on the Orient Express” (1974), directed by Sidney Lumet – A person with short hair; Close Up shot, Over the shoulder angle

Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – A man sitting in front of two other men in uniform; Medium shot, Low angle

Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A woman wearing a headset in an airplane cockpit; Close Up shot, Low angle

Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – Two men sitting at a table in front of a bottle of wine; Medium shot, Over the shoulder angle

Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man in a suit and tie holding a glass of wine; Medium shot, Low angle

Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man in a white suit smoking a cigarette and holding a red flower; Medium shot, Low angle

Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – Black and white photograph of a man in a suit; Close Up shot, Low angle

Movie still from “Goldfinger” (1964), directed by Guy Hamilton – An image of an old car parked at a gas station; Extreme Wide shot, High angle

Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man standing next to a car on top of a hill; Wide shot, Low angle

Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – A black and white photo of a man with a bandage on his forehead; Close Up shot, Over the shoulder angle

Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man in a suit and tie standing in front of a building; Close Up shot, Low angle

Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A young girl wearing headphones and a headset in an airplane cockpit; Close Up shot, Low angle

Movie still from “Escape from the Planet of the Apes” (1971), directed by Don Taylor – A man and a woman dressed like apes; Close Up shot, High angle

Movie still from “Escape from the Planet of the Apes” (1971), directed by Don Taylor – A man and a chimpanzee in a scene from planet of the apes; Close Up shot, Low angle

Movie still from “Goldfinger” (1964), directed by Guy Hamilton – Cars driving down a street with a lot of signs on the side of the road; Extreme Wide shot, High angle

Movie still from “The Taming of The Shrew” (1967), directed by Franco Zeffirelli – A person wearing a hat; Close Up shot, Over the shoulder angle

Movie still from “Murder on the Orient Express” (1974), directed by Sidney Lumet – A man in a uniform is standing in a dark room; Close Up shot, Low angle

Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A car driving down a road near a mountain range; Extreme Wide shot, High angle

Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – An older man wearing a hat standing in front of a gate; Close Up shot, Over the shoulder angle

Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – A man sitting at a wooden table in front of another man; Medium shot, Over the shoulder angle

Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man holding a briefcase at a gas station with mountains in the background; Wide shot, Low angle

Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – A man and a man in a uniform stand in front of a window; Medium shot, Low angle

Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – A man in a suit and tie with two other men in uniform; Medium shot, Low angle

Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man in a blue shirt is standing in front of a stone wall; Close Up shot, High angle

Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – Black and white photograph of a man sitting on the ground; Medium shot, High angle

Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A group of men standing next to each other in front of an airplane; Wide shot, High angle

Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – A man in a suit and tie looking at the camera; Close Up shot, Low angle

Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – A man and a woman looking in the same mirror; Close Up shot, Over the shoulder angle

Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – Two men sitting at a table with papers and a cup of coffee; Medium shot, Over the shoulder angle

Movie still from “Goldfinger” (1964), directed by Guy Hamilton – An old car is parked on the side of the road; Extreme Wide shot, High angle

Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – An old photo of people watching a woman in lingerie on a stage; Wide shot, Over the shoulder angle

Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man in a suit and hat standing in front of a building; Medium shot, Low angle

Movie still from “The Taming of The Shrew” (1967), directed by Franco Zeffirelli – A group of people sitting at a table holding wine glasses; Close Up shot, Over the shoulder angle

Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man and a woman getting out of an airplane; Medium shot, Overhead angle

Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – An older man wearing a suit and tie; Close Up shot, Low angle

Movie still from “The Taming of The Shrew” (1967), directed by Franco Zeffirelli – A woman in a hat and gloves standing next to a wooden post; Close Up shot, Low angle

Movie still from “Murder on the Orient Express” (1974), directed by Sidney Lumet – An old photo of a woman sitting in the window of an airplane; Close Up shot, Low angle

Movie still from “Murder on the Orient Express” (1974), directed by Sidney Lumet – An old man with a white beard is looking at the camera; Close Up shot, Low angle

Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – An older man in a suit stands next to a young man in a uniform; Close Up shot, Low angle

Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man in a suit and a hat driving a car; Close Up shot, Over the shoulder angle

Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man sitting in the driver's seat of a car wearing a hat; Close Up shot, Low angle

Movie still from “Escape from the Planet of the Apes” (1971), directed by Don Taylor – A group of men holding microphones in a room; Medium shot, Over the shoulder angle

Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man standing on a hill next to a car; Extreme Wide shot, High angle

Movie still from “Escape from the Planet of the Apes” (1971), directed by Don Taylor – A chimpanzees mother holding a baby in her arms; Close Up shot, High angle

Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – Two men standing on top of a hill in front of a snowy mountain; Extreme Wide shot, High angle

Movie still from “Murder on the Orient Express” (1974), directed by Sidney Lumet – An old man with a beard and a mustache; Close Up shot, Low angle

Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – A black and white photo of a woman looking up; Close Up shot, Over the shoulder angle

Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – Black and white photograph of a man in a suit and tie looking pensive; Close Up shot, Over the shoulder angle

Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – A black and white photo of a man wearing a hat; Close Up shot, Low angle

Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – A man riding a bike down a street next to a bus; Wide shot, High angle

Movie still from “Murder on the Orient Express” (1974), directed by Sidney Lumet – A man in a suit and tie; Close Up shot, Over the shoulder angle

Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – A person is walking down a hallway in a building; Wide shot, Low angle

Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man and a woman in front of a swimming pool; Close Up shot, Overhead angle

Movie still from “Murder on the Orient Express” (1974), directed by Sidney Lumet – An older man wearing a black hat and a black coat; Close Up shot, Over the shoulder angle

Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A woman in a helicopter with a plane in the background; Close Up shot, Low angle

Movie still from “The Spy Who Came in from the Cold” (1965), directed by Martin Ritt – Black and white photograph of a man looking at the camera; Close Up shot, Low angle

Movie still from “Goldfinger” (1964), directed by Guy Hamilton – Two people walking down a dark street at night; Extreme Wide shot, High angle

Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man with a towel around his neck standing on the beach; Medium shot, Low angle

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Movie still from “Murder on the Orient Express” (1974), directed by Sidney Lumet – A person sitting on a couch; Close Up shot, Low angle

Movie still from “Goldfinger” (1964), directed by Guy Hamilton – A man in a suit sitting in a jail cell; Wide shot, High angle

Goldfinger

(1964)

Murder on the Orient Express

Murder on the Orient Express

(1974)

Escape from the Planet of the Apes

Escape from the Planet of the Apes

(1971)

The Spy Who Came in from the Cold

The Spy Who Came in from the Cold

(1965)

The Taming of The Shrew

The Taming of The Shrew

(1967)