Helen Deutsch

Helen Deutsch

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Movies

Movie still from “The Loves of Carmen” (1948), directed by Charles Vidor – A woman in a black dress with a red necklace; Close Up shot, High angle
Movie still from “National Velvet” (1944), directed by Clarence Brown – A man and a woman talking to each other; Medium shot, Low angle
Movie still from “The Unsinkable Molly Brown” (1964), directed by Charles Walters – An older woman wearing a dress and a fur coat; Close Up shot, Over the shoulder angle
Movie still from “King Solomon's Mines” (1950), directed by Andrew Marton – A man with a red jacket and a white wig; Close Up shot, Low angle
Movie still from “National Velvet” (1944), directed by Clarence Brown – Two people hugging each other in a field; Medium shot, Low angle
Movie still from “The Loves of Carmen” (1948), directed by Charles Vidor – A woman with a flower in her hair sitting in front of a man; Close Up shot, Over the shoulder angle
Movie still from “The Loves of Carmen” (1948), directed by Charles Vidor – A woman in a purple dress sitting on a bed; Medium shot, Over the shoulder angle
Movie still from “National Velvet” (1944), directed by Clarence Brown – A young girl is looking into the camera; Close Up shot, High angle
Movie still from “National Velvet” (1944), directed by Clarence Brown – A beautiful blonde woman in a floral print dress; Close Up shot, Low angle
Movie still from “Valley of the Dolls” (1967), directed by Mark Robson – A yellow taxi cab driving down a street in the snow; Extreme Wide shot, High angle
Movie still from “Plymouth Adventure” (1952), directed by Clarence Brown – A man and a woman on a boat in the ocean; Medium shot, Low angle
Movie still from “The Unsinkable Molly Brown” (1964), directed by Charles Walters – A man standing on top of a hill next to a tree; Extreme Wide shot, High angle
Movie still from “Plymouth Adventure” (1952), directed by Clarence Brown – A person wearing a hat; Close Up shot, Low angle
Movie still from “The Unsinkable Molly Brown” (1964), directed by Charles Walters – A painting of a cabin in the mountains; Extreme Wide shot, Low angle
Movie still from “National Velvet” (1944), directed by Clarence Brown – A group of young people walking down a sidewalk; Medium shot, Low angle
Movie still from “National Velvet” (1944), directed by Clarence Brown – A crowd of people standing in front of a building at night; Extreme Wide shot, High angle
Movie still from “National Velvet” (1944), directed by Clarence Brown – A person sitting on a bench in the snow; Extreme Wide shot, High angle
Movie still from “National Velvet” (1944), directed by Clarence Brown – A young girl is looking into the camera; Close Up shot, High angle
Movie still from “King Solomon's Mines” (1950), directed by Andrew Marton – A woman in a white shirt is standing in front of a blue sky; Close Up shot, Low angle
Movie still from “National Velvet” (1944), directed by Clarence Brown – A group of people standing around a table; Medium shot, Low angle
Movie still from “King Solomon's Mines” (1950), directed by Andrew Marton – A woman in a dress sitting in a chair; Close Up shot, Over the shoulder angle
Movie still from “National Velvet” (1944), directed by Clarence Brown – A woman sitting at a table with a plate of food; Close Up shot, Over the shoulder angle
Movie still from “King Solomon's Mines” (1950), directed by Andrew Marton – A woman wearing a cape and a veil; Medium shot, Over the shoulder angle
Movie still from “I'll Cry Tomorrow” (1955), directed by Daniel Mann – A man playing a grand piano in front of an audience; Extreme Wide shot, High angle
Movie still from “Plymouth Adventure” (1952), directed by Clarence Brown – A man sitting on top of a rock on the beach; Wide shot, Low angle
Movie still from “I'll Cry Tomorrow” (1955), directed by Daniel Mann – A woman in a black dress is standing in front of a group of people; Medium shot, Low angle
Movie still from “King Solomon's Mines” (1950), directed by Andrew Marton – A group of men standing next to each other holding spears; Close Up shot, High angle
Movie still from “King Solomon's Mines” (1950), directed by Andrew Marton – A group of people walking through a field of flowers; Extreme Wide shot, High angle
Movie still from “National Velvet” (1944), directed by Clarence Brown – Two people walking down a dirt road under a cloudy sky; Extreme Wide shot, Low angle
Movie still from “King Solomon's Mines” (1950), directed by Andrew Marton – A woman sitting in a chair holding a pair of scissors in her hands; Close Up shot, Over the shoulder angle
Movie still from “National Velvet” (1944), directed by Clarence Brown – A group of people riding bikes down a path; Wide shot, Low angle
Movie still from “King Solomon's Mines” (1950), directed by Andrew Marton – A woman sitting on a chair wearing a hood; Medium shot, Low angle
Movie still from “National Velvet” (1944), directed by Clarence Brown – A person wearing a floral shirt; Close Up shot, Over the shoulder angle
Movie still from “King Solomon's Mines” (1950), directed by Andrew Marton – A woman in a tan jacket is sitting in a chair; Close Up shot, Over the shoulder angle
Movie still from “I'll Cry Tomorrow” (1955), directed by Daniel Mann – A black - and - white photo of a city street; Extreme Wide shot, Low angle
Movie still from “King Solomon's Mines” (1950), directed by Andrew Marton – A woman in a suit drinking from a metal cup; Close Up shot, High angle
Movie still from “National Velvet” (1944), directed by Clarence Brown – A young girl in a red polka dot dress; Close Up shot, High angle
Movie still from “The Loves of Carmen” (1948), directed by Charles Vidor – A woman's face behind bars; Close Up shot, Over the shoulder angle
Movie still from “Plymouth Adventure” (1952), directed by Clarence Brown – A man and a woman are talking to each other; Close Up shot, High angle
Movie still from “National Velvet” (1944), directed by Clarence Brown – A man and a woman sitting next to each other on a bench; Medium shot, High angle
Movie still from “The Loves of Carmen” (1948), directed by Charles Vidor – A woman in a purple dress sitting on top of a couch; Medium shot, Low angle
Movie still from “National Velvet” (1944), directed by Clarence Brown – A woman in a red hat and a purple jacket is sitting in some purple flowers; Close Up shot, Low angle
Movie still from “Plymouth Adventure” (1952), directed by Clarence Brown – A man standing on top of a boat in the water; Close Up shot, Low angle
Movie still from “National Velvet” (1944), directed by Clarence Brown – A young girl is smiling while holding her hands to her face; Close Up shot, High angle
Movie still from “National Velvet” (1944), directed by Clarence Brown – A man and a woman sitting at a dinner table; Medium shot, Over the shoulder angle
Movie still from “National Velvet” (1944), directed by Clarence Brown – A young woman in a red dress and a man in a brown hat; Medium shot, Low angle
Movie still from “I'll Cry Tomorrow” (1955), directed by Daniel Mann – An old photo of a woman looking at a young man; Close Up shot, Over the shoulder angle
Movie still from “National Velvet” (1944), directed by Clarence Brown – Two young women standing next to each other on the street; Medium shot, Low angle
Movie still from “National Velvet” (1944), directed by Clarence Brown – A young woman wearing a red and white plaid scarf; Close Up shot, Over the shoulder angle
Movie still from “King Solomon's Mines” (1950), directed by Andrew Marton – A woman sitting on top of a hill in front of a sky background; Medium shot, Low angle
Movie still from “King Solomon's Mines” (1950), directed by Andrew Marton – A man in a hat is talking to two men in traditional clothing; Medium shot, Over the shoulder angle
Movie still from “National Velvet” (1944), directed by Clarence Brown – A man wearing a hat and glasses talking to a woman in a crowd; Close Up shot, Over the shoulder angle
Movie still from “National Velvet” (1944), directed by Clarence Brown – Two young boys sitting at a table in front of stained glass windows; Medium shot, Low angle
Movie still from “King Solomon's Mines” (1950), directed by Andrew Marton – A group of people standing in front of a crowd; Wide shot, High angle
Movie still from “King Solomon's Mines” (1950), directed by Andrew Marton – A man wearing a hat with a bird perched on his shoulder; Close Up shot, Low angle
Movie still from “National Velvet” (1944), directed by Clarence Brown – An older man talking to a young girl in front of a crowd; Close Up shot, Over the shoulder angle
Movie still from “King Solomon's Mines” (1950), directed by Andrew Marton – A woman wearing a hat in front of a tree; Close Up shot, Low angle
Movie still from “King Solomon's Mines” (1950), directed by Andrew Marton – A group of women standing next to each other in front of trees; Close Up shot, Low angle
Movie still from “National Velvet” (1944), directed by Clarence Brown – A group of people standing around a table; Wide shot, High angle
Movie still from “The Loves of Carmen” (1948), directed by Charles Vidor – A woman in a black dress and a black veil; Close Up shot, Over the shoulder angle
Movie still from “National Velvet” (1944), directed by Clarence Brown – A young woman is holding her hands up to her ears; Close Up shot, Low angle