Helen Deutsch

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Movies

Movie still from “The Loves of Carmen” (1948), directed by Charles Vidor – A woman in a black dress with a red necklace; Close Up shot, High angle

Movie still from “National Velvet” (1944), directed by Clarence Brown – A man and a woman talking to each other; Medium shot, Low angle

Movie still from “The Unsinkable Molly Brown” (1964), directed by Charles Walters – An older woman wearing a dress and a fur coat; Close Up shot, Over the shoulder angle

Movie still from “King Solomon's Mines” (1950), directed by Andrew Marton – A man with a red jacket and a white wig; Close Up shot, Low angle

Movie still from “National Velvet” (1944), directed by Clarence Brown – Two people hugging each other in a field; Medium shot, Low angle

Movie still from “The Loves of Carmen” (1948), directed by Charles Vidor – A woman with a flower in her hair sitting in front of a man; Close Up shot, Over the shoulder angle

Movie still from “The Loves of Carmen” (1948), directed by Charles Vidor – A woman in a purple dress sitting on a bed; Medium shot, Over the shoulder angle

Movie still from “National Velvet” (1944), directed by Clarence Brown – A young girl is looking into the camera; Close Up shot, High angle

Movie still from “National Velvet” (1944), directed by Clarence Brown – A beautiful blonde woman in a floral print dress; Close Up shot, Low angle

Movie still from “Valley of the Dolls” (1967), directed by Mark Robson – A yellow taxi cab driving down a street in the snow; Extreme Wide shot, High angle

Movie still from “Plymouth Adventure” (1952), directed by Clarence Brown – A man and a woman on a boat in the ocean; Medium shot, Low angle

Movie still from “The Unsinkable Molly Brown” (1964), directed by Charles Walters – A man standing on top of a hill next to a tree; Extreme Wide shot, High angle

Movie still from “Plymouth Adventure” (1952), directed by Clarence Brown – A person wearing a hat; Close Up shot, Low angle

Movie still from “The Unsinkable Molly Brown” (1964), directed by Charles Walters – A painting of a cabin in the mountains; Extreme Wide shot, Low angle

Movie still from “National Velvet” (1944), directed by Clarence Brown – A group of young people walking down a sidewalk; Medium shot, Low angle

Movie still from “National Velvet” (1944), directed by Clarence Brown – A crowd of people standing in front of a building at night; Extreme Wide shot, High angle

Movie still from “National Velvet” (1944), directed by Clarence Brown – A person sitting on a bench in the snow; Extreme Wide shot, High angle

Movie still from “National Velvet” (1944), directed by Clarence Brown – A young girl is looking into the camera; Close Up shot, High angle

Movie still from “King Solomon's Mines” (1950), directed by Andrew Marton – A woman in a white shirt is standing in front of a blue sky; Close Up shot, Low angle

Movie still from “National Velvet” (1944), directed by Clarence Brown – A group of people standing around a table; Medium shot, Low angle

Movie still from “King Solomon's Mines” (1950), directed by Andrew Marton – A woman in a dress sitting in a chair; Close Up shot, Over the shoulder angle

Movie still from “National Velvet” (1944), directed by Clarence Brown – A woman sitting at a table with a plate of food; Close Up shot, Over the shoulder angle

Movie still from “King Solomon's Mines” (1950), directed by Andrew Marton – A woman wearing a cape and a veil; Medium shot, Over the shoulder angle

Movie still from “I'll Cry Tomorrow” (1955), directed by Daniel Mann – A man playing a grand piano in front of an audience; Extreme Wide shot, High angle

Movie still from “Plymouth Adventure” (1952), directed by Clarence Brown – A man sitting on top of a rock on the beach; Wide shot, Low angle

Movie still from “I'll Cry Tomorrow” (1955), directed by Daniel Mann – A woman in a black dress is standing in front of a group of people; Medium shot, Low angle

Movie still from “King Solomon's Mines” (1950), directed by Andrew Marton – A group of men standing next to each other holding spears; Close Up shot, High angle

Movie still from “King Solomon's Mines” (1950), directed by Andrew Marton – A group of people walking through a field of flowers; Extreme Wide shot, High angle

Movie still from “National Velvet” (1944), directed by Clarence Brown – Two people walking down a dirt road under a cloudy sky; Extreme Wide shot, Low angle

Movie still from “King Solomon's Mines” (1950), directed by Andrew Marton – A woman sitting in a chair holding a pair of scissors in her hands; Close Up shot, Over the shoulder angle

Movie still from “National Velvet” (1944), directed by Clarence Brown – A group of people riding bikes down a path; Wide shot, Low angle

Movie still from “King Solomon's Mines” (1950), directed by Andrew Marton – A woman sitting on a chair wearing a hood; Medium shot, Low angle

Movie still from “National Velvet” (1944), directed by Clarence Brown – A person wearing a floral shirt; Close Up shot, Over the shoulder angle

Movie still from “King Solomon's Mines” (1950), directed by Andrew Marton – A woman in a tan jacket is sitting in a chair; Close Up shot, Over the shoulder angle

Movie still from “I'll Cry Tomorrow” (1955), directed by Daniel Mann – A black - and - white photo of a city street; Extreme Wide shot, Low angle

Movie still from “King Solomon's Mines” (1950), directed by Andrew Marton – A woman in a suit drinking from a metal cup; Close Up shot, High angle

Movie still from “National Velvet” (1944), directed by Clarence Brown – A young girl in a red polka dot dress; Close Up shot, High angle

Movie still from “The Loves of Carmen” (1948), directed by Charles Vidor – A woman's face behind bars; Close Up shot, Over the shoulder angle

Movie still from “Plymouth Adventure” (1952), directed by Clarence Brown – A man and a woman are talking to each other; Close Up shot, High angle

Movie still from “National Velvet” (1944), directed by Clarence Brown – A man and a woman sitting next to each other on a bench; Medium shot, High angle

Movie still from “The Loves of Carmen” (1948), directed by Charles Vidor – A woman in a purple dress sitting on top of a couch; Medium shot, Low angle

Movie still from “National Velvet” (1944), directed by Clarence Brown – A woman in a red hat and a purple jacket is sitting in some purple flowers; Close Up shot, Low angle

Movie still from “Plymouth Adventure” (1952), directed by Clarence Brown – A man standing on top of a boat in the water; Close Up shot, Low angle

Movie still from “National Velvet” (1944), directed by Clarence Brown – A young girl is smiling while holding her hands to her face; Close Up shot, High angle

Movie still from “National Velvet” (1944), directed by Clarence Brown – A man and a woman sitting at a dinner table; Medium shot, Over the shoulder angle

Movie still from “National Velvet” (1944), directed by Clarence Brown – A young woman in a red dress and a man in a brown hat; Medium shot, Low angle

Movie still from “I'll Cry Tomorrow” (1955), directed by Daniel Mann – An old photo of a woman looking at a young man; Close Up shot, Over the shoulder angle

Movie still from “National Velvet” (1944), directed by Clarence Brown – Two young women standing next to each other on the street; Medium shot, Low angle

Movie still from “National Velvet” (1944), directed by Clarence Brown – A young woman wearing a red and white plaid scarf; Close Up shot, Over the shoulder angle

Movie still from “King Solomon's Mines” (1950), directed by Andrew Marton – A woman sitting on top of a hill in front of a sky background; Medium shot, Low angle

Movie still from “King Solomon's Mines” (1950), directed by Andrew Marton – A man in a hat is talking to two men in traditional clothing; Medium shot, Over the shoulder angle

Movie still from “National Velvet” (1944), directed by Clarence Brown – A man wearing a hat and glasses talking to a woman in a crowd; Close Up shot, Over the shoulder angle

Movie still from “National Velvet” (1944), directed by Clarence Brown – Two young boys sitting at a table in front of stained glass windows; Medium shot, Low angle

Movie still from “King Solomon's Mines” (1950), directed by Andrew Marton – A group of people standing in front of a crowd; Wide shot, High angle

Movie still from “King Solomon's Mines” (1950), directed by Andrew Marton – A man wearing a hat with a bird perched on his shoulder; Close Up shot, Low angle

Movie still from “National Velvet” (1944), directed by Clarence Brown – An older man talking to a young girl in front of a crowd; Close Up shot, Over the shoulder angle

Movie still from “King Solomon's Mines” (1950), directed by Andrew Marton – A woman wearing a hat in front of a tree; Close Up shot, Low angle

Movie still from “King Solomon's Mines” (1950), directed by Andrew Marton – A group of women standing next to each other in front of trees; Close Up shot, Low angle

Movie still from “National Velvet” (1944), directed by Clarence Brown – A group of people standing around a table; Wide shot, High angle

Movie still from “The Loves of Carmen” (1948), directed by Charles Vidor – A woman in a black dress and a black veil; Close Up shot, Over the shoulder angle

Movie still from “National Velvet” (1944), directed by Clarence Brown – A young woman is holding her hands up to her ears; Close Up shot, Low angle

National Velvet

National Velvet

(1944)

Valley of the Dolls

Valley of the Dolls

(1967)

King Solomon's Mines

King Solomon's Mines

(1950)

The Unsinkable Molly Brown

The Unsinkable Molly Brown

(1964)

I'll Cry Tomorrow

I'll Cry Tomorrow

(1955)

Plymouth Adventure

Plymouth Adventure

(1952)

The Loves of Carmen

The Loves of Carmen

(1948)